Speaking of diversity and other trigger words for woke people, I noticed this little gem
while looking up articles on the series.
It probably means nothing, but I have a feeling he made this character deliberately female, instead of organically. No one would give a shit about it if he didn't turn his pulpit into grandstanding about Trump.
I like the series, but it has nothing to do with current events. It's based on the events that occurred over thirty-three years ago.
I don't think it really matters, but she's really the only female main character. I think he felt the need to balance it out, and if you're going to do that, its better to do it with an amalgam character than a historical one. And since you're doing an amalgam character, the sex really doesn't matter. Her lines of dialogue are basically interchangeable if she were male, which is basically what you want with a character. These are human beings, with human emotions.
To be honest, it feels like a good choice. It evens the cast out without it feeling inorganic. I know some people say it feels 'forced' but it doesn't to me. All the characters have their strengths and weaknesses. You think Scherbina is just a cunt, but he's just a political operative who has survived so long by being cautious and he genuinely wants to help once he finds out the intense gravity of the situation. Legoslav is stuck between a rock and a hard place, someone who doesn't want to navigate these waters. But is given an immense amount of power and authority, a crushing weight he isn't used to. And then you have Emily Watson (who is, yes, Legoslav's representation of his conscious. She's an amalgam character as well as a metaphor) she's free from this burden because she's operating on the outskirts and can act as his conscious. But as Scherbina says, its easy to do so when you're not the one facing the bullet.
So each of these characters have their respective strengths and weaknesses. And honestly, if I were writing this, I would have made the amlgam character a woman as well. 99% of the cast is men, which is historically accurate. Its ok to have one of the three mains and one of the three representations as a woman. Think of it like this.
You can picture Legoslav as the main, with Scherbina and Khomyuk as two sides of his soul, pulling at him in opposite directions. Scherbina represents the practical, fearsome nature of the party operative that is part of Legoslav. While Khomyuk represents the scientific, compassionate mind, truth at any cost portion of his soul. One male representation and one female representation. With Legoslav being in the middle. Its based on historical events, but it is still a drama and written like one.
So you have this triad, with Legoslav in the middle, Khomyuk on one side, Scherbina on the other. Both pulling at him in different directions. The only exception is Scherbina was a historical figure. But it is 100% Shakespearian in that Scherbina and Khomyuk are pseudo-metaphorical, serving as two sides of Legoslav's mind. If you think about it, what would you associate with pragmatism and shrewd survival? Male. Compassion and love for the people, truth at any cost? Female. I mean, narrative wise, these are archetypes. Really classic ones too. That's why you've got Emily Watson as the female character. Thinking about this through the standpoint whereby we're seeing the story unfold through Legoslav's eyes and his mind, that's what these two characters serve as. One male half, one female half, one full human being.
Nobody ever thinks of story-telling, just the culture war. Makes me so fucking sad. Everything boiled down to Trump derangement syndrome and "YAS QKWEEN". It isn't woke, the guy didn't just haphazardly include a female because his politics told him to do so. Emily Watson's character is female for very good reasons. One, there were female scientists. Two, to round out the cast since its all male and another perspective is important. Three, to act as a metaphor for Legsolav's compassion. Four, she's an amalgam character so sex didn't matter. The problem is nobody understands anything from a storytelling perspective anymore. He's most certainly using Emily Watson as I described her, as a literary and narrative device, serving as metaphor for Legoslav's compassionate side as well as the other scientists. The problem is reviewers don't understand storytelling anymore. They only understand this political narrative garbage. They don't know why Chernobyl is good. Its like their brains have lost the way to do this so creators don't have a choice but to go low-brow political because that's the only way people seem to want to engage with their media these days. At least reviewers and the fucktarded media as well as progtards.
If he said that Emily Watson was a narrative device and metaphor and her sex really didn't matter (it doesn't, but she's female because she represents Legoslav's compassion and conscious, a classic feminine literary archetype from ancient fucking Greece), he'd get called a fucking sexist from dawn till dusk. But if he goes, "Yeah, I made her female because women are awesome" he gets "YAS QKEEEN SLAY" and none of the headache from fucking mongoloid re.tards who don't understand a story. So I see his point if he explained it that way. He is definitely keenly aware of the climate. I mean, maybe he did do it because of 'wokeness' but the narrative seems too complex for that simple explanation, and its easier these days to treat the media as re.tarded children than give them the accurate explanation for things.
It's because of the scenes where Dyatlov and the plant's administrators deny the fact that the reactor core is no more, despite their subordinates all saying the opposite and people feeling very visible effects of radiation poisoning. Trump's opponents compare Dyatlov's denial of the reactor's explosion to Trump's denial of climate change.
It most certainly doesn't have anything to do with current events. Just the usual, dude trying to gain woke points on Twitter. The problem is we're boiling all of our interactions down to this. You have to look at how this guy wrote it. The way he tells the story. The narrative is compelling because of how he tells it, and how Legoslav is a Shakespearean figure. The whole thing plays out like a Shakespeare play. A tragedy about madness. Its got a fuckton of Shakespearean influences.
Its got far more in common with Hamlet or Othello than it does with Donald fucking Trump and climate change. This fucking shit makes me nauseous. How this guy accepts his interwoven, complex narrative, with breathtaking cinematography (fuck me, STALKER and Fallout, beautiful), the droning soundtrack, to this one note "HURR ORANGE MAN BAD" & "YASSS QKWEEN" to mongoloids on Twitter I will never fucking understand.