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I will defend Metal Machine Music, it's a great industrial, experimental album, as for Mistrial yeah that shit sucks. Also let's not forget his last solo album which was literally a Tai Chi meditation tape. Which isn't bad but for Lou who was known as a asshole and narcissistic it's weird.Speaking of Lou Reed and shit albums, Metal Machine Music and Mistrial are two really bad ones from his solo career.
I don't think Thirteen is as much bad as it is just forgettable. A few standout tracks (Public Enemy, Black Swan, New World Order, Never Dead) but otherwise just kind of bland. A solid 6.5/10 for me personally. Not great, not terrible. Not that this is a controversial opinion but Super Collider for me is easily the nadir of the band's discography. Opens with a decent song and closes with a good Thin Lizzy cover but everything in-between ranges from simply confused to abject mess. Out of curiosity what is that favorite Megadeth album of yours?I like most of Megadeth's discography, I mean my personal favorite album of theirs is one people forget exist, but Thirteen was a fucking awful album. Idk if it's just like Dave Mustane had no ideas but there's one song on the entire album worth listening to, "Public Enemy."
The System has FailedI don't think Thirteen is as much bad as it is just forgettable. A few standout tracks (Public Enemy, Black Swan, New World Order, Never Dead) but otherwise just kind of bland. A solid 6.5/10 for me personally. Not great, not terrible. Not that this is a controversial opinion but Super Collider for me is easily the nadir of the band's discography. Opens with a decent song and closes with a good Thin Lizzy cover but everything in-between ranges from simply confused to abject mess. Out of curiosity what is that favorite Megadeth album of yours?
Like they forgot to write or record the guitar parts for one thing.Year of the black rainbow has issues
Metal Machine Music was a horrible album but a magnificent shitpost, at least if the story that he made it as a contractual obligation is true.Speaking of Lou Reed and shit albums, Metal Machine Music and Mistrial are two really bad ones from his solo career.
Fun fact: I was once next door neighbors with Lou.I will defend Metal Machine Music, it's a great industrial, experimental album, as for Mistrial yeah that shit sucks. Also let's not forget his last solo album which was literally a Tai Chi meditation tape. Which isn't bad but for Lou who was known as a asshole and narcissistic it's weird.
Quoting myself because good Lord, the Peppers outdid themselves in the lame department with another record.I can now attest that the Peppers' latest album, Unlimited Love, is a total dud from start to finish. The only song that stuck to me was These Are The Ways. Everything else sounds exactly what one would expect with a bunch of ex-junkies pushing 60 trying to reclaim some semblance of the glory they had in the Cali-BTW-Stadium trifecta. It goes down like a geriatric fart. At least with Josh Klinghoffer as lead guitarist they had a decent direction - I'm With You is surprisingly fun, and The Getaway already showed the maturity and mellowness that the Peppers tried and failed with their latest record.
I know they're viewed as a meme band at this point, but they do have some great music. Hell, Mark Tremonti's solo work when he's not playing in Alter Bridge is fucking great.I've been listening to Creed quite a lot lately. Can't say I dislike any of their albums.
@Patrick Bait-manHuey Lewis and the News. Their early work was a little too new wave for my tastes, but when Sports came out in '83,I think they really came into their own, commercial and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far much more bitter, cynical sense of humor.
In '87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is "Hip to be Square", a song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself.