- Registrado
- 8 de Jul, 2022
So I have one issue with the dropped potential of the ending. I'm talking the last 10 minutes or so. I'll put it under a spoiler guard, which is dumb but I am trying not to ruin things for the fans.
So, the characters in the Amazing Circus are not humans trapped, digiatlly implimented there while their bodies lie lifeless in the real wolrd. They are copy/paste jpeg brain scans of people that are still functioning in the real world, totally unaware that these digital copies even exist. This is very close to Alan Moore's twist to his run on Swamp Thing.
This is not a good final reveal, in is more suited as a mid-story reveal. It does not resolve, it recontexrualizes. There is no escape for the characters, they are in their native setting, but with the psyches barrowed from humans. Pomni is Pomni, she might be based on brain scans of Abigail, but she is not directly Abigail. Abigail is living life separately from Pomni. This redefining of goal and character has a lot of potential, just not at the end of a story. It opens up new directions and explorations. This could have been very clever, and queer coded, but I don't think anyone on the production team understood how to use this.
The horror would be more like Frankenstein, the creator created for the sake of the task, totally unaware of a purpose of the creatures continued existance. Purpose, in other world, beyond the initial creatation. Caine has hints of this, but he is also underdeveloped. He strikes me as the sort of "father" that wants to be fun, replacing excitement and pleasure for good parenting.
There is a lot to talk about, sadly, it is mostly ideas not in the final project.
This is not a good final reveal, in is more suited as a mid-story reveal. It does not resolve, it recontexrualizes. There is no escape for the characters, they are in their native setting, but with the psyches barrowed from humans. Pomni is Pomni, she might be based on brain scans of Abigail, but she is not directly Abigail. Abigail is living life separately from Pomni. This redefining of goal and character has a lot of potential, just not at the end of a story. It opens up new directions and explorations. This could have been very clever, and queer coded, but I don't think anyone on the production team understood how to use this.
The horror would be more like Frankenstein, the creator created for the sake of the task, totally unaware of a purpose of the creatures continued existance. Purpose, in other world, beyond the initial creatation. Caine has hints of this, but he is also underdeveloped. He strikes me as the sort of "father" that wants to be fun, replacing excitement and pleasure for good parenting.
There is a lot to talk about, sadly, it is mostly ideas not in the final project.
Última edición:



