- Registrado
- 5 de Mar, 2021
The Battlestar Galactica reboot was basically the last gasp of prestige sci-fi before networks realized people would watch anything and stopped pretending to care. Everyone likes to blame the writers’ strike for the death of smart serialized TV, but BSG kind of proves it was already dying of natural causes.
The ending is divisive. The religious twist was weird. Personally, I didn’t mind it. By that point, the show had been riding the mystery-box train for so long that literally any conclusion that didn’t end in incoherence felt like a win. The Cylons were always a problem, though. (Razor tried to retcon their nonsense.)
Then came Caprica. Ron Moore’s name is on it, but he was already gone. Let’s go back in time and answer all the questions nobody asked! Like, what if you got to see the bureaucratic backroom drama of a society that’s going to be glassed in ten years?
The pitch was “Dallas in space." The show splits focus between like, six families, and shocker: four of them are boring. The Cylons are now literally children, the humans are cartoonishly evil...
It’s giving Portal Prelude fan game energy where the gag is “what if the scientists were the real autistic robots?”
.. and tying the Adama family directly to the creation of the Cylons is designed to make the BSG universe feel smaller and dumber.
The finale is a disaster. So they kill off who you thought was young Bill Adama, only to say “oh no wait...that was his brother also named Bill Adama.” just absolute Henry James Olsen-type brain worms.
The villain from the pilot TV movie (who, by the way, is like if Brett Cooper got radicalized by Trad West memes) decides humanity isn’t vibing hard enough with her galaxy-brain monotheism. Her solution is to peace out into space and go full missionary on the Cylons. And the Cylons are somehow like, "preach!” and make a human their god-empress.
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