80s cartoons were peak

I somehow clicked into an episode of He-Man the other day. It's called "The Arena" and (I kinda skimmed tbh) appears to be exactly like the episode of Star Trek called "Arena" (the one where Kirk fights a lizard man). So I guess they always had copying Star Trek/Twilight Zone/whatever other boomer sci-fi as a fallback option, in case of writer's block.
That episode even uses Star Trek sounds. No surprises considering Filmation did both He-Man and the animated Trek...

Ironically "The Arena" is considered by fans to be one of the better episodes because it has a more "serious" feel compared to most of the show. I remember not being that impressed but its been awhile.

You just know that somewhere along the line, cocaine was involved in this shit. It was really cool though
You wanna see a cartoon made on drugs.... ever seen "Daffy Duck and Porky Pig Meet the Groovy Ghoulies?" It seems like just a Scooby wannabe for a bit, but then you reach the part where they go to "Wacky Mirror World..."

I dare anyone to watch original transformers G1 and tell what the fucking plot was
Transforming robots bring their war to Earth, also Megatron and Starscream have some weird toxic codependency.
 
That's just nostalgia on your part, 80's cartoons were almost all just low quality toy commercials.

If you only look at shit from Burgerland, that is true, but Japan was putting out high quality animated series like Queen Millennia, Galaxy Express, Robotech, Fang of the Sun Dougram, Saber Rider or Mobile Suit Zeta Gundam

Season 1 from The Real Ghostbusters is still great though, since the creators understood what made Ghostbuster so good
 
I dare anyone to watch original transformers G1 and tell what the fucking plot was
Transforming robots bring their war to Earth, also Megatron and Starscream have some weird toxic codependency.
Following on from this, it very roughly follows the basic plot of the novel This Island Earth: two warring alien factions treat the Earth the way the Allies and Japanese treated small, primitive islands.

“How? And why? Why should we involve ourselves and Earth in something that is no concern of ours?”

Jorgasnovara hesitated, speculating, as if wondering what kind of analysis Cal could comprehend.

“You have had experience during your own recent World War. You saw how the waves of battle washed back and forth over primitive peoples who had little or no comprehension of who was fighting, or to what purpose.

“You saw these primitive peoples sometimes employed or pressed into service by one side or the other. On the islands of your seas they built airfields for you; they sometimes cleared jungles and helped lay airstrips. They had no comprehension of the vast purpose to which they were contributing a meager part, but they helped in a conflict which was ultimately resolved in their favor.”

Cal’s face had gone white. He half-rose from his seat. “You mean—?” Jorgasnovara waved him down. “This greater conflict of which I have spoken has existed for hundreds of generations. Your people were barely out of caves when it began. It will not be ended in your generation or mine.

“Its center of origin and the present battle lines are far from your galaxy, far beyond the range of your greatest telescope. The people involved and the principles in dispute are far beyond your powers to comprehend.
 
TOTAL NOSTALGIA DEATH!!!!!!
I deleted my original response because after some sleep I came back and realized my first response was massively unfair.

Like, thing is I agree with you in one respect: I hate modern media that tries to just ape the past without really understanding it, or else just does the TV Tropes thing of commenting on common trends without actually understanding why those trends happen.

Where I start having an issue is the whole "don't live in the past" thing. Liking old media does not mean you are living in the past, and acknowledging a thing has gotten worse does not mean you're blinded by nostalgia (indeed, my opening post didn't even mention nostalgia).

I honestly don't care much for the demonization of nostalgia in general. Again yeah, people who just recreate the past rather than innovate on it suck, but that's not a nostalgia problem, that's a "lots of people are terminally uncreative" problem--the same as what leads midwits to make sites like TV Tropes.

But nostalgia itself is just positive memories of good times. And I argue that's altogether a good thing. Remembering good times can lift you up when you're down. It also makes you less likely to buy into Mao-like gaslighting where they try to convince people to accept a shitty new status quo by gaslighting them into thinking the old sucks. At the risk of getting a politisperging sticker, its no surprise that certain groups here in the USA often try to pretend the 80s and 90s sucked.

Demonizing nostalgia comes off to me a lot like "people should not be allowed to remember good things. Being happy is a disease. Stop being happy." Why should I want to "cure" something that is 99% benefits, maybe 1% drawbacks? It's sure as fuck not hurting me at all.

Survivorship bias. You have a handful of good cartoons like Thundercats and tons of mediocre ones that only existed to sell merchandise.
That's just nostalgia on your part, 80's cartoons were almost all just low quality toy commercials. The weird interesting stuff only came around in the early 90's and basically stopped after season 3 of Spongebob (around 2002/3). There seems to have been a complete drought of high quality western animation outside of Disney and Warner Bros. from about the 60's to the 90's.
(not quoting @>-Ack! 's "overdosed on nostalgia award" post because he doesn't sound like he's being critical).

Responses like this reek of an almost pavlovian reaction, and people just parroting arguments they heard some other nerds make hundreds of times before.

To repeat something I did say before... where in the opening post did I even mention nostalgia? Especially since I mentioned discovering shows I had never seen before? For a case in point, I saw Inhumanoids for the first time just a few hours ago, watched with a friend who had also never seen it... and we both loved it and noticed a lot of things it was doing that were unique.

Or is the assumption that just liking anything before current year is automatically nostalgia? In that case is liking Lord of the Rings (published in the 1950s) nostalgia as well?

I also always get the feeling these kind of responses are coming from people who are judging shows they've never actually watched.

As I said before, I never understood why being based on a toy is a bad thing. It in no way implies a lack of effort or creativity. Heck a lot of these cartoons are very imaginative.

Not to mention its something people are inconsistent as fuck about. Apparently being toy-based is only bad in two cases: One, its from the eighties and two, its American. Shilling toys is fine if its from the 2000s or later (as proven by how I've legit heard people claim that the 2002 He-Man or My Little Pony: Friendship is Magic are both "artistic" compared to eighties cartoons, when both are way more toy-shilly than any eighties cartoon ever was). And then people praise shows like Batman the Animated Series (which is a good show, but.... seriously are we going to pretend Batman has never been a slave to franchising?)

And of course, toy shilling seems to be fine when Japan does it--not to call out @ShadowAngel785 here but it is weird to see "toy slop" criticized then a bunch of mecha shows held up as "high quality." In my experience, Japanese toy-based shows are 100x more blatant about it.

That's an odd contradiction I've always noticed: the more blatant the media is about toy shilling, the less people will criticize it for that. Meanwhile its cartoons that actually tried their best not to live up to that moniker that get that heat the most!

My favorite example of this is arguments I've had throughout the years where people will claim the 1983 He-Man is blatantly toyetic (when there's been plenty of interviews with Filmation staff who state they actually butted heads with Mattel because they were storytellers first, advertisers second)... then those same people would turn and say the 2002 revival is more "artistically pure."

Snake Armor He-Man animated.png

Pictured: Apparently this is what an artistically pure cartoon that never once shilled for a toy line looks like.

Another "artistically pure" show, apparently, is My Little Pony: Friendship is Magic.

Princess Twilight Sparkle.png

Pictured: Again, according to online nerds, this is total artistic purity that never bowed to toy manufacturers.

Early 90's will always be better, cartoons got more adult. 80's cartoons still had some of what I call that 70's/60's "stink" to them. Looking at all Care Bear like shows that came out at that time. Even The Raccoons had the "stink' and I liked that show as a kid.
"90s got more adult" is a narrative that only holds up if your experience with the eighties is very limited... which it sounds like it is if your only frame of reference is Care Bears and The Raccoons.

Don't get me wrong, I don't hate the 1990s--as I said in the opening, I think of it as an expansion pack to the 80s.

But to act like no cartoons were acting "more adult" in the 80s... well... first question I must ask is "how do you define 'adult'?" It's kind of impossible to discuss this farther if I don't know what your standard of "adult" is.

What's something you think 80s cartoons didn't do?
 
I feel like 80's cartoons had better character designs, bolder concepts, and better music.
However, they were hampered by standards against depicting "real" violence, which puts a damper on the action scenes.
Like, OG He-Man and Lion-O never actually fuck anybody up with their badass swords, which is why they shoot Nerf brand safety lasers, and the most violent physical altercation you're likely to see is some guy getting picked up by the waist and held like a foot off the ground, so they can shout "Help, I've been captured!".
I wouldn't go full "deconstruction" on that shit, but I'd like to see reboots that are faithful to the core concepts and aesthetics of the original, but are less afraid to kill off characters, or have serious, but not egregious fights, as part of the charm of these shows is that they are for kids intentionally and originally, and you shouldn't ever have to feel like you might not be able to show a child a show based off a toy franchise, Nu-She-Ra seems to have had a "Sapphic eroticism" problem, for instance.
 
Yeah but transformers was the best damn toy ad ever made.
GI Joe muddafukka
I've never understood this criticism, though the angle of considering the 60s/70s better is at least unique... and has merit.
You could just see what they were doing. If the toy disappeared so did the cartoon. New hot trendy toy out?Oh look a cartoon to go with it which would invariably become increasingly stale & formula.
I mean I watched Transformers & Mask & Smurfs & He Man & Gi Joe & some 80s cartoons were. great but yeah I just wanted to see Road Runner, Jabberjaws, Wacky Races ect really.
 
Última edición:
Eh at this point they might as well be the same franchise so I stand by my statement.
Heck even back then they were closely related. Cobra Commander appears in a season three episode of Transformers (under the name "Old Snake" but its clearly him and he even tries to do the Cobra battle cry).... and the comics played up the connection even further.

I believe the IDW comics tried to make all the Hasbro toylines a single shared universe.

You could just see what they were doing. If the toy disappeared so did the cartoon. New hot trendy toy out?Oh look a cartoon to go with it which would invariably become increasingly stale & formula.
I mean, true, but this has no relation to the quality of the actual show.... all it means is that sometimes an interesting premise is cut short by toy sales (to use a 1990s example, I assume this is why the Swamp Thing cartoon only lasted five episodes).

but yeah I just wanted to see Road Runner, Jabberjaws, Wacky Races ect really.
It's nice to see Jabberjaw finally get some respect.

I'm about to go outside of the actual point of the topic, but as someone who grew up in the eighties, one thing I often tell younger people is back then, there was a sort of "cultural continuity" that kept us together. We didn't just have new shows, we also had reruns of classics. So my dad knew who Jonny Quest and Bullwinkle the Moose were, and so did I. My parents and my grandparents all knew who Popeye was.

It's sad nowadays to see young people so bum-fucking ignorant. Like I was visiting my neighbors, told their kids about Popeye, and one of them asks "like the chicken restaurant?" And I had to explain to one of my friends who Lassie was. Lassie.

It's no wonder a lot of modern imagination feels like its basically reinventing the wheel out of ignorance.

Nu-She-Ra seems to have had a "Sapphic eroticism" problem, for instance.
Not quite sure what that term means. I don't recall the show being particularly sexual.

I watched four of the Netflix She-Ra seasons (I have all five on a hard drive somewhere just never got around to finishing the series) and my initial feeling was "this is She-Ra in name only."

I did enjoy what I saw of it, but a lot of times I found myself saying "this should have been called Shining Force: the Animated Series, because its a lot closer to that than it is to She-Ra." (I would also accept it being a revival of Princess Gwenevere and the Jewel Riders).

Some of its ideas were interesting, but I remember when I first saw Bow I was worried that he was gonna act like Sokka from ATLA and just randomly spaz out for "humor" in tonally jarring moments. I remember Coran in the Netflix Voltron was terrible about that--he didn't come off as a man who had just survived the destruction of his homeland, he came off as a kid trying to be funny, and it broke my immersion.

Netflix She-Ra did some interesting things. Season two has this character named Entrapta for example who... well, she's a rather unique spin on the goofy clueless ditz who happens to be hyper-skilled in one specific area, and the show does something with her I found interesting.

But getting to criticisms.... one thing I didn't care for was some of the character designs, particularly She-Ra herself:

Netflix She-Ra poster.png


Basically, Nu She-Ra looks like they just made minor tweaks to her 1980s design. I feel like they should've been more willing to break from the original design more. I would've eliminated the skirt entirely, for instance.

Of course there's also the problem that She-Ra... looks like a man.

Again, I did enjoy what I saw of the show.... but it sort of reminds me of that weird 1989 version of He-Man in that it would have been better as an original property rather than trying to pretend it has anything to do with She-Ra. In this case trying to be She-Ra creates some oddities--like, her henshin phrase is still "For the Honor of Grayskull" but I don't think this version ever explains what Grayskull is in this context--for the most part anything involving the He-Man half of the mythos has been abstracted out.
 
I believe the IDW comics tried to make all the Hasbro toylines a single shared universe
Yeah idw had transformers, gijoe, mask, micronauts and even rom space knight together and the current skyboard transformers comic share a universe with gijoe. The idw one felt very gimmicky and wasn't the most fleshed out while the new skybound one feels more cohesive even if it still suffers from the usually stuff of "oh what super amazing pilot just shot starscream? That was  Duke tm* sir!"
*Duke vol 1 available this June.
 
@skykiii
My man, if you couldn't detect the burgeoning lesbian themes with bdsm overtones at times, then I don't know what to say.
Did you watch it facing backwards?
I was watching it during some cold nights, made it kinda hard to notice the sexual aspects.

Honestly sometimes I didn't get these people. Catra has her thing with Adora, she also has a thing with Hordak and gets jealous of Entrapta? Is Catra just a whore?
 
I was watching it during some cold nights, made it kinda hard to notice the sexual aspects.

Honestly sometimes I didn't get these people. Catra has her thing with Adora, she also has a thing with Hordak and gets jealous of Entrapta? Is Catra just a whore?
>Is Catra just a whore?

See, that's the problem.
This is the kind of question an adult oriented show should make you ask.
But is nu-She-Ra written like an adult show otherwise?
Or is it written like a kid's show made dirty?
I feel it is the latter.
And once we consider this, we must ask, why?
Is it for mentally stunted adults?
Or is it actually aimed at children whilst pretending not to be?
Who is this for?
I'm sure the show runners would say "Everybody", but that would clearly be a lie.
 
I feel like 80's cartoons had better character designs, bolder concepts, and better music.
Character designs are so important for cartoons and comics. Up until the 90s they knew this. Then John Kricfalusi came along and everyone decided to make their characters as ugly as possible.
However, they were hampered by standards against depicting "real" violence, which puts a damper on the action scenes.
The 60s and 70s cartoons were even worse in that way. Blame Peggy Charren and ACT.
 
Yeah idw had transformers, gijoe, mask, micronauts and even rom space knight together and the current skyboard transformers comic share a universe with gijoe. The idw one felt very gimmicky and wasn't the most fleshed out while the new skybound one feels more cohesive even if it still suffers from the usually stuff of "oh what super amazing pilot just shot starscream? That was  Duke tm* sir!"
*Duke vol 1 available this June.
With the exception of Mask, Marvel and Marvel UK* had already incorporated all of them into Marvel universe during the 80ies. Micronauts even having a story at all is entirely due to Marvel writer Bill Mantlo coming up with it. With EiC Jim Shooter willing to take a chance on it after hearing about it from Mantlo. Transformers and G.I. Joe were mostly self-contained from the rest of Marvel's universe, but there's been bleed through. Micronauts and Rom the Space Knight in comparison were heavily entwined with Marvel universe characters and setting.

*Marvel UK also had the Doctor from Doctor Who showing up time to time.
 
And once we consider this, we must ask, why?
Is it for mentally stunted adults?
Or is it actually aimed at children whilst pretending not to be?
Who is this for?
Reminder that Noelle Stevenson admitted she wasn't a She-Ra fan and relied heavily on using fan sites while making the show.

2025-01-21 18.55.51 www.denofgeek.com af59f32763c2.png
So it was literally made for a paycheck and for her to use it as a soapbox.
 
I found the original DuckTales series and The Mysterious Cities of Gold to be very good. I had a thing for medieval fantasy so I liked the Smurfs, even though I frequently wanted to throw Brainy into a woodchipper.
That's a waste. Instead, take the six most annoying Smurfs and offer them up to Gargamel as a peace offering.

Smurfs was one of those shows where the villain is my favorite character.

An unpopular opinion of mine is that I recall actually liking the "Johan and Peewee" stories more than the actual Smurfs stuff.

Reminder that Noelle Stevenson admitted she wasn't a She-Ra fan and relied heavily on using fan sites while making the show.
Wasn't the guy who made Thundercats: Autism Edition (aka Thundercats Roar) also someone who hated the original show?

*Marvel UK also had the Doctor from Doctor Who showing up time to time.
Marvel UK sounds like a fanfiction fever dream come true.
 
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