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Disclosure Day - Potentially the last collab of Spielberg, John Williams, and David Koepp
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Spielberg is a boomer who thinks that truth can only come from the news I guess. Which, I get it. From a visual storytelling perspective, the broadcast is cooler than just "Oh here's a bunch of alien footage on twitter". The reasoning is very contrived and it is one of the weakest aspects of the movie.
It reminds me of the message of Megalopolis, which was "Just shut the fuck up and let the government demolition your house to make way for new fancy apartments. Faggot." Such a boomer brained thing
It reminds me of the message of Megalopolis, which was "Just shut the fuck up and let the government demolition your house to make way for new fancy apartments. Faggot." Such a boomer brained thing
At least Megalopolis was like a weird and bad, but interesting vanity project. Disclosure Day is just like a somewhat toothless version of a better movie. I was more impressed with some of the indie and lesser-known alien abduction movies I've been going through lately.
At least Megalopolis was like a weird and bad, but interesting vanity project. Disclosure Day is just like a somewhat toothless version of a better movie. I was more impressed with some of the indie and lesser-known alien abduction movies I've been going through lately.
Megalopolis felt like an experimental film of just a binder of raw ideas being laid out of film ideas Francis Ford Coppla had over the years that wanted to put in a film. Disclosure Day feels like the last idea of a sometimes creative man who's far past his prime.
It sucked. Two and a half hours for no payoff. 3/10. Spielberg just took every alien trope/idea he had on the drawing board over the past twenty years and jumbled it together in an unsatisfying way. There’s one intense car chase that’s entertaining and the rest is subpar. We basically got the middle section of something. Either the start or the end of the plot would’ve made a good movie, instead we got the boring middle.
So many individual parts could’ve been cool. The ESP, the possession/body control, the alien artifacts, the aliens disguised as animals, the “found footage” aspect of the archived reels, the captured ayylmaos, the escaped ayylmao, the drama of the black guy preparing this (because apparently he was entirely resolved to disclose everything) all could’ve been interesting as a focus. I was waiting (because there was a lot of time in this long ass movie) for color on things like why listen to the aliens in the first place? The film seems to justify it because Spaceniggers were being tortured, but so are the people at Guantanamo Bay. Doesn’t mean we need to listen and follow their instructions! How do we know the black guy wasn’t just maliciously charmed in the same way Emily Blunt’s character was doing to people? Aliens are abducting people and luring kids into the woods and there’s this vague transcendent “maybe they have a purpose in doing this” rationale I find deeply unexplored.
Either the heist of alien artifacts or the results of “Disclosure Day” itself would’ve been better films. Maybe this is just my chud out but this was completely boomer-brained. One, the incomplete and unnecessary religious angle. Two, that showing everything on television would make everything better, as if “disclosure” as a concept is inherently righteous. I figured that was especially true with the whole angle of Nixon fucking things up creating the evil organization in the first place. Of course it all goes back to All The President’s Men.
I don't see the difference between Anderson Cooper disclosing it and podcaster doing it, would look the same in a movie if you filmed it dynamically and added dramatic music.
Also, a lot of people these days don't trust the mainstream media and would look for confirmation online anyway.
SPOILER: There, I just saved you two long, boobless hours. Just got Disclosure Dayed.mp4
The real message the population of Earth needs to hear right now.
Someone else on this site said this, not related to this movie I think, but this quote alone is far more enjoyable than this movie comes off as.
The real reason the government covers up aliens is because they’re thicc and we would have to continually stop marines and furries from sexually harassing them and thus creating another extraplanetary incident.
It looks like it's not going to totally bomb, which is fine. I skimmed it and saw the ending online, but I'll probably at some point properly watch it instead of a cam stream. Just not in a rush t all.
SPOILER: There, I just saved you two long, boobless hours. Just got Disclosure Dayed.mp4
The real message the population of Earth needs to hear right now.
The CGI is just so bad, Christ. The CG dinosaurs in Jurassic Park are legitimately more believable than some alien whispering sweet-nothings into some guy's ear as he and his co-star stare blankly up at spotlights.
It's a Spielberg movie. It was always gonna do just fine opening weekend only to drop off after that once word of mouth makes its rounds. There's been like no marketing for this movie and it's a boring June, but people will see "SPIELBERG" on a poster and decide on a whim to watch.
Don't you like how the alien bricks did whatever the plot needed for them to do at the time, or how the wise negro somehow knew fucking everything about everything and built the set that was an exact duplicate of Emily Blunt's house despite only knowing of her existence a day before the set was completed, or how World War III that was literally about to happen was put on hold because we suddenly find out about the existence of ayy lmaos.
It's not her fault literally every single movie is faggot nigger shit.
She's not worth watching because she repeats herself too much and talks too slow, not because of what she's saying (I do like the fact that either she or her editor recognizes her "here's the thing" verbal crutch.)
The CGI is just so bad, Christ. The CG dinosaurs in Jurassic Park are legitimately more believable than some alien whispering sweet-nothings into some guy's ear as he and his co-star stare blankly up at spotlights.
You're absolutely right about that. This is a handycam rip so some quality loss is to be expected but the alien looks very fake. I read somewhere that CGI realism peaked around the Pirates of the Caribbean with that octopus head captain.
The reason this looked so much better than modern day CGI is because it was done by professional artists in the USA. Experts. The best of the best. This is around the time that cheap assholes (Yids) started setting up CGI shops in India and the industry began slowly out-sourcing to them for CGI.
If you check the credits for modern films the CGI team will be a bunch of Singhs, Patels, Dikshits, etc. Fraudsters. The worse of the cheapest. Is it really all that surprising that it all looks like dogshit these days?
The original master CGI artist were people of a culture who gave us real works of art like this:
Now we get CGI from subhumans who are the product of a culture that creates shit like this:
Every time there's a movie that is getting overwhelmingly positive feedback and her audience recommends it to her, she makes up excuses why she won't be seeing it.
She only watches slop and then complains that slop is slop.
That's her shtick, that's how she gets ad revenue, she complains about slop being slop.
You're absolutely right about that. This is a handycam rip so some quality loss is to be expected but the alien looks very fake. I read somewhere that CGI realism peaked around the Pirates of the Caribbean with that octopus head captain. Ver archivo adjunto 9141643
The reason this looked so much better than modern day CGI is because it was done by professional artists in the USA. Experts. The best of the best. This is around the time that cheap assholes (Yids) started setting up CGI shops in India and the industry began slowly out-sourcing to them for CGI.
If you check the credits for modern films the CGI team will be a bunch of Singhs, Patels, Dikshits, etc. Fraudsters. The worse of the cheapest. Is it really all that surprising that it all looks like dogshit these days?
It looks like it's not going to totally bomb, which is fine. I skimmed it and saw the ending online, but I'll probably at some point properly watch it instead of a cam stream. Just not in a rush t all.
People are going to draw the comparison. Not a total bomb. 115 million dollar budget. Makes 80 Million globally opening weekend.
Backrooms did 118 Million globally on opening weekend. On a 10 million dollar budget. Steven Spielberg's self described "Magnum Opus" gets mogged by a Zoomer using a warehouse set and Blender. Drinker is right. Its time to retire Steve. You either go out like Johnny Cash with one last banger like his cover of "Hurt" or you go out with a series of embarrassing whimpers like Mike Tyson getting beaten up for money by men three times younger then him.
Maybe spend a few years writing and producing that Banger, or don't do anything at all.
