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Mad Max Trilogy. Or quadrilogy.My suggestion for Aussie week is: the original Mad Max (1979).
....or if we want a drama, Evil Angels/Cry in the Dark (1988).
Mad Max Trilogy. Or quadrilogy.
Mad Max 2 is brilliant and you will not convince me otherwise. Gibson may be an anti Semite, but he's a bloody good actor.Dear god, no. They've been done. They've been done to death. Bury them at the crossroads with a stake through their heart, just let them die. Swear to fucking god, they're just as bad as Priscilla or Muriel's Wedding. Every fucking time someone says "Let's watch an Australian movie," it's always the same fucking movies. Maybe on rare occasions The Dish will be brought out, but for fuck'd sake, can we watch something other than Mel fucking Gibson? He's a complete prat!
Mad Max 2 is brilliant and you will not convince me otherwise. Gibson may be an anti Semite, but he's a bloody good actor.
That's what makes it good! It's a movie about cars. Fire breathing supercharged suicide machines on speed. Where petrol is more important than water.I couldn't give a fuck about the Jewish shit. He's a prat. In every possible way, the man's a prat. And the entire Mad Max series is just a wank. Bogans in cars and leather, howling and shooting each other. Good the first time around, but four times over? It's bullshit.
It's like an American hating Die Hard.That's what makes it good! It's a movie about cars. Fire breathing suicide machines on speed. Where petrol is more important than water.
Sorry it's not some pretentious self-wank pseudo-philosophical drivel that makes you feel like an intellectual for watching it. Whether you like it or not, it's a symbol of Australian media. And what put Australian cinema on the map. I'm proud of it for that very reason. Shame you aren't.
Die hard isn't the first world-famous American film. It wasn't made on a shoe string budget and then went to international stardom. Not really a fair comparison.It's like an American hating Die Hard.
That's what makes it good! It's a movie about cars. Fire breathing suicide machines on speed. Where petrol is more important than water.
Sorry it's not some pretentious self-wank pseudo-philosophical drivel that makes you feel like an intellectual for watching it. Whether you like it or not, it's a symbol of Australian media. And what put Australian cinema on the map. I'm proud of it for that very reason. Shame you aren't.
We already got crocodile dundee queued, right?
Bloody Hell. What do you deviants want to know about Australians?