Some thoughts about a few things I've seen recently:
Taboo (2017 TV show), starring Tom Hardy, Johnathan Pryce, Oona Chaplin (Charlie's granddaughter!), Stephen Graham (that guy that you've seen everywhere but never remember until you see him again and you go "oh it's that guy"), Tom Hollander (not Spider-Man), and a few others. Decent cast.
It's a clear attempt at recreating the Peaky Blinders formula. Mysterious and stoic main character by well known actor returns to England to everyone's surprise and dismay, upsets the order of things and starts doing morally grey things in a morally greyer setting, is pitted against multiple powerful factions, plays games of power and influence with them as circumstances switch, with some vague mysticism thrown in, weird sexual plotlines added for spice, and decent enough performances.
There's a transvestite character in the "good" team but he gets constantly humiliated for being a whoopsie, so fair enough.
I enjoyed the show, nothing mind blowing but the intrigue was interesting enough to keep me going. It ends in a pretty open way, and season two has been in development limbo ever since. Check it if you like Hardy, other members of the cast, or that kind of story, but believe me it's not worth doing it in a hurry.
Last Samurai Standing (2025 TV show), starring A BUNCH OF NIPS the fuck am I gonna list them.
Have you seen Rurouni Kenshin/Samurai X? The old anime, the new anime, or the live action movies?
It's that, in Battle Royale form. It really rips entire characters off of it and puts them in this Hunger Games setting. The main character is just Kenshin, but instead of a hard no-kill rule and a reverse-edge sword, he's got PTSD and doesn't want to unsheathe his katana (until he does). There's a guy who literally does one of the most iconic attacks from that anime in the first episode, and looks almost identical to the owner of said attack. But, you know, as a big fan of that anime/manga/etc, the blatant rippoff actually enhanced things for me a bit. Had a lot of DiCrappio whistle and point moments.
So I enjoyed it a lot, it has good samurai action, because you can trust the nips to get that right; pretty shit drama, because nips can't act, but who cares in a show like this?
OF COURSE, the season ends in the very middle of the story, and it'll be years until the next season. I hate this fucking way of doing things.
Pluribus (2025 tv show), no need to talk much about this, everyone knows about it, at least passingly. It's good, but slow. Sometimes it's deliberately slow for tension and/or character development, sometimes it's slow because they're padding for runtime.
A lot of dyke drama. On the other hand, every autonomous character other than White woman and the Spic man is a retard or a degenerate.
I liked it. But don't watch it now. Wait until season 2 comes out. If you hear it ends in another cliffhanger or pseudocliffhanger, wait until season 3 comes out. And so on.
The Pope's Exorcist (2023 movie), starring Fat Russel Crowe and WHO THE FUCK CARES. Tripe. Slop. Shit.
I love Fat Crowe, he's the only reason I watched this. And he's good in it, because he's Fat Crowe. You put Fat Crowe in something, you may not always get gold, but at least you get some copper.
Don't watch it though. It's bad.
Glengarry Glenn Ross (1992 movie), this one may need no introduction, or it may need all the introduction, if you's a zoomer who doesn't conceive of movies before CGI.
INCREDIBLE cast. Kevin Spacey (pre-pedorape), Alec Baldwin (pre-TDS, and uh, the murder), Ed Harris (pre-bald), Al Pacino (pre-Dunkacino), Jack Lemmon (fucking legend), Alan Arkin, and Johnathan Pryce (again!). Really, I can't speak enough about how good the performances are in this movie.
It's based on a play, I believe, so it stands to reason it's entirely character and dialogue-driven.
It's about a bunch of real estate salesmen (borderline scammers, really) in dire straits, desperately trying to close some deals.
No bells and whistles, aside from a couple extras the above is the entire cast. There's like 3 sets, plus a couple scenes in cars or on the street.
The meat of the film is seeing all these excellently written characters change their behavior as their circumstances shift.
Fantastic movie, I wish there were more things like that done today. Just characters revealing themselves through dialogue.