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- 30 de Ene, 2018
I am trying not to spoil myself, so I apologize if someone has already mentioned this, but does season 3 do anything with the king in yellow?
No.
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I am trying not to spoil myself, so I apologize if someone has already mentioned this, but does season 3 do anything with the king in yellow?
Bummer. Now that I know I don't care I went back through the thread and read everyone's comments and it sounds pretty good, but I have already seen law and order :/
I am trying not to spoil myself, so I apologize if someone has already mentioned this, but does season 3 do anything with the king in yellow?
Isn't HBO Max where they put the content that won't cut it on HBO?Season 4 trailer. Airs January.
I don't know. But I am getting season 2 vibes from this. Aka, it's gonna suck vibes. Mostly because they show a cop with cheek piercings. Dumb.Isn't HBO Max where they put the content that won't cut it on HBO?
Oh god who’s the pin cushion cop? She looks distractingly bad, and her acting is weak.Season 4 trailer. Airs January.
The "True Detective" IP has been taken away from creator and writer Nic Pizzolatto. It's just an HBO brand now. Don't think too hard about connections to previous seasons.Also, are they confirming the supernatural is real in this universe, as opposed to just people believing in it? Or did I miss more confirmation in the previous seasons?
I don't think it would matter anyway, I think he just caught lightning in a bottle that first season anyway. I really enjoy the second season, but really just as a pulpy schlock show, not anywhere near the same way as S1. S3 was trash, even without the gay nigger lead (although it is absolutely the best work Stephen Dorff has ever done).The "True Detective" IP has been taken away from creator and writer Nic Pizzolatto. It's just an HBO brand now. Don't think too hard about connections to previous seasons.
It's not that. He stole all of the nihilistic dialog that Rust had from another author then basically lied about it when caught. Thomas Ligotti wrote a series of essays that the True Detective author just stole word for word about the "pointlessness of life". Even the final quote in TD season one is stolen from an Alan Moore comic. And all those infamous Rust quotes were what got HBO to sign the show in the first place.I don't think it would matter anyway, I think he just caught lightning in a bottle that first season anyway.
The fourth season of True Detective was another show that was written and filmed. When it was shown to people from HBO they realized it was dogshit. They re-shot a few scenes to tie them into True Detective season one and then renamed the show with the True Detective name prominent from and center. It didn't even start out as a True Detective show it's just a cheap marketing ploy.The "True Detective" IP has been taken away from creator and writer Nic Pizzolatto. It's just an HBO brand now. Don't think too hard about connections to previous seasons.
I don't think it would matter anyway, I think he just caught lightning in a bottle that first season anyway. I really enjoy the second season, but really just as a pulpy schlock show, not anywhere near the same way as S1. S3 was trash, even without the gay nigger lead (although it is absolutely the best work Stephen Dorff has ever done).
I think he really just had one good show in him, and the rest of his stuff is just workmanlike at best. I mean even Galveston sucked, although to be fair, I'm not sure how much the shitty chick director changed (so much that he took his name off of it). The Guilty and Magnificent Seven both sucked (again, to be fair, they're adaptations, not really his, but he didn't exactly improve on either of them).
Everything else he's started on - Perry Mason (which he dropped from, then they went ahead and made), some dumb FX drama called Redeemer which was aborted, and apparently some Amazon Prime wester that, let's face it, isn't going to go anywhere - has died on the vine. I know shit happens, but that's too many to be coincidences.
I guess we fundamentally disagree. I don't give a fuck about branding when it comes to narrative arts. I can count on one hand the times an "IP" has been taken away from the people who made it great and didn't become a dumpster fire afterwards. The name means nothing, and the people who work on it (and make it into the thing you love in the first place) mean everything.Taking TD away from him wouldn't necessarily be a bad thing, it's just that it's going to be given to the standard retards who are just going to make more vulnerable minorities shows with nothing to do with TD other than the name and it might have some murders in it.
A mistake was arguably made by going so dark in the first season. It's literally impossible to go darker than that, so the show had nowhere to go that would have been satisfying to the audience and premise without being a direct continuation of that story. And that's not ever what the show was going to be.looks like shit.
season one was good because it was inspired by hosanna church louisiana and the ritual murder and abuse accusations. this show could immediately return to form by fictionalizing any other of the more substantiated cases of ritual abuse and murder. show immediately lost its way being about anything less terrifying and paranoid.
"nowhere to go" describes this show as it has existed since season 2. it's got no identity besides superficially mimicking season 1's style, which will always be empty because it's missing the substance.A mistake was arguably made by going so dark in the first season. It's literally impossible to go darker than that, so the show had nowhere to go that would have been satisfying to the audience and premise without being a direct continuation of that story. And that's not ever what the show was going to be.
I'm guessing the first season was written over the course of a few years and that he had no plans for a followup. I mean, look at season 2...
I had totally forgotten about that quote! Damn, what the fuck happened?pizzolatto was quoted saying season 2 would be about "Bad men, hard women and the secret occult history of the U.S. transportation system." clearly season 2 was rushed but abandoning that spicy idea was a mistake.
Season two is basically Chinatown. Except the main characters are even more retarded and illogical. Suicidal even. By the end of the show they are behaving so stupidly I just wished that they would die already because it was obvious that the show would end in their deaths. You just replace 'water rights' with 'train rights' and you even have the weird incest and female abuse angles still there."nowhere to go" describes this show as it has existed since season 2. it's got no identity besides superficially mimicking season 1's style, which will always be empty because it's missing the substance.
season one was good because it was inspired by hosanna church louisiana and the ritual murder and abuse accusations.
He didn't get blacklisted or anything, he developed severe mental illness and became increasingly erratic and impossible to work with. He now also has Alzheimer's.Look at David Milch's later career. The guy is one of the best living (for the moment... ) television writers, and he's a had nothing but failed (though very good) shows since Deadwood... which was also killed prematurely.