Deconstruction - What is it?

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I probably read the term thousands of times but I never really managed to find any consistent definition of it, which probably isn't helped by the usual case of it being a common phrase thrown around to describe something. The best I found online is the idea of deconstruction being to criticize something for inherent logical inconsistencies within it, except that 99% of the time instead of looking within the universe contained in a work for contradictions, people just argue that it wouldn't work in real life, which is both obvious and depends entirely on the work subscribing to the same reality as ours.

So what is it? Does it even have a consistent definition?
 
It's when you get mad at a story for not going the way you want and think you could write it better while being a smug smartass the whole time.
 
So what is it? Does it even have a consistent definition?
In the context of social justice, progressive movements, yes, it does.
James Lindsay, with all his flaws (and they are many), has good content deconstructing the deconstructors.
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You should read about Derrida, the wiki should be enough. He was a star professor, basically. You can also find probably dozens of videos on him, from both left and right sources.
Deconstruction is a very powerful tool and you can absolutely use it to crush, destroy and annihilate leftoid dogma that relies on it. It's actually quite the great feeling turning it against them.
 
The best I found online is the idea of deconstruction being to criticize something for inherent logical inconsistencies within it
That is often what is done as a result of deconstruction but is a separate practice being "critique".

When observing some idea or phenomena, a deconstruction is identifying the aspects, relations and rules that compose and govern that idea or phenomena. It is the preliminary stage of analysis which composes the model of that idea or phenomena upon which the analysis is done.

It's as the name suggests. You are taking something and deconstructing it to its parts and motions. As a process, think of it as something akin to being given a rifle and stripping it down to its parts and mechanisms.
 
Around the 50s and 60s a bunch of scholars found out they could create more fields of research for grants. Basically they gave themselves “busywork” in order to justify their tenures or jobs.

For example, by combining psychology with literature. And so they began to look for phallus symbols in old classics. The board or department asks what they are doing, and they can assure them it’s important research when really it’s not. And that’s also why today, “Beyoncé Studies” is seriously a major you can get a degree in.

They took their collective works and shattered them into millions of pieces. And any profit-driven institution would have thrown these guys out long ago
 
In Film Studies deconstruction is when a film takes an established genre and breaks down its tropes and trends. For example Unforgiven is a deconstruction of a Western and The Big Lebowski is a deconstruction of a film noir detective movie.
 
Deconstruction is a very powerful tool and you can absolutely use it to crush, destroy and annihilate leftoid dogma that relies on it. It's actually quite the great feeling turning it against them.
This is what a lot of people unfamiliar with academia except for maybe getting an undergraduate degree should understand, the "intellectuals" rarely use their tools against their own premises. All the leftist/Marxist theories are far more vulnerable to deconstruction than traditional common sense. Derrida was basically the only deconstructionist or whatever you want to call these faggots to be halfway honest, every single other person deconstructs until they get the answer they wanted to find. And it always starts from some weird premise they themselves hold but basically nobody else does. This is how Foucault starts with some shit he made up about mental hospitals from skimming a single book and basically ends with the idea that sex with children shouldn't be stigmatized or else fascism wins.

The typical poststructuralist/postmodernist/deconstructionist/social construction/etc. model has the same problem as the precautionary principle, if you take it seriously it precludes itself. These people are almost all dishonest hacks seeking power so they know most aren't going to see the shell game of misdirection they're doing. As they tell you to your face that there's no way to have an objective view of reality or truth or whatever they themselves claim to have obtained an objective view outside of everything. What they're really doing is a negative attack on anything except themselves in hopes that you'll be resolved to accept their claim to power because they've said everything else is illegitimate. The turgid language is part of this, it's about wearing you down and assuming that because you don't get it it must be smart and make sense rather than just gibberish that doesn't say anything of value. At no time are you actually supposed to be skeptical of the narrative they themselves are spinning.

A number of "deconstructionist" artists have made the point that deconstruction is useless nihilism unless you use it as the first step of reconstruction. Alan Moore for example takes issue with being called a deconstructionist because of Watchmen because the purpose wasn't to deconstruct and then just stop and be like everything sucks and is garbage so why even do it. Him, Grant Morrison, etc. deconstructed comics in hopes of stripping away the excesses they felt others had built up and more properly find the core essences they could reconstruct from. Which is why those guys have often spent the rest of their careers doing almost nothing but reconstructions. (Or in Moore's case, reconstructions plus weird fetish comics.) Deconstructionist art is so common we don't even consider it such, any sitcom that examines the nature and assumptions of sitcoms, every show nowdays deconstructs tropes that came before, music is full of people pulling apart genres and putting them back together, movies have always used one genre to talk about something completely different, etc.

Ultimately the "deconstruction" that got all the press was a bunch of weird faggots huffing their own farts going "but like what if words meant things other than what they mean" and making absurd leaps out of ignorance like the idea that language decides all of reality while claiming to be the smartest dudes to ever live and making a bunch of puns that only work in French. At the same time popular American culture was mainlining Rock n' Roll which itself could be considered deconstructionist and popular films like Westerns were often stripping away tropes to find new ways to do Westerns but since that was mass culture it was obviously lesser class garbage that intellectuals knew the state needed to destroy to liberate us from the horrors of language forcing us into capitalism against our will.
 
This is what a lot of people unfamiliar with academia except for maybe getting an undergraduate degree should understand, the "intellectuals" rarely use their tools against their own premises. All the leftist/Marxist theories are far more vulnerable to deconstruction than traditional common sense. Derrida was basically the only deconstructionist or whatever you want to call these faggots to be halfway honest, every single other person deconstructs until they get the answer they wanted to find. And it always starts from some weird premise they themselves hold but basically nobody else does. This is how Foucault starts with some shit he made up about mental hospitals from skimming a single book and basically ends with the idea that sex with children shouldn't be stigmatized or else fascism wins.
There are some dedicated post-modernists that actually question ALL big narratives and constructs. They are quite rare.
The issue with deconstruction is that it eventually met the hard concrete wall of feminism, blackness and various other diverse identities, which immediately resisted attempts to deconstruct them and universalize their issues.
Since deconstruction was deemed essentially apolitical (which it kinda is), it started to be cynically misused or sometimes abandoned in favor of open identity politics. This is where the image of ruthless power pursuits regardless of reality or truth comes from.
The reality is that deconstruction is a universal acid, it corrodes everything that attempts to be stable, like an identity or concept. Most people that use it are simply too retarded to apply it to their own preconceptions, core beliefs and identity, and then when you challenge them on those issues they fall apart.
You can see numerous examples in these forums, where people want to deconstruct a specific group's identity, but as soon as you shine the same light upon their own group, it's all over. A funny recent example was a Mormon attacking Islam, and then going full retard "it's just not the same, and I also don't mind hypocrisy and inconsistency lol" when the same lens was upon the behaviors of their own prophet. You can witness mountains of this in the race/gender threads, where deconstruction rules supreme (in its most basic, rudimentary form), masculinity is crushed under the weight of its inconsistencies and historical changes/evolution, but femininity is STRONK and never looked at. Same goes for the opposite, of course.
And you can see it in the war threads, where your country is mostly awesome dindu nuffins, while its enemies are spawns of Satan that have long lists of crimes against humanity and are barely counting as humans.
TL;DR - humans are generally retarded, as expected. They see enemy narrative and go "HAH! I am surely incredibly high IQ and I will smash their obvious half truths to bits! Surely nobody will ever try the same shit with what I like!!!"
 
Última edición:
It's what happens when you let a French African jew into academia.
 
Though several posts have accurately defined it, "deconstruction" is a creative shortcut most commonly employed by hacks for the sake of substituting either a worthwhile premise in an original work, or a grasp on the fundamentals of composition in critical analysis of an original work.
 
Many people see deconstruction as something that is subversive- and it kinda is. But it can also appear to be constructive, from a certain point of view. Modern deconstruction usually involves a critic adopting a mainstream view, then criticizing the mainstream of not actually practicing what that view implies, thus galvanizing the critic's audience to be more and more orthodox. In modern, liberal, democratic societies, this usually involves socialists adopting views that are even more "liberal" than what the liberals themselves promote, thus galvanizing the liberals to become more extreme. Thus, you could argue that socialists are not actually revolutionary but instead are the orthodox core of the liberal cultural sphere.

I'm preaching to the choir, of course, but its pretty obvious to everybody that the "subversive" and woke critics who make up our intellectual elite are actually extremely closed-minded and orthodox in terms of their approach to just about everything.
 
I probably read the term thousands of times but I never really managed to find any consistent definition of it, which probably isn't helped by the usual case of it being a common phrase thrown around to describe something. The best I found online is the idea of deconstruction being to criticize something for inherent logical inconsistencies within it, except that 99% of the time instead of looking within the universe contained in a work for contradictions, people just argue that it wouldn't work in real life, which is both obvious and depends entirely on the work subscribing to the same reality as ours.

So what is it? Does it even have a consistent definition?
The way I see it its generally breaking down a genre into its constituent tropes/conventions and explaining those tropes/conventions through plot. Its most commonly done to ridicule genre conventions and destroy said genre. It can still obey genre conventions enough to be part of the genre but most times its not. Subversion is pretty similar in that trope/convention expectations are set up and the opposite of those is delivered. Theres always an arc to any genre of media which roughly correspond to the generation of personalities involved. Theres the rise where the tropes are formed and adhered to as gospel, the height where the formula is extremely successful but experimentation becomes limited, the stagnation when the formula wears out and tropes start becoming stale, the decline where everything becomes deconstruction/subversion/parody/self ridicule in an attempt to refresh the formula or pander to audience's self awareness through mockery. Its similar to the "strong times strong men" cycle.
 
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