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💰 GrifterAnthony Fantano / TheNeedleDrop - "The Internet's Busiest Music Nerd"™, heelturned since 2017, slowly becoming smug SJW, threw Sam Hyde under the bus
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🇵🇦 Nuestro primer dominio localizado está en español en kiwifarms.pa. Our first localized domain is on Spanish on kiwifarms.pa.
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White middle aged guys writing about Jazz musicians like they were Mozart in the 90s and 2000s was the proto version of Fantano "KENDRICK IS A MUSICAL GENIUS!!!!!" soyshit today. It all comes down to white liberal guys taking their white guilt and medicating it by praising blacks artists. That's all it is. "WOWIE ZOWIE A BLACK GUY GREW UP IN THE GHETTO AND SHOT OTHER BLACKS TO BUY SNEAKERS?! THIS IS SO DEEP D*DE"
I don't think Anthony Fantano has ever actually heard music in his life. He just reads the lyrics and looks at the notes on a sheet. There's no evidence of him ever listening to music
Fear Factory is just Dino Cazares being an embarrassment for 45 minutes as he covers songs from albums he wasn't even in the band when released, with the guy from Static-X and some wop.
It's at least a highly competent cover band, the new kid's Bell impression is better than Bell's own Bell impression these days. Milo can actually hold a pitch while singing.
He played bass in a project called TAIGA. It's not bad, really, but certainly nothing groundbreaking or anything. Just some alright drone/noise. I throw it on from time to time.
Here's a live video just so you know it's actually him.
The Drake thing is strange. Either him and everyone around him are total morons, or the whole ‘beef’ is stage managed.
There are absolutely obvious things to criticize Kendrick Lamar for. His total hypocrisy, for instance. The fact that he owes his career to white/(((white))) ‘critics’ and media, for instance. The fact that Tupac Shakur - his idol - was a complete fraud, for instance.
Kendrick has ran cover for - and even idolized - woman abusers such as Kodak Black and Dr Dre and an ex-pimp such as Nipsey Hussle, as well as various other typical niggers, and yet he has LARPed as a crown-of-thorns wearing feminist. His ‘Meet the Grahams’ could be ‘Meet the Wilburns’ (Future) and have just as much, if not more, validity and yet he’ll jump on a Future track when it suits and name drop him in his own music. He’s an inconsistent, hypocritical faggot.
As others have rightly pointed out, he owes all his supposed ‘credibility’ to white/(((white))) people, the only reason I can think Drake doesn’t attack this properly is because it’d be an own goal given that Drake is Jewish and has a large white audience. It would also be difficult to take the Tupac angle given that so many niggers are still ignorant - willfully or otherwise - of Tupac’s true story.
Another thing to criticize would be that Kendrick’s last tour, a joint one with SZA, didn’t sell out. This is how you can tell when an artist is being astroturfed. You can bot streaming numbers, your label can pay or quid pro quo you into headlines, magazine features and award wins but it’s very hard to fill those empty seats. There were tickets still available for most of those dates I think.
All of these angles of attack are obvious and yet Drake, or those advising him, haven’t gone for them.
The ‘Iceman’ album is pretty good if you’re into that sort of thing. The other two albums are terrible and clearly just him trying to run down whatever number of albums deal he has.
Fantano is a typical white - is he definitely ‘white’? he’s sort of beige/light grey sometimes, heading towards that NPC meme - reddit-brained Kendrick cheerleader. ‘GNX’ is an unmemorable, sub-par album with a couple of good tracks and yet:
Of course it did.
There was a time around ‘Yeezus’ when Kanye was full Farrakhan-with-a-porn-addiction and became ‘critic-proof’, once he fell off Kendrick took over as the next ‘critic-proof’ rapping nigger.
The criticism industry is made up of whites who daren’t say anything actually critical of niggers, and niggers who obviously would never diss their own. It’s a useless ‘industry’ that exists to attempt to engineer narratives and show people what they should think. Burn it down.
You know pricks like Fantano don’t practice what they preach either, I have no doubt he was insufferable to his black ex-wife and whatever dough she got from the divorce was NDA contingent. I’d love to hear what she has to say about that potato headed fuck.
You know pricks like Fantano don’t practice what they preach either, I have no doubt he was insufferable to his black ex-wife and whatever dough she got from the divorce was NDA contingent. I’d love to hear what she has to say about that potato headed fuck.
Fantano will crack the whip on any nigger who steps off his political plantation, just look at how he's treated Kanye, he acts like the guy's a terrorist who bombed women and children. His love for Kendrick is entirely political. Kendrick is "politically black," he's radical chic, that's what Fantano gets hard for. Drake was actually spot-on for once when he said Kendrick's "still rappin' like he's about to get the slaves freed." Yeah Drake, that's what Fantano loves about him. You'd have to be out of your fucking mind to insist you prefer Kendrick albums to Kanye albums, Kanye is a fun producer, Kendrick just does a variety of funny voices. But it's all politics for Fantano, so he does insist. I bet his wife wasn't black enough for him.
There was a 13 year gap between the newest album Inferno and the previous Tomorrow's Harvest which came out in 2013. People freaked out because it had been so long. I really enjoyed it personally. If I were to use Fantanos gay number scoring I'd give it a 7 or 8.
White middle aged guys writing about Jazz musicians like they were Mozart in the 90s and 2000s was the proto version of Fantano "KENDRICK IS A MUSICAL GENIUS!!!!!" soyshit today. It all comes down to white liberal guys taking their white guilt and medicating it by praising blacks artists. That's all it is. "WOWIE ZOWIE A BLACK GUY GREW UP IN THE GHETTO AND SHOT OTHER BLACKS TO BUY SNEAKERS?! THIS IS SO DEEP D*DE" Ver archivo adjunto 9139171
The be fair the jazz guys of the bebop era really did do some ground breaking stuff harmonically. It's just that nobody else put it into practice except jazz musicians.
Rappers have done nothing ground breaking at all musically. It's just all muh dick, drugs, money and killing or it's political slop. There's only a few ok rappers like del the funky homosapien or Kool Keith.
They are niggers but they were smart niggers. How does that have anything to do with being a jazz purist? I'm just talking from a historical standpoint. Not worshipping some niggers.
No context: The Melon has been retweeting anti-Muskrat posts after it was revealed that he's become a trillionaire. https://archive.is/RMCCL
Context: Anthony is one of the people who contributes to Elon's wealth by paying $10 for a blue checkmark every month.
Jazz being an exclusively black genre is one of the most successful revisions in history. The whole idea behind Jazz is that it's a mixture of african and european influences. It's american music first and foremost, one of the most prominent figures in early jazz was a white man literally name Paul Whiteman. The first recorded jazz ensemble was entirely white. Plenty of white men have been prominent musicians in jazz throughout all of it's history. It also heavily depended on the style of jazz that was played. Cool Jazz was often associated more with whites while Bebop was more often black. But there was still plenty of whites and blacks in both.
I just don't get why retards have to act like a style of music that came out of a melting pot somehow belongs to any one race.
Imagine quoting a politician and thinking you're "of the people".
He's such a suck up and would suck every dick needed to become socially influential.
He already sucked every black dick in order to gain clout on YouTube by the normie nigger audience to the point his reviews hold weight by mainstream nigs.
Don't doubt for a second he'd be sucking off Mamdani and calling it based as he wipes the cumdrool off his glasses, daring you to laugh.
