- Registrado
- 8 de Jun, 2015
I have a hard time believing that after HWNDU and his toddler-level tantrum about not getting french fries.
🎭 Dramacow Shia LaBeouf / He Will Not Divide Us (HWNDU) - Going off the rails on a crazy train!-Season 8 begins. Shia starting to repeat himself
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- Registrado
- 30 de Sep, 2014
Is there an ETA on season 5 yet?
- Registrado
- 31 de Ene, 2015
But it was cold and there were Pepes everywhere
- Registrado
- 20 de Abr, 2014
The flag capture was amazing and hilarious. I'm still blown away it was found and taken within 2 days. I haven't laughed this hard in ages. That pic of a crazed Shia defending an empty flag pole in the middle of the night is great.
But I feel the game is over now. There is no more flag to capture and that takes the fun out of it. The new 'art project' isn't even HWNDU anymore. It's something new. He's all but admitted giving up on that and is now hiding a shack somewhere with the exhibit as a barrier between him and everyone else.
I doubt they will find Shia as he's cut out anything that could be used to find him. Considering planes flying overhead and the stars were used to find the flag in the middle of a field. He's eliminated that and more. The stream only shows a replica shack inside a museum, there is no sound only text, even inside the exhibit you can't see anything but the wall behind them.
Only now, Shia is in a fixed place where people can come and attempt to rile him up. He's made himself into a sitting duck for 30 days or however long this lasts. The museum might make money from it but there will only be so much disruption they will tolerate.
People pointed out that the wood paneling being Shia is different to the others and is closer together, like it is on an angle. He might be in the loft of a shack and then why not have the other two downstairs? If no-one can find them and the stream only runs for a short period during the day. I would not be surprised if it's somewhere close to civilisation rather than the middle of the woods. If people can't hear the cars going by everyday, the stream is cut off in the evening, no-one can see outside any windows etc. They probably go home every night and don't rough it all if there is no need to.
But I feel the game is over now. There is no more flag to capture and that takes the fun out of it. The new 'art project' isn't even HWNDU anymore. It's something new. He's all but admitted giving up on that and is now hiding a shack somewhere with the exhibit as a barrier between him and everyone else.
I doubt they will find Shia as he's cut out anything that could be used to find him. Considering planes flying overhead and the stars were used to find the flag in the middle of a field. He's eliminated that and more. The stream only shows a replica shack inside a museum, there is no sound only text, even inside the exhibit you can't see anything but the wall behind them.
Only now, Shia is in a fixed place where people can come and attempt to rile him up. He's made himself into a sitting duck for 30 days or however long this lasts. The museum might make money from it but there will only be so much disruption they will tolerate.
People pointed out that the wood paneling being Shia is different to the others and is closer together, like it is on an angle. He might be in the loft of a shack and then why not have the other two downstairs? If no-one can find them and the stream only runs for a short period during the day. I would not be surprised if it's somewhere close to civilisation rather than the middle of the woods. If people can't hear the cars going by everyday, the stream is cut off in the evening, no-one can see outside any windows etc. They probably go home every night and don't rough it all if there is no need to.
- Registrado
- 15 de Feb, 2013
A reminder that HWNDU will return after these messages.
Taken from /hwndu/, He Will Not Divide U5 is still going ahead, and it'll start after #Alonetogether finishes (either in a month as planned, or when Shia inevitably ragequits)
- Registrado
- 30 de Abr, 2017
New location: Cabin in the white room.
- Registrado
- 31 de Ene, 2015
- Registrado
- 12 de Ene, 2017
Is he preparing himself to defend the flag again by "dancing like a sped" when a bat is more effective?
- Registrado
- 25 de Feb, 2013
T
TS 298
Guest
kiwifarms.net
- Registrado
- 13 de Mayo, 2017
You were in THREE shitty Transformers movies, Shia. Your opinions are therefore invalid.
I rest my case.
I rest my case.
- Registrado
- 25 de Feb, 2013
And the shitty Indiana Jones movie
And that Man Down film which flopped hard
And Holes which is now the bane of every Year 8 English student in the UK.
- Registrado
- 9 de Dic, 2015
over and over
kiwifarms.net
- Registrado
- 16 de Feb, 2017
my childhood macaroni papers was art. shia's failfest was a cry for help, not art.
- Registrado
- 1 de Oct, 2013
At least Marky Mark had some decent roles before he joined Bay and his metal abominations.>implying there could be a good transformers movie
All Shia's got are a shitty Disney Channel sitcom, some "Meh" to "Outright Terrible" films and an extended game of capture the flag vs. the internet.
- Registrado
- 11 de Mar, 2015
Nobody wants to kill anyone. Chill out.
BananaBoner
kiwifarms.net
- Registrado
- 3 de Oct, 2016
http://blog.kiasma.fi/blog/alonetogether-mita-oikein-tapahtui/
I translated an article for you faggots. Yes, I was feeling that exceptional today. It's full of warm fuzzy feelings, lots of :autism: and Shia being a mama bear for lonely teenagers.
Please excuse my rusty as fuck grammar and/or beat me up and tell me where I fucked up so I never embarrass myself in such a way again.
Ah, and also, I've heard buzzing that they're making a documentary about this thing. Apparently not a public thing... but a personal cow I creep on from time to time said something along the lines of being included in the doc and thus receiving a copy for themselves.
I translated an article for you faggots. Yes, I was feeling that exceptional today. It's full of warm fuzzy feelings, lots of :autism: and Shia being a mama bear for lonely teenagers.
Please excuse my rusty as fuck grammar and/or beat me up and tell me where I fucked up so I never embarrass myself in such a way again.
Halfway through April the #ALONETOGETHER performance started in Kiasma's ARS17-exhibit. The artist trio Shia LaBeouf, Nastja Säde Rönkkö & Luke Turner spent one month secluded inside cottages in Lapland. Their sole way of communication with the outside world was a cabin located inside Kiasma. The work sparked emotions and drew attention. Kiasma museum's superintendent Piia Hirvensalo followed the performance and the birth of a new community up close.
A couple dozen people are packed inside the cabin. The line outside stretches to the adjacent exhibition room. It is dark, music is playing, people are cheering and dancing in front of three large monitors, where three meter long heads are staring at them.(Jesus that's creepy) From their laptops, the artists are watching this rock concert of people crammed inside six square meters - the culmination of the month long isolation. There's wistfulness and hysteria in the air, as well as longing and hope.
"Everything is ready!", yell the pack of young women on the front row. A man's voice from the speakers outside informs the visitors of closing time for Kiasma. A young attendant escorts the last of the festival guests outside. "He will not divide us", declare the girls and turn around to blow their last kisses to the artists, who respond with heart signs. I have been supervising the performance on several days, but the mass ecstasy of tonight is unprecedented.
Outside the museum, in the bright evening sun, everything experienced before feels unreal. During the month a group of recurring visitors had formed around the performance. They now have to find a new benchmark for their days. The girls are sitting on a bench looking around, like trying to comprehend where they are. They drink water while their cheeks are shining red."We have no idea what happened", Enja-Riina sighs, "the atmosphere of the end was a mixture of all emotions."
"I feel sad, but also happy, because we have gained so many new friends", continues Ronahi, who met Enja-Riina inside the cabin.
The purpose of the performance was to examine communication, interaction between people and how technology affects that. The performers isolating themselves from the outside world was a human experiment of sorts, but the most significant things happened inside the cabin, in direct contact with the people. Friendships formed over cultural boundaries and regardless of age. People shared very personal matters in front of the monitors, because the atmosphere(and the air!) inside the dark room was very warm, intimate and encouraging. The cabin community, "the cabinists", was formed little by little and brought in visitors from teenagers to people in their fifties.
15-yo Shama was, despite her age,(I'd say because of that but...) one of the driving forces of the cabin community and an important support for the artists. The interest and attention shown by adults was wondrous and valuable to her. (That's sad...)
"It felt incredible! I was encouraged to take part in the conversation, and I learned a lot by listening to other people. I have never had friends older than me before, but now there's a whole bunch of them. Even the artists treated me as a person, not as a 15-yo. It's very important to be heard, and not just the one being lectured. I have so little life experience as of yet, but I learn new things every day."
The allure and power of the performance is perhaps best summarized by Shama's experiences: to be heard, seen and accepted. The sharing of secrets in the dark, the connection and warmth felt towards strangers made the performance special and a certain kind of turning point in the visitors' lives.
A couple dozen people are packed inside the cabin. The line outside stretches to the adjacent exhibition room. It is dark, music is playing, people are cheering and dancing in front of three large monitors, where three meter long heads are staring at them.
"Everything is ready!", yell the pack of young women on the front row. A man's voice from the speakers outside informs the visitors of closing time for Kiasma. A young attendant escorts the last of the festival guests outside. "He will not divide us", declare the girls and turn around to blow their last kisses to the artists, who respond with heart signs. I have been supervising the performance on several days, but the mass ecstasy of tonight is unprecedented.
Outside the museum, in the bright evening sun, everything experienced before feels unreal. During the month a group of recurring visitors had formed around the performance. They now have to find a new benchmark for their days. The girls are sitting on a bench looking around, like trying to comprehend where they are. They drink water while their cheeks are shining red."We have no idea what happened", Enja-Riina sighs, "the atmosphere of the end was a mixture of all emotions."
"I feel sad, but also happy, because we have gained so many new friends", continues Ronahi, who met Enja-Riina inside the cabin.
The purpose of the performance was to examine communication, interaction between people and how technology affects that. The performers isolating themselves from the outside world was a human experiment of sorts, but the most significant things happened inside the cabin, in direct contact with the people. Friendships formed over cultural boundaries and regardless of age. People shared very personal matters in front of the monitors, because the atmosphere(and the air!) inside the dark room was very warm, intimate and encouraging. The cabin community, "the cabinists", was formed little by little and brought in visitors from teenagers to people in their fifties.
15-yo Shama was, despite her age,
"It felt incredible! I was encouraged to take part in the conversation, and I learned a lot by listening to other people. I have never had friends older than me before, but now there's a whole bunch of them. Even the artists treated me as a person, not as a 15-yo. It's very important to be heard, and not just the one being lectured. I have so little life experience as of yet, but I learn new things every day."
The allure and power of the performance is perhaps best summarized by Shama's experiences: to be heard, seen and accepted. The sharing of secrets in the dark, the connection and warmth felt towards strangers made the performance special and a certain kind of turning point in the visitors' lives.
Ah, and also, I've heard buzzing that they're making a documentary about this thing. Apparently not a public thing... but a personal cow I creep on from time to time said something along the lines of being included in the doc and thus receiving a copy for themselves.
- Registrado
- 12 de Nov, 2015