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You talking to me?^What makes you think that? Just curious.
Just something I noticed. Like that Heathers reboot that got forgotten about.
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You talking to me?^What makes you think that? Just curious.
I think people are probably overstating the horror aspect. I think Feige said "scary", but let's be real, what does that really mean in the modern market? I'm not against it but calling it a legit horror film when it probably hasn't started filming yet is like getting hyped about Rise of Skywalker "fixing" TLJ.Doctor Strange & The Multiverse Of Madness sounds good too, because it's going to be a legit horror film.
But I agree, I'm out too. I'm interested in Black Widow and Spider-Man but that's it. I swear to God I will start a fucking riot if we wind up getting a woke Silver Surfer.
You talking to me?
Just something I noticed. Like that Heathers reboot that got forgotten about.
You say "forgotten about" I say "memory holed".You talking to me?
Just something I noticed. Like that Heathers reboot that got forgotten about.
You say "forgotten about" I say "memory holed".
I was asking @jellycar.
I wasn't just referring to comics but shit like GI Joe Extreme that nobody remembers.Yet it was 90's comics that got most people into comics in the first place. A lot of that was derided- but the Infinity Wars, and quite a chunk of the more popular things incorporated into the cinematic universe were plucked right out of the Iron Age of comics. Sure, there was a lot of absurd shit in the 90's... and looking back at it, it's easy for us to roll our eyes. But I think back then, they found that EXTREEEEEEEEME sold fairly well and they were desperately trying to find something that would stick during the crash.
And the crash is what gets a lot of extra hate thrown on 90's comics- which, it had nothing to do with the theme and more to do with Marvel buying into speculator bullshit and fans not being as stupid as they thought.
And let's not sit here and pretentiously act like the Silver Age gave us anything other than some names and costumes, especially after Wertham convinced comic companies to neuter themselves.
You're correct. And I'll put it this way, I know someone who works in the industry- he's not a big name, he's not that important, but he's been around since I was a kid in high school. So, my disclaimer is that you can feel free to write this off as "some bullshit I made up on the internet" if you like.
Basically, the comics industry- just like many other entertainment industries- when they make products, they're reaching out to social media to do research. They watch Youtube, sure... but Facebook and Twitter provide an easier market research landscape. So when one of the Avengers cast members tweets something that gets a zillion thumbsy-uppies, or it causes a stir and gets a shitload of responses... the people in the comics industry zero in on it and pay attention. Things that get responses from people seem like money-makers.
Now, I could write a whole fucking page on why using Twitter as a baseline demographic is like using /pol/ as a resource on a Holocaust research paper, but let's just say that it's a bad idea. It's not like conservatives or even regular normal people generate a buzz on Twitter, if they're not getting banned for silliness.
When some boomer up at the top of some entertainment company just wants to know what's "trending"- he's got about five minutes for someone to present a general trend analysis to him, and he's going to make a decision on where the creativity needs to go.
You also have to understand that this is the era of "dragging". It doesn't take much for someone to decide that a brand or company is somehow racist/sexist/homophobic and start a massive controversy. In the era of fake news where every self-absorbed Twitter blue-check is desperate for validation- they'll put their own hot take on a bullshit opinion, some actor/actress desperately trying to stay relevant will add their own spin and retweet...and it'll become a goddamned wildfire.
Suddenly your company is being boycotted, people are refusing to carry your products, and you're having to make an apology for bigotry and hire a bunch of useless and untalented niggers and women to prove you're not a bigot. And then you lose more money.
So in a nutshell: "Woke" is an entertainment company looking at trends in a bad demographic sample, and then trying to figure out whether or not their next decision is going to get them smeared online and cost them more money in the future. In the end, it just seems safer to appease the rabid woke outrage mob until the rest of civilization figures out how to tard-wrangle them into compliance.
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Am I seriously the only one who feels really damn weirded out by how they are focusing so much on how gay Thor Love and Thunder is going to be?
Like the movie doesn't even have a plot, but all they have said is that Female Thor and how gay Valkyrie will be. That's just insanely shallow, I'm getting the impression the movie will be a meandering borefest.
Oh what's that? The movie won't be a shallow soulless panderfest to a vocal minority of twitter crazies?
Well gee almost like you're one of them.
Are they already pulling a Ghostbusters with this shit?YouTube
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Iirc Namor and Reed been spitroasting, tag-teaming and etc. and etc. Sue long before the 90ies. All the 90ies did was slut up her uniform(s) one way or another almost every year once the 'MARVEL EXTREME" phrase got going.I should mention that I do not hate Namor. Despite the fact that he and Reed treat Sue like shit.
It's also worth pointing out that Sue in the original FF run was despised by fans for well being a clumsy dingbat.Iirc Namor and Reed been spitroasting, tag-teaming and etc. and etc. Sue long before the 90ies. All the 90ies did was slut up her uniform(s) one way or another almost every year once the 'MARVEL EXTREME" phrase got going.
Yup originally all she could do was turn invisible.At one point didn't they turn Sue's powers into like Phoenix level bullshit, just to make her more relevant to plot stuff? Or am I misremembering?