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- 17 de Nov, 2020
Heaven and Hell and Paranoid from Sabbath. Both are pretty boring albums saved by Neon Knights and by Paranoid/Fairies Wear Boots.
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Heaven and Hell and Paranoid from Sabbath. Both are pretty boring albums saved by Neon Knights and by Paranoid/Fairies Wear Boots.
The drums on Loomer sound greatAnyway. Basically most of the top 40 albums on RYM.
My Bloody Valentine - Loveless stands out to me as particularly overrated. The whole point is that it's this "swirling transcendent wall of sound" yet it's got these cheap plastic sounding drum triggers that screams 1991 as loud as any of the worst pop music from that year. You'd think in the grueling 2 years of studio perfectionism it took to produce that album they could have come up with some drum tracks that don't sound like shit.
Even as a huge fan of all of RATM's work, the self-titled album is really a cut above the rest.Politics aside, I just don't think this album (or any RATM album for that matter) is good. De La Rocha is awful and Morello and co. aren't good enough to carry him.
Audioslave's first album really proved how dead weight de la Rocha was.Politics aside, I just don't think this album (or any RATM album for that matter) is good. De La Rocha is awful and Morello and co. aren't good enough to carry him.
Countdown is mediocre at the best of times. I can't think of a bigger step down in all of thrash metal than from Rust in Peace (possibly the greatest thrash LP ever) to this commercial tripe. And the production is terrible; I mean from a professional standpoint it's great and sounds sonically even but there's no personality to it. It's the very definition of soulless. In my opinion it's an even bigger example of a sellout album than Metallica's S/T, at least that album's production emphasized the heaviness of the material. Also Sweating Bullets is a terrible song.Countdown to Extinction from Megadeth was the beginning of the decline yet it seems to be the only album people play songs from, even though the album itself is bloated and front loaded.
Production is an overrated metric anyway and the main reason I think music is so soulless nowadays.Countdown is mediocre at the best of times. I can't think of a bigger step down in all of thrash metal than from Rust in Peace (possibly the greatest thrash LP ever) to this commercial tripe. And the production is terrible; I mean from a professional standpoint it's great and sounds sonically even but there's no personality to it.
Nevermind (Nirvana).
Not just putting down Nirvana, I like In Utero quite a bit.
The whole case is bullshit. He even has a tattoo of the album's typography. I guess that's what happens to someone whose life achievements peaked before they could even walk.Just gonna leave this here.
The baby on the cover is suing nirvana over creation of pizza, not even fucking kidding, judge threw it out due to a technicality /missed date for court stuffs. I don't get it, dude seemed to enjoy the interviews every couple years.
So even the baby thinks it's overrated
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Judge throws out child-porn lawsuit by baby who appeared on Nirvana's 'Nevermind' cover
Spencer Elden had accused Nirvana of exploiting him as a child when he was photographed naked in a pool for the band's iconic album cover.www.yahoo.com
Someone I chat says he changed his mind, but so far I haven't seen that anywhre. I did find at least 2 interviews where he recreates the photo.The whole case is bullshit. He even has a tattoo of the album's typography. I guess that's what happens to someone whose life achievements peaked before they could even walk.
Innerspeaker is and will always be the GOAT. This new synthpop direction Kevin has gone in is kinda cringe. His old music used to have a certain level of whimsy and that oldtimey psych rock vibe that made it enjoyable to listen to, now it's all super serious depression fuel pop shit about muh life and anxiety and bad relationships and growing up and shit. Not to mention the cringy fanbase, Currents is basically reddit: the album.Currents by Tame Impala is so fucking generic it hurts