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Nolan's The Odyssey - Potentially could be epic or an epic flop.
I think Spiderman makes a ton of money its first weekend. It's gonna have the millennial manchild and the teen audience on lock for the weekend regardless of quality. Not sure how much it will take away from the audience for Odyssey as I don't think they overlap. After that, if it's good, it may have legs for a couple of weeks. If it's bad, well it will drop off like every other Marvel movie has in recent memory. I'm leaning towards it is going to be good enough and fun, which will keep summer audiences showing up.
Both are summer event movies, really THE summer event movies for this year. But they have different audiences. One is going to skew older, who are probably not interested in Spiderman. The other is going to skew younger, and probably not overly interested in a dour drama that clocks in at 3 hours. Besides that younger audience has all that cash from not seeing Supergirl that they need to spend.
So from what I've heard the Odyssey is doing 'good' but not as good as a tentpole Nolan film post covid funk should be doing? Congratulations I guess?
I don't really understand the victory lap on Reddit. There was no organized boycott, no five alarm campaign to make it fail. None of the major 'anti-woke' influencers lifted a finger to do anything but riff on it in their usual format like any other movie they don't like. Heck Drinker, the supposed king of the movement's Odyssey videos were more just tepid disappointment than anything else. He didn't claim it would fail. Its Phantom Menace/The Force Awakens/MCU/Disney Live Action Remake again. The general public is a lumbering dumb beast, largely blind to internet drama left or right and will often turn out for even complete garbage with the right advertising/brand until they are burned long enough to come back to their senses ie the later stages of all the above mentioned franchises.
Nobody claims the 9/10 woke failures were because Critical has a red button under his desk he presses, and the right culturesphere is all powerful. It was because they were so garbage the public finally took notice. For Odyessy the anticipation of Nolan's next big project overwhelms everything else in the eyes of much of the general public and I didn't see anyone big on the right claim otherwise.
The social media drama was not only a sideshow battle. Its one the chuds didn't even really fight. Yet on reddit and bluesky its like its VJ day with nonstop virtual ticker tape parades as if they just won some apocalyptic war. And this 1/10 triumph totally proves that the public craves 2 billion% more extreme DEI in all movies and shows from now on.
So from what I've heard the Odyssey is doing 'good' but not as good as a tentpole Nolan film post covid funk should be doing? Congratulations I guess?
I don't really understand the victory lap on Reddit. There was no organized boycott, no five alarm campaign to make it fail. None of the major 'anti-woke' influencers lifted a finger to do anything but riff on it in their usual format like any other movie they don't like. Heck Drinker, the supposed king of the movement's Odyssey videos were more just tepid disappointment than anything else. Its Phantom Menace/The Force Awakens/MCU/Disney Live Action Remake again. The general public is a lumbering dumb beast, largely blind to internet drama left or right and will often turn out for even complete garbage with the right advertising/brand until they are burned long enough to come back to their senses ie the later stages of all the above mentioned franchises.
Nobody claims the 9/10 woke failures were because Critical has a red button under his desk he presses, and the right culturesphere is all powerful. It was because they were so garbage the public finally took notice. For Odyessy the anticipation of Nolan's next big project overwhelms everything else in the eyes of much of the general public and I didn't see anyone big on the right claim otherwise.
The social media drama was not only a sideshow battle. Its one the chuds didn't even really fight. Yet on reddit and bluesky its like its VJ day with nonstop virtual ticker tape parades as if they just won some apocalyptic war. And this 1/10 triumph totally proves that the public craves 2 billion% more extreme DEI in all movies and shows from now on.
They have been losing bigly, HUGELY, since 2016 with all of the movies pushing this type of agenda. They finally have a movie, specifically a male demo movie, that they can claim is successful and woke. For some reason they can't take the Barbie win. Women don't matter to them. This movie has to be successful in every capacity so they can go to studio heads and investors and say "See, the public does want this! Continue to fund it". Which is why when this movie also doesn't make money by the end of it's run the last gasp of Hollywood that this represents will finally die. And maybe we get good movies again from the scraps.
I still can’t get over Nolan changing the mother in the underworld for a fucking troon.
And you know what if Nolan wanted to get the troon in there should’ve just done Hermes who I would actually believe as the androgynous Greek god, but nope
This retard literally took away the scene that would have actually helped his ptsd trauma dump porn just to shove Ellen page in it
Yeah, they need something to show investors because Blackrock has run into problems and while it is not going anywhere, it is having to be more careful with its money so these projects are not getting the unlimited funds they got before. US AID is also gone. Their two big sugar daddies are gone so now they need a huge woke hit so investors and banks will give them the money they need to continue pushing The Message, because the studios are broke and can't back these films on their own. That is why they are pushing the idea that this movie has somehow already made a profit so hard.
I finished the 1997 miniseries and I don't know how any adaptation afterwards could top the horror and tension of the Scylla scene. It's amazing with the amount of blood and gore this version got away with.
I've only seen Friday domestic numbers, and that was a 49% drop. So either Saturday made way more than last Saturday, or these projections aren't based on data.
Looking at the comments, this appears to be a bot account looking for engagement from mostly other bots. X is absolutely infested with them. I wonder what PR firm is running these things for Universal.
People keep bringing up O Brother, Where Art Thou but nobody mentions Cold Mountain, which is probably where Nolan got his godless, war weary Odysseus from (he's a Confederate you see, so his cause breaks Zeus's Law is unjust). There's also some feminist stuff with Zellweger's character.
I finished the 1997 miniseries and I don't know how any adaptation afterwards could top the horror and tension of the Scylla scene. It's amazing with the amount of blood and gore this version got away with.
So it's about the same time I first check seats for odessey, but for spiderman. At the popular theater, every showtime is already fully booked. The less popular theater is half booked for most showings, which means it will be full by showtime. This is what hit movies usually look like. Odessey on the other hand had no bookings in normal screens a week out. It still has no booking in any normal screens, but imax still gets a lot of viewers. I've never seen anything like it.
So it's about the same time I first check seats for odessey, but for spiderman. At the popular theater, every showtime is already fully booked. The less popular theater is half booked for most showings, which means it will be full by showtime. This is what hit movies usually look like. Odessey on the other hand had no bookings in normal screens a week out. It still has no booking in any normal screens, but imax still gets a lot of viewers. I've never seen anything like it.
Movies like Odyssey and Captain Marvel will always have the associated "Where are all the watchers" question that will go unanswered because they're woke darlings and no major pub is going to actually investigate. I feel like people are seeing The Odyssey but we're very clearly witnessing a psyop in action where the true opinions are being suppressed.
People keep bringing up O Brother, Where Art Thou but nobody mentions Cold Mountain, which is probably where Nolan got his godless, war weary Odysseus from (he's a Confederate you see, so his cause breaks Zeus's Law is unjust). There's also some feminist stuff with Zellweger's character.
While the movie overall was full of post-modern dreck, the sequence with the Battle of the Crater was fucking awesome. One of the most memorable movie scenes from the 2000s:
Remember Rise of Skywalker had the same set up as this movie, right down to the same opening, and it still lost Disney money when ot made $1.07 Billion at the box office.
Dude, you just flat out make shit up. Where do you even get these ideas. Just the simplest AI search:
No, Star Wars: The Rise of Skywalker (2019) did not lose money. It was profitable, though it delivered one of the lowest profits in the Disney Star Wars era.
-- Now Mando and Grogu, that's a legit disaster for them.
And consensus on Odyssey 2nd week drop now:
Christopher Nolan’s The Odyssey opened to $123.5–124.5 million domestically. Its second weekend (as of recent estimates/reports from July 25–26, 2026) came in at $84.5 million, a ~32% drop.
-- So towards the high end of what the slop account said, but still very good #'s.
Dude, you just flat out make shit up. Where do you even get these ideas. Just the simplest AI search:
No, Star Wars: The Rise of Skywalker (2019) did not lose money. It was profitable, though it delivered one of the lowest profits in the Disney Star Wars era.
This is one of the biggest flaws of AI.
Initially, the cost was reported by Disney to be $275 million. This number was later adjusted up to around $400 million and eventually revealed to be $490 million after tax credits in the filings. The movie grossed 1.07 billion. That is a massive bomb.
There was a lot of news and speculation that the movie profited up to $300 million which was reasonable considering the original budget. That turned out to be complete bullshit. However, AI is trained off of a bunch of text saying it was profitable so it'll just give you that response you got.
This is one of the biggest flaws of AI.
Initially, the cost was reported by Disney to be $275 million. This number was later adjusted up to around $400 million and eventually revealed to be $490 million after tax credits in the filings. The movie grossed 1.07 billion. That is a massive bomb.
There was a lot of news and speculation that the movie profited up to $300 million which was reasonable considering the original budget. That turned out to be complete bullshit. However, AI is trained off of a bunch of text saying it was profitable so it'll just give you that response you got.
Dude, you just flat out make shit up. Where do you even get these ideas. Just the simplest AI search:
No, Star Wars: The Rise of Skywalker (2019) did not lose money. It was profitable, though it delivered one of the lowest profits in the Disney Star Wars era.
The initial reported production budget of Rise of Skywalker was a mere $275 million, not far above Nolan's Oddity, and sites like The-Numbers.com continue even today to show that initial claim as the official budget.
AI pulls its figures from sites like this and then repeats years old claims from Disney that the film was profitable by $50m or so.
However, Disney finally admitted in October 2025 that the official production budget for Rise of Skywalker was actually $593.7 million. After it's UK tax credit, that dropped by about $100m to a final official production budget total of $489.9 million.
This does not include marketing. Disney supposedly received $538.5 million from its share of the $1.077 billion ticket sales, which is where the claims it made a slight profit of about $50 million have come from since 2019.
However, the marketing budget was massive for ROS, and there's no real way that the film didn't lose at least $100 million due to that additional cost. Disney will never release the marketing budget numbers, so we'll never know for sure. But clearly it was not less than $125 million and likely was north of $200 million, given the production costs. Even with that lower estimate, that pushes the total cost north of $600 million, with break even $1.2 billion, theatrically, which it did not reach.
This is why Star Wars became relegated to Disney+ for seven years. ROS was the first billion dollar bomb.
Christopher Nolan’s The Odyssey opened to $123.5–124.5 million domestically. Its second weekend (as of recent estimates/reports from July 25–26, 2026) came in at $84.5 million, a ~32% drop.
All we have is yesterday's numbers, which were a 49% drop-off from the opening weekend, so this "recent estimates" claim is simply incorrect. There is no data to support the "32% drop" claim, as of right now.
That would require that today and tomorrow's domestic take be no more than about 20% below the opening weekend, to make up for yesterday's drop. Not impossible, but there's no data showing that, yet. Saturday isn't over yet, after all.
