The Amazing Digital Circus - Western Isekai that probably will become Hazbin Hotel killer

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Jax is basically showing all of the signs of being someone who would kill his partner.
There are people, right now, on bsky, who will tell you smugly how wrong you are and that scene of Jax strangling her was Jax's toxic masculinity manifesting in violence from learned behaviors and a psychological craving for estrogen. They will then tell you you're transphobic for not having that default opinion.
 
I knew something was up with this shit starting with the second episode. Not only was that whole therapy talk segment with Gummi just a signal for what the show would completely devolve into, but it wasn't even a very original premise (oh, wow, the NPC character realized they're fake; I haven't seen that concept explored since that shitty Ryan Reynolds movie from five years ago).
The episode completely lacked the sense of mystery or intrigue that the pilot promised, and the fact that Pomni pretty much completed her entire character arc in a single episode (the second one of the series, at that) made her a rather boring protagonist.
 
I respectfully disagree, because this plays to the idea that AI has heckin' valid feelings.
I don't see a character being an AI program different from a character that is a robot or an alien, what ever fits the story being told right? I love scifi movies that explore the idea of what makes a human, human. Ghost in the Shell, Blade Runner, The Matrix are all great films that explore the topics that I think Goose wanted to explore, but couldn't stop gooning to fan art to actually focus on it. Like he was going to play with the idea what makes a human different from AI though Gummygoo but completely scrapped it only to later make the humans glorified NPC's later. The issue isn't the characters are AI or the world is digital, the issue is Goose is not smart or skilled enough to make it compelling.
If anything, it just makes the series tonally and metaphysically about rejecting reality and embracing AI as a secondary kind of life (which it isn't).
Goose's writing is genuinely so lazy that I think he actually took your side in the debate. His digital characters matter so little in the story that in order have a satisfying ending, he just shows the IRL counterparts living their best lives and that is cathartic for the digital characters. It undermines them them as their own autonomous sentient beings and emphasizes that the real world (that they can't get to) is still more important than their own digital reality (that they have full control over).
 
I love scifi movies that explore the idea of what makes a human, human. Ghost in the Shell, Blade Runner, The Matrix are all great films that explore the topics that I think Goose wanted to explore, but couldn't stop gooning to fan art to actually focus on it.
I'd make a Gattaca reference, but I don't think anyone even remembers that movie exists.
 
I knew something was up with this shit starting with the second episode. Not only was that whole therapy talk segment with Gummi just a signal for what the show would completely devolve into, but it wasn't even a very original premise (oh, wow, the NPC character realized they're fake; I haven't seen that concept explored since that shitty Ryan Reynolds movie from five years ago).
The episode completely lacked the sense of mystery or intrigue that the pilot promised, and the fact that Pomni pretty much completed her entire character arc in a single episode (the second one of the series, at that) made her a rather boring protagonist.
I think episode 2 was probably the best one for setting up the show. The cast had an actual mission to accomplish that required some team work. The therapy talk with Gummi was important because it established that the NPCs can be equivalent to humans and added the potential for side characters for the human cast to interact with (ironically Gummi had more deph than most of the human characters). Also Pomni and Gummi escaping the level to the weird backrooms is also an interesting development and could have been a potential area to explore later for an escape as none of the other humans have been there before. But nothing happens in this series and goose drops ideas so often that you really only need 1,3,6,8,9 to get the full story.
 
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I thought TADC was very enjoyable, I liked the artstyle and music it was pretty refreshing... The writer mental illness and cringe made it entertaining.

It was pretty dark and fucked up, interesting how so many toddlers watch this show I guess its no coincidence.
 

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It’s kinda crazy to think that one BlueSky post re-contextualizes the entire show from “It’s about finding meaning in a stagnant life” to “it’s about how I wanted to kill my mom because she thought I was weird”
 
Thomas from Deadly Premonition
Hmm, I'd personally argue that Thomas isn't a tranny, at least not in the traditional sense that he personally identifies as the opposite gender. I think that Thomas is simply a gay man who has such a low sense of self-worth that he's willing to do things that he doesn't find any personal enjoyment or comfort in because it makes someone else happy. He doesn't dress as a woman because he wants to be one, he dresses as a woman because Sheriff Woodman is in the closet about being attracted to men, so Thomas is willing to "be a woman" when they fuck in order to make him happy, to his own detriment.

This is a surprisingly common character archetype in Japanese media, that westoid troons naturally always lump in as being """trans rep""" because they're clueless to the fact that having these characters who are clearly groomed into the role of pretending to be a woman makes them look worse.

Other examples are Chihiro from Danganronpa, a character who explicitly identifies as male but dresses as a girl because he thinks he's too weak and pathetic to be a guy, and so lives an explicitly unhappy life pretending to be a girl because of what he perceives as societal norms, and all his character development scenes before his death are him trying to become stronger and more masculine so he can shed this identity he's hiding himself in.

There's also Bridget from Guilty Gear, the archetypical example of this, a boy who's forced by his parents to pretend to be a girl because his village has a superstition about male twins being cursed, and should be put to death, his entire character arc is about how he can resist the shackles put upon him by society and the fact that even though he's so small and feminine, he is still a man and shouldn't be limited by how the world sees him, only for them to continue his story from the BAD ENDING of the previous game, where he gives up and says "yeah I guess I'm a girl, sure", because trannies see a guy dressed as a girl and immediately claim them as troon wankbait, not realising the bad look this groomed child gives them.

The last example that comes immediately to mind is Luka from Steins;Gate, who once again, identifies fully as male, but has a crush on the protagonist Rintaro, who is straight and likewise struggles with his attraction to Luka despite being perturbed by the fact he's male. When Luka asks Rintaro to send a time travel email to his mother telling her to eat vegetables while pregnant with him so he'll be born as a girl (absolutely incomprehensible anime logic, but regardless), it's not because he WANTS to be a girl, it's because he wants Rintaro to be attracted to him and knows that the only way this will happen is if he's a girl, therefore his desire to be with and make Rintaro happy is more important to him than his own personal comfort in his own body. When the timeline gets reset, Luka isn't sad because "I won't be a girl anymore", it's because "Rintaro won't want to date me anymore", and the character growth he develops is meant to be that he has value whether or not the guy he likes likes him back, he should be happy regardless. But no actually he's a tranny because I think about him when I'm dilating and if you say otherwise that's trannyphobic.

The biggest irony about these sorts of characters is that they actually would work better as representing pooners, but naturally that never happens because troons run the place and is any little dood tries speaking up, "she'll" beat "him" down with that hulking shebeast tard strength
 
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I won't be surprised if/when we find out that goose has a cis woman violence/guro fetish and a lot of scenes will stop being funny in hindsight.

Unrelated but even glancing the tadc tag on tumblr is a nightmare rn. Found some good lines tho.

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>5901 likes btw

On the replies lol
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"They're doing kiwifarms shit to a fictional rabbit"

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:story:
 
Yknow what I find interesting, having not seen a single second of this thing up until the movie leaked, was how different my mental image of the show was from what it actually was.

when I hear a premise of, oh they get sucked into the le funnee video game, i thought it would be more about wandering around the backrooms of a game's world, experiencing setpieces out of context, inspiration taken from things like out-of-bounds and sequence breaking, finding unused items, abandoned NPC characters, etc etc. Finding the other main characters over time, living in spaces dug out for themselves across the game world, making what they can out of the digital ruins, some joining the group and some being left to their own devices to maybe be revisited and called upon later. With Caine being the “plot” of the “game”, an inevitable force they cross paths with, try to avoid, deal with when they can’t avoid him, get trapped in his “premises”, escape from him and end up in another part of the circus because of it, far from where they were last, places where maybe one or two cast members are like “oh this place is so and so, we were here when such and such” or maybe it’s an entirely new unknown place to everyone. Yknow, actually living in the simulacrum of a world that a videogame tries to be, and exploring that concept. So much they could do.

But after getting a creeping realization from reading bits and pieces I go an look at the episode summaries on Wikipedia and whaddya know… it’s all about Caine forcing them to go through plots and nothing else happens outside of that- nothing happens for any other reason than Caine. An overly-enforced episode-of-the-week type formula (outside of the therapy bullshit). All characters are present from the beginning as an eternal homogeneous block.

Like I could tell it was going to be shit and tumblr, but, you’d think they would at least, you know, actually make use of their premise.

anyone who was talking about rewriting the ending, if you wanna talk about rewriting the whole thing from the ground up, get me in on that, I’m having ideas. I wanna write at least some of them out before actually watching the thing (or at least the Kiwi reaction video, I’m not watching this shit without some kind of ideological condom at least)

also if we make our own version we should use AI for it because that’d really piss off the sort of people who make and like this shit lmao



oh yeah and I guess jaxx is troons I guess idk idgaf
 
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I won't be surprised if/when we find out that goose has a cis woman violence/guro fetish and a lot of scenes will stop being funny in hindsight.
Typical sodomites and their woman hatred

Considering the Cain(e) and Abel allegories, the second I saw that "Last Supper" reference at the end of the first episode. I was thinking "someone is going to be the Judas". It was obvious it was going to be Jax. He even had a Judas end in abstracting/suiciding himself.

Funny after the remaining characters including Caine started eating at a round table (i.e. King Arthur), everything was at peace
 
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