Unpopular Opinions about TV

I grew up in the '80s and laugh tracks were a part of every sitcom, so I never really noticed. Whenever the single camera format like "the office" showed up and didn't have a laugh track is what ruined most accounts for me. I was a die hard Seinfeld fan during its original run and was excited when Netflix added the entire series. Soon as I started watching it, the laugh track I had never noticed before was painfully obvious and annoyed the crap out of me. I watched a YouTube videos of sitcoms being filmed with the awkward pauses between punchlines sans laugh track. It finally occurred to me that most of the writing in sitcoms is terrible and unfunny.
I find the laugh tracks annoying too and have to re-adjust everytime I re-watch one of the classic series. Even then there are plenty of unfunny jokes that get an unwarranted audience laughs which can be grating. When every single joke is unfunny it gets on another level but I don't watch shitty shows so whatever.

Laugh tracks are a relic of a bygone era, when comedy was supposed to be entertaining as opposed to Two Minutes' Hate with snarky delivery. Lucy and Ethel getting up to some retarded shit has a laugh cue because, well, it's funny. "White people are just the worst, amirite?" [Canned laughter and applause] doesn't entertain, it just makes you think of the John Oliver copypasta.
I forgot John Oliver's show has a laugh track. That show is ridiculous, but I suspect this is a popular view within KF so I'm being off topic.
 
The Midnight Club was one of my favorite Christopher Pike books in middle school. Thought I was getting a standard ghost story, and yeah some supernatural stuff happens, but it turned out to be a fairly depressing and realistic look at terminally ill kids coping in a hospice. It was one of the first “mature” books I remember reading and it left an impact on me.

I saw it was getting a Netflix adaptation and stupid me felt a sliver of optimism despite knowing better. Watched it and it’s about as terrible as you’d expect.
 
The Midnight Club was one of my favorite Christopher Pike books in middle school. Thought I was getting a standard ghost story, and yeah some supernatural stuff happens, but it turned out to be a fairly depressing and realistic look at terminally ill kids coping in a hospice. It was one of the first “mature” books I remember reading and it left an impact on me.































I saw it was getting a Netflix adaptation and stupid me felt a sliver of optimism despite knowing better. Watched it and it’s about as terrible as you’d expect.















Read his scifi book "Starlight Crystal" and loved how batshit it was.
 
Finished the sitcom Taxi recently and thought it was pretty middling. With only a few exceptions the only really good episodes are the ones that focused on Louie (Danny Devito), Latka (Andy Kaufman), or Jim (Christopher Lloyd), or the (extremely few) that did anything with the whole taxi setup. Unfortunately, those episodes only make up like a fourth of each season -- Kaufman really had no interest in doing a sitcom so his contract stipulated he'd only be in half of a season's episodes, and Christopher Lloyd didn't join the main cast until partway through season two. The rest of the cast kinda sucked, being mostly normal people without any real quirks or funny characteristics (the exception being Tony Danza's character but him being a dumb meathead usually wasn't very funny). Oh, and Carol Kane was pretty great, too, though sadly she only joined in the final season and was tied to Latka, so she didn't appear much.

The show rarely featured a B-plot, so if the main plot sucked (which it usually did) then the episode was fucked. Taxi also often didn't use a lot of the cast, instead typically pairing Reiger (Judd Hirsch) with another character and focusing entirely on that duo; Hell, sometimes it'd just be Reiger plus some new episodic character. Speaking of plots, you'd think a show called Taxi would often focus on the characters driving a taxi and picking up weird people or something like that but, no, for like 80% of the episodes you could have the cast working in a deli and nothing would change. Also worth noting is that they tried the whole 'will they, won't they' thing with leads Judd Hirsch and Marilu Henner but the two had zero chemistry, so outside of like an episode a season the pairing was rarely brought up (and when it was it usually made Reiger seem like a cuck given how most of Henner's character's plots revolved around her love life).

Interestingly, James Burrows and Les Charles & Glen Charles worked heavily on the show for the first four seasons and would go on to create Cheers, which fixed pretty much every problem I have with Taxi, making me wonder if they realized the same issues with Taxi.
 
Modern Simpsons is overhated and Isn't dreadful like everyone says it is. at worst it's just really bland and out of touch but its not unbearable. I think it's just that the series has been running for so long that of course the show isn't going to be the height of quality by the 34th season. Modern Simpsons writers obviously work hard with any new episode they're given and they can't be
expected to be on permanent demand to deliver the very best version of the current season. I think the newer episodes aren't necessarily all terrible It's just the 'Golden Era' of 90s Simpsons was so good that It's just constantly dogged with its legacy going forward because they captured lightning in a bottle that can't be recreated again.
 
Unfortunately, those episodes only make up like a fourth of each season -- Kaufman really had no interest in doing a sitcom so his contract stipulated he'd only be in half of a season's episodes,
Interesting. I stopped watching it on Hulu because there were too many episodes in a row featuring the Kaufman character, and he annoyed the piss out of me.

I didn't make it to Christopher Lloyd becoming a regular.

edit: I don't think I made it through season 1, actually. I might have stopped after Latka's mom showed up.
 
I'm so tired of modern day serialized dramas. They're just essentially movies that are three times as long chocked full of filler. Apologies in advance for food metaphor but if a movie is a steak then your typical serialized drama is hamburger meat that's 60% breadcrumbs.

The great serialized dramas, Sopranos, The Wire, Mad Men, Breaking Bad, they're outstanding because they're ensemble shows. Those shows are great because 90% of the episodes because the supporting cast will be explored just as much as a normal movie's protagonist. I don't feel like my time is being wasted.

The most recent tv drama that caused this rant is "The Old Man" from FX. Has two legendary actors I love with Jeff Bridges and John Lithgow. The first episode is great. Then I watched the next 3 episodes and it just goes on and on. So much boring filler. I think it could be recut into a 2 and a half hour movie and be great. But as a needlessly long 7 episode season it becomes boring.

I guess there's people who like serialized dramas as they keep getting made but they should offer abbreviated movie long cuts of shows. David Lynch directed Twin Peaks pilot as a 90 minute movie (which has Dale Cooper solve the mystery of who killed Laura Palmer which I guess is non-canon) and if HBO hadn't greenlit The Sopranos David Chase would have recut the pilot as movie. I'd love it if we could just get more of that. Shouldn't really cost more.
 
Been watching First in Class starring Howard Hesseman and he's got surprising continuity between this show and WKRP in Cincinati. In First in Class, he was a hippie actor during the 60s and by the 80s became a substitute teacher. Well, Doctor Fever is a boomer that plays 60s music and by the early 80s, has been working as a DJ. So, in my head canon, they're the same person and his stint as Doctor Fever lasted as long as WKRP was in business. When it failed, because of course it did, he had to move out of Ohio to New York for work.
 
I'm so tired of modern day serialized dramas.
This is no longer unpopular. Many people are tired of them as studios try to capture lightning in a bottle again like in the late 90s and 00s. There’s a lot more creative freedom 25 years ago compared to now. Budgets keep surging so studios want even less chances taken, which means it’s going to be even more bland and safe. It was a great era of television that’s gone and not coming back.
Related : Arrested Development is not that good or funny.
When I heard from the creator that the purpose of AD is to paint all white people with the same brush as the Bluths, the show was dead to me. Matthew Weiner said a similar thing about Mad Men but I never thought that show was any good.
Finished the sitcom Taxi recently and thought it was pretty middling
Very few sitcoms hold up. These days it just feels like it’s just people soymazed about Danny DeVito being in a sitcom where he was in his 30s versus the show actually being considered funny.
 
When I heard from the creator that the purpose of AD is to paint all white people with the same brush as the Bluths, the show was dead to me.
Scott Pilgrim's Christian gf and her family should have been a dead giveaway. They didn't even try to be clever with that stuff, it's practically a minstrel show.
 
When I heard from the creator that the purpose of AD is to paint all white people with the same brush as the Bluths, the show was dead to me. Matthew Weiner said a similar thing about Mad Men but I never thought that show was any good.
I thought the Bluths were Jews. Both Tambor and Walter are jewish actors and the family was explicitly secular not even celebrating Christmas. Like it's not a big shock when George Bluth finds Judaism in prison.
 
Very few sitcoms hold up. These days it just feels like it’s just people soymazed about Danny DeVito being in a sitcom where he was in his 30s versus the show actually being considered funny.
There's plenty of old sitcoms I really like: MASH, Barney Miller, Cheers, Mary Tyler Moore.

Taxi was just... very mediocre.
 
If you turn on the OTA tuner on the TV and flip through the digital subchannels like MeTV, Antenna TV and Cozi TV, it's amazing how little classic TV from the standard definition era is still watchable.
I thought the Bluths were Jews. Both Tambor and Walter are jewish actors and the family was explicitly secular not even celebrating Christmas. Like it's not a big shock when George Bluth finds Judaism in prison.
This is like how Norman Lear cast the most Irish man in America, Carroll O'Connor, to be a WASP in All in The Family. Rob Reiner's Meathead character is supposed to be Polish.
 
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