💰 Grifter Philosophy Tube / Oliver Lennard / Oliver "Olly" Thorn / Abigail Thorn - Breadtube's Patrick Bateman.

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Hahahahaha, look at this horribly unfortunately proportioned thing:
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I don’t even follow that ‘world’ and yet even I’m aware that some very famous people wore similar sorts of breastplates at the Met Gala this year:
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I don’t know how long his ‘custom piece’ has been in the works but it’s funny to think of him having it commissioned ages ago and then absolutely seething at seeing them wearing them first.

Bonus:
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As boring old Olly Lennard, he was a softly spoken, flabby wimp. Now, as a real woman, he's an uncompromising boss babe with biceps, Margaret Thatcher jackets and a whole load of CEO energy. With lefties, everything is a performance just to get one over on mother nature.
 
His moobs are so far apart you could fit a third between them, Total Recall style.

And shouldn't he be wearing skin coloured underwear with that transparent negligee, or whatever it's supposed to be? I can't tell if this is a typical Ollie male-brained faux pas or his fetish rearing up again.
 
I've saw yout typical normie spam pop news pages hying this shit out, seems that the establishment is trying to push him into action female roles and that he is trying the "muscle mommy" gimmick, after high profile failures like The Acolyte , Dracula's Ex-Girlfriend and the declining popularity of LGBT pandering how is he getting more work?
 
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Abigail Thorn Brings Fire and Fury to Sharako Lohar in Season 3 of ‘House of the Dragon’​

June 15, 2026

Jamie Broadnax

In a recent conversation with BGN, Abigail Thorn opened up about stepping into the role of Sharako Lohar, a character defined by power, pain, and an all-consuming mission of vengeance.

When BGN asked whether Sharako believes she is making the right choices or simply surviving, Thorn didn’t hesitate to locate the character in a far more dangerous emotional space.

“She is so focused on her mission of vengeance against the Sea Snake,” Thorn explained, “that she’s willing to sacrifice anything—anything—to get there.” That singular drive, she noted, doesn’t just shape Sharako’s actions. It defines her entire authority.

Sharako, as Thorn describes her, is not merely a warrior navigating chaos — she is a commander who has had to fight to be believed. Leading a host of men who do not question her authority is not incidental; it is something hard-won. The power she holds is inseparable from the struggle it took to claim it.

But beneath that control is something far more volatile.

Thorn revealed that she modeled Sharako on literary and cinematic figures defined by obsession and internal fracture, citing Captain Ahab from Moby Dick and Ricardo Montalbán’s iconic turn as Khan in Star Trek II: The Wrath of Khan.

“Because that’s very inspired by Ahab and Moby Dick,” she said. “She has this charm and sophistication on the surface, and underneath there’s this real pain and rage.”

At the heart of Sharako’s vengeance, Thorn suggests, is not just anger but fear. A fear of what remains when the mission is over.

“I think what she’s afraid of is staying as that person,” she added. “She believes that if she can just kill her white whale… she could go home, and she won’t have to do this anymore.”

In a recent conversation with BGN, Abigail Thorn opened up about stepping into the role of Sharako Lohar, a character defined by power, pain, and an all-consuming mission of vengeance.

When BGN asked whether Sharako believes she is making the right choices or simply surviving, Thorn didn’t hesitate to locate the character in a far more dangerous emotional space.

“She is so focused on her mission of vengeance against the Sea Snake,” Thorn explained, “that she’s willing to sacrifice anything—anything—to get there.” That singular drive, she noted, doesn’t just shape Sharako’s actions. It defines her entire authority.

Sharako, as Thorn describes her, is not merely a warrior navigating chaos — she is a commander who has had to fight to be believed. Leading a host of men who do not question her authority is not incidental; it is something hard-won. The power she holds is inseparable from the struggle it took to claim it.

But beneath that control is something far more volatile.

Thorn revealed that she modeled Sharako on literary and cinematic figures defined by obsession and internal fracture, citing Captain Ahab from Moby Dick and Ricardo Montalbán’s iconic turn as Khan in Star Trek II: The Wrath of Khan.

“Because that’s very inspired by Ahab and Moby Dick,” she said. “She has this charm and sophistication on the surface, and underneath there’s this real pain and rage.”

At the heart of Sharako’s vengeance, Thorn suggests, is not just anger but fear. A fear of what remains when the mission is over.

“I think what she’s afraid of is staying as that person,” she added. “She believes that if she can just kill her white whale… she could go home, and she won’t have to do this anymore.”

It’s a striking contradiction: a woman driven forward by rage, while simultaneously imagining a peaceful life she may never be able to return to.

Thorn also connected Sharako’s internal world to her physicality, particularly in how the character moves through violence and intimacy. After seeing the fight choreography, she realized it revealed something deeper than combat style, it exposed emotional distance.

“That moment tells me so much about her relationship with intimacy,” Thorn said, “her relationship with her body… probably her relationship with sex.”

Then came one of the most blunt, revealing character insights of the interview:

“One of the earliest things I discovered about her character… is that I think she stinks,” Thorn added candidly. “I don’t think she wants anyone to touch her or come near her.”

It’s a harsh, almost humorous detail — but one that underscores Sharako Lohar’s emotional isolation. She is a leader surrounded by followers, a warrior defined by control, and a person actively resisting closeness of any kind.

Through Thorn’s lens, Sharako Lohar becomes something more complicated than a traditional figure of vengeance. She is a study in contradiction: powerful yet guarded, commanding yet deeply fractured, certain of her mission while secretly dreaming of an exit that may not exist.

Season 3 of House of the Dragon debuts June 21st on HBO and is available to stream on HBO Max

Article; archive.ph is acting up.
 
after high profile failures like The Acolyte , Dracula's Ex-Girlfriend and the declining popularity of LGBT pandering how is he getting more work?
He isn't. Aside from the film he was shilling that doesn't even have distribution yet, HotD is his only acting credit since 2024, and it's a bit part at best.
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As a bonus lol, look at one of the stills included on his IMDB page. He's not even in focus.
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I know is kind of pointless but the main reason the muscle mommy meme makes me recoil in cringe is that women (yes, real women too) that capitalise on it pose like men for men (compare old school female bodybuilders to your instathot muscle mommies). It always feels like they bulk and cut to be seen instead of just happening to be strong.

There's something about seeing Choob try it that just makes it all click. At least he is putting more of an effort than Anisa.
 
It always feels like they bulk and cut to be seen instead of just happening to be strong.
There's a YouTuber I watch called Coach Kolton and he mainly covers steroid abuse in the BB community, but he also used to compete and has a lot of insider knowledge about the industry.

Basically there is virtually no money in bodybuilding for the sake of it. All your money comes from sponsorships or anything else you can use your exceptional physique for to generate income. As a result a surprising amount of female bodybuilders have OnlyFans or are otherwise involved in the porn industry because apparently there's a sizeable market of dudes who are into women who are built like they're dudes.

As to why Toob is doing it...well I certainly hope this isn't a prelude to the OF arc, but the acting gigs are drying up fast.

TL;DR You're correct that the majority of instathot muscle mommies are doing it for male attention because that's how they make money.
 
As to why Toob is doing it...well I certainly hope this isn't a prelude to the OF arc, but the acting gigs are drying up fast.

Toob still has narcissistic delusions stars in his eyes that enable his natural pigheaded gumption. He popped that cap on his first E syringe with the reassuring words of a thousand imaginary casting directors thirsting at him from the future. It'll be a long while before he does any actual porn. His vulgar little youtube shorts are pornographic enough for my tastes and it staggers me that he so genuinely feels he should be taken seriously as an actor.
 
I know is kind of pointless but the main reason the muscle mommy meme makes me recoil in cringe is that women (yes, real women too) that capitalise on it pose like men for men (compare old school female bodybuilders to your instathot muscle mommies). It always feels like they bulk and cut to be seen instead of just happening to be strong.

There's something about seeing Choob try it that just makes it all click. At least he is putting more of an effort than Anisa.

The “muscle mommy”s use peds. That’s how they achieve that aesthetic and yes it makes them look more manly and can give them a deeper voice too.
Choob doesnt need drugs to look like a man because he already is one.
 

A video essay I came across on YouTube. I can't sit through it all but it seems mainly defensive of the ridiculousness of his character in honour of Pride Month(tm). I do like the acknowledgement the character is hated, because it is, even if she tries to downplay it as a "vocal subsection of the internet". Disregarding the horrible acting that's apparent to everyone and the completely unclear intentions with the character's gender that will confuse every normal person watching, having a harem of wives he asks another man to tube in order to bear him children makes him deeply unlikeable and sleazy. "Women" emulating the behaviour of gross men is not groundbreaking or feminist. Sorry Toob, but it's not charming or funny. You will never be a Great Value Jack Sparrow.
 
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The first photo here looks alright if you crop the dress out. He looks like he could be in the Spiders from Mars or something. Maybe a double act with Noel Fielding. But in the 2nd photo he looks Frank Maloney tier.

I think forlorn gazes into an imagined future at a distance of 30 paces from the camera might be Olly's thing. Smiles and proximity just kill the vibe.
 
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