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- 14 de Ago, 2019
Just got to the part where Faye is a lesbian now, because just making her a hipster wasn't enough.
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Faye doesn’t interact with Gren at all in the live action adaptation.Just a little question, but the relationship between LesFaye and TroonGren makes me wonder... is it some creepy "if you're a lesbian, you should totally suck a tranny's girldick!" grooming for the audience?
"This adaptation got a FULL BLOWN TRANNY in it" is just the lesbian kiss from SW Plan 9 all over again, isn't it?Faye doesn’t interact with Gren at all in the live action adaptation.
Like I said, Gren does absolutely nothing in all ten episodes, he is a background character who hangs out at the off-brand Continental bar and gets to hold guns in the finale (but never fires). All the marketing and articles inflates how important he is (I’m glad it doesn't impede on what is already a horrible story), it’s a cheap ploy to get troons to watch, if I were one of them I’d be feeling let down because everything looked like he was going to be the leading tranny of the cast.
Edit: okay I totally misunderstood you because I just woke up, but no the lesbian shit is more like really tacky fanservice rebranded as woke.
I mentioned before that Gren literally was put in the show due to last minute rewrites. He literally was never meant to be there until a theoretical season 2 (which is pretty unlikely nowFaye doesn’t interact with Gren at all in the live action adaptation.
Like I said, Gren does absolutely nothing in all ten episodes, he is a background character who hangs out at the off-brand Continental bar and gets to hold guns in the finale (but never fires). All the marketing and articles inflates how important he is (I’m glad it doesn't impede on what is already a horrible story), it’s a cheap ploy to get troons to watch, if I were one of them I’d be feeling let down because everything looked like he was going to be the leading tranny of the cast.
Edit: okay I totally misunderstood you because I just woke up, but no the lesbian shit is more like really tacky fanservice rebranded as woke.
My memory is shit right now (thanks TBI) but a lot of those episodes weren’t a solid 50 minutes which is just…why? Am I just being autistic over episode lengths or does anyone else think the least a producer can do is make their episodes equal length?I mentioned before that Gren literally was put in the show due to last minute rewrites. He literally was never meant to be there until a theoretical season 2 (which is pretty unlikely now). It goes to show how overinflated the shows runtime is that they shoved a character in just to pad out the fact they had hour long episodes.
On traditional TV, that was necessary for broadcast scheduling purposes, but other than that, why? It's like making each chapter of a book the exact same length.My memory is shit right now (thanks TBI) but a lot of those episodes weren’t a solid 50 minutes which is just…why? Am I just being autistic over episode lengths or does anyone else think the least a producer can do is make their episodes equal length?
I think the actor playing Aang was born in 2009 or 2010, meaning he'll be like 11 or 12 when filming happens. But that seems on par for anything Netflix decides to make live-action. Not related to anime, but on the topic of Netflix and live-action adaptations, as someone who grew up watching Winx Club, I couldn't believe the live-action version actually made the animated show (which had a lot of glaring faults) look like a "masterpiece".Wasn't there a leak or anouncement or some shit a while back that they were completely altering the story to be about aang being like a bald kid in highschool that gets super bender powers or some shit?
She looks like fucking cosmo/narcissa in that fucking still lmao
The thing with Netflix or any distributor studio and live action is that they just fund it and it’s the staff that usually fucks up. One Piece can work if they just capture the essence of the story since it would be a bad idea to do a faithful adaptation of the manga with how long it is. One Piece surprisingly looks more faithful since the head writer for it is actually a fan, the casting is actually good, and Oda has more involvement with it. This is being optimistic but it’s a step forward compared to adaptations like Bebop and Deathflix where the people behind it have no understanding or knowledge about the source material aside from skimming it.I finally watched a bit of the live-action adaptation because it kept popping up in my Netflix account. I'm not the biggest Cowboy Bebop fan, but when I heard that Netflix was doing a live action adaptation, I knew that a live-action Jet Black would be played by a nigga.
I think the actor playing Aang was born in 2009 or 2010, meaning he'll be like 11 or 12 when filming happens. But that seems on par for anything Netflix decides to make live-action. Not related to anime, but on the topic of Netflix and live-action adaptations, as someone who grew up watching Winx Club, I couldn't believe the live-action version actually made the animated show (which had a lot of glaring faults) look like a "masterpiece".
I've heard that Netflix is spending around $10M per episode on that One Piece adaptation, but I don't know how they're going to adapt it. Isn't the anime 1000+ episodes and the manga's still going? And some of the powers seem just, too cartoony for real life, even with "cutting edge" technology.
Most of the things you listed off happen because everyone involved in the show's production is ass and they havent got a clue as to what made the anime a classic, but I think this one in particular plays out this way because episode 9 (the one before the finale) is nothing but a 50 minute flashback of Spike's backstory. Theres a lot of scenes of Spike and Julia in there, so Im guessing they didnt want to have a 2 minute flashback composed of things we just watched in the previous episode.5. Unless ive been watching a cut off to copyright clip, then nu bebop, despite the run-time increase overall, only gives 40 seconds to greenbird total, while the anime dedicated almost 2 to let the flashbacks and falling sink in and play out, worst part about this, is that they end up chopping the song from the mid point or so to the end, and it shows, badly
Sorry while reading this all I see is the 2000 Dungeons and Dragons movie playing in fron of my eyes. The love of the franchise doesn't amount to shit if they don't have the talent to do it. Although I do want to be wrong and the One Piece live adaptation doesn't suck.The thing with Netflix or any distributor studio and live action is that they just fund it and it’s the staff that usually fucks up. One Piece can work if they just capture the essence of the story since it would be a bad idea to do a faithful adaptation of the manga with how long it is. One Piece surprisingly looks more faithful since the head writer for it is actually a fan, the casting is actually good, and Oda has more involvement with it. This is being optimistic but it’s a step forward compared to adaptations like Bebop and Deathflix where the people behind it have no understanding or knowledge about the source material aside from skimming it.
Ah, so that explains it, i pretty much refused to watch it so i have no idea about it as a whole, just individual ruinings of the scenes, but still, wewMost of the things you listed off happen because everyone involved in the show's production is ass and they havent got a clue as to what made the anime a classic, but I think this one in particular plays out this way because episode 9 (the one before the finale) is nothing but a 50 minute flashback of Spike's backstory. Theres a lot of scenes of Spike and Julia in there, so Im guessing they didnt want to have a 2 minute flashback composed of things we just watched in the previous episode.
The solution to that problem would have been to scrap the terrible flashback episode entirely and just do it like the anime did, keeping it all subtle and implied. Really the solution to most of this shows problems would've been to just do it like the anime, which just goes to show that Netflix Bebop is pointless and trash.
I'm not saying it's going to be automatically good, it's just hat at least there will be more good faith behind it compared to the other live action offerings that came on Netflix by people who hated or didn't understand the point of the source material. But that's just me being optimisticSorry while reading this all I see is the 2000 Dungeons and Dragons movie playing in fron of my eyes. The love of the franchise doesn't amount to shit if they don't have the talent to do it. Although I do want to be wrong and the One Piece live adaptation doesn't suck.
I need to watch that flashback episode because it sounds like it has focus on literally all the worst actors in the show. But seriously with how Nemec seems to view the show, it's going to be worse for Netflix Bebop since I guarantee there is going to be a happy ending (for season 2) with how he cried how he didn't want the show to have this dark dystopian view to it.Most of the things you listed off happen because everyone involved in the show's production is ass and they havent got a clue as to what made the anime a classic, but I think this one in particular plays out this way because episode 9 (the one before the finale) is nothing but a 50 minute flashback of Spike's backstory. Theres a lot of scenes of Spike and Julia in there, so Im guessing they didnt want to have a 2 minute flashback composed of things we just watched in the previous episode.
The solution to that problem would have been to scrap the terrible flashback episode entirely and just do it like the anime did, keeping it all subtle and implied. Really the solution to most of this shows problems would've been to just do it like the anime, which just goes to show that Netflix Bebop is pointless and trash.
It's jazz and blues, you're gonna come across similar-sounding music.I heard someone mention once that Yoko Kanno is a plagiarist. Is that true? Or is it just that the soundtrack kinda maybe sounds like some other theme song in the same genre?