Mammamia in Naziland
kiwifarms.net
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- 31 de Oct, 2018
Oh I don't disagree with any of that. It's absolutely sub-par storytelling. My only point is that if people are trying to push this 'love or fear' dichotomy as being a superior trigger to the bells, they're deluding themselves. Both are reflective of terrible writing by D&D with an utter disregard of everything that came before that simply underlines the fact that the showrunners just don't care anymore.
What I wanted to convey, probably failing to as I tried to keep it short, is that if you squint you kinda can see what they were aiming for with the bell beat. You kinda see the character's beats for Daenerys. It is not a complete asspull.
But, although it is not the worst D&D have produced thus far, it is disjointed, halting and rushed at the same time, with a spitball wall quality to it with a bunch of possible partial explanations (it's the madness! The grief for the brown bff! For the dragon(s)! For Jorah! She fears the betrayals! She's been spurned by Jon and now she's angry! She's realizing now the hollowness of her lifelong mission! etc...), one of wich hopefully will stick. It surely is more or less organic when considering maybe this season's episodes?
BUT there is a fine difference between "no planning for the character" and "poor execution of some planing for the character". To me you seem to lean on the former, while I go for the latter. It is basically arguing semantic at this point, I fear