Movie & TV Show Recommendations

Recently watched Ladyhawke (1985) for the first time. It's a medieval fantasy directed by Richard Donner, starring Matthew Broderick who seems to be refining his future Ferris persona, alongside Rutger Hauer and Michelle Pfeiffer who play cursed shape-shifting lovers seeking revenge against an evil bishop. Sounds like a blast, right?

Well it's not. It's also not "bad," but it doesn't live up to its full potential. The pacing sucks and Pfeiffer doesn't really have much to do in her role, and the music... jfc the music. They decided it'd be a great idea to have Alan Parsons produce the soundtrack alongside one of his associated musicians and it stinks. Very dated and wildly inappropriate for the rest of the film.

I still recommend this because the good outweighs the bad. It's an oddity.

Been watching the 2003 Battlestar Galactica series. Haven't watched it since I was a wee boy in 2009, but its still so good. So say we all!
There's so much to like about that show. The music, production design, the characters. I didn't even mind the ending. I've heard that lot of the ideas were originally intended for Star Trek: Voyager, which makes me sad that RDM left the franchise.

They've been trying to do a reboot or another reimagining for over a decade, starting almost immediately after the show ended, and every attempt had been stalled or canceled. I hope that continues to be the case.
 
They've been trying to do a reboot or another reimagining for over a decade, starting almost immediately after the show ended, and every attempt had been stalled or canceled. I hope that continues to be the case
The only way they even have a chance to pull it off in this era is if a deeply religious Christian group like the Mormon Temple produces it. Anyone in Hollywood would shit on the core themes that made it good
 
The only way they even have a chance to pull it off in this era is if a deeply religious Christian group like the Mormon Temple produces it. Anyone in Hollywood would shit on the core themes that made it good
I agree, the religious and philisophical aspects are what really elevated the RDM show. Based on who has been attached the attempted reboots at various points, it seems like they want to have a tone closer to the original series with an emphasis on the pulpy action elements.
 
I agree, the religious and philisophical aspects are what really elevated the RDM show. Based on who has been attached the attempted reboots at various points, it seems like they want to have a tone closer to the original series with an emphasis on the pulpy action elements.
Why would they do that? It'd be like saying you're going a Lord of the Rings remake but only using Tolkien's first draft that he did in high school.
 
Recently watched Ladyhawke (1985) for the first time. It's a medieval fantasy directed by Richard Donner, starring Matthew Broderick who seems to be refining his future Ferris persona, alongside Rutger Hauer and Michelle Pfeiffer who play cursed shape-shifting lovers seeking revenge against an evil bishop. Sounds like a blast, right?

Well it's not. It's also not "bad," but it doesn't live up to its full potential. The pacing sucks and Pfeiffer doesn't really have much to do in her role, and the music... jfc the music. They decided it'd be a great idea to have Alan Parsons produce the soundtrack alongside one of his associated musicians and it stinks. Very dated and wildly inappropriate for the rest of the film.

I still recommend this because the good outweighs the bad. It's an oddity.
If they cut out an hour from the run time and had Broderick speak as a normal American from the get go instead of trying to fake a"British-y" accent, it would have been a classic. It had great production design and lots of gorgeous scenery and castles.
 
Kin-dza-dza! (1986) - Somewhere in space is the galaxy Kin-dza-dza, the slum of the universe. In it is the planet Pluke, a desert wasteland where our two protagonists get teleported to.
The film is about them trying to find a way back while navigating the bizzare culture of the inhabitants.
I don't want say more about the film because it's free on YouTube and, since I like watching films without any prior knowledge of them, I assume a lot of other people do too. I'll bet you a matchstick head you won't regret it.
But I will share the fact the director of the film, Georgiy Daneliya, made a kid friendly cartoon remake in 2013 called Ku! Kin-dza-dza, which is like if John Boorman made a cartoon remake of "Zardoz" 30 years after the original... and won an award for best animated feature.

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I've just started watching Shōgun. It has a lot of interesting Game of Thrones vibes - hopefully it won't end the same way.
 
An interesting older film many may not have seen is "On the Beach" (1959). Based on a novel by the same name it is set in Australia the aftermath of a nuclear war which has left the northern hemisphere devoid of life. With the war over life continues mostly as normal in Australia, however this normality will only last for so long as clouds of lethal radiation slowly creep south towards Australia. The film follows a group of survivors as they face their impending doom, each choosing to cope with the knowledge they will soon be dead in a myriad of ways, one for example turns to alcohol. Another, a man recently married father with a newborn baby, tries to enjoy a nice day on the beach with his family despite knowing he will soon be forced to mercy kill them. A third, an American Sailor on maneuvers when the war broke out, chooses to pretend his family back in the states are alive, despite knowing this to be impossible, leading him into internal conflict as he struggles with deciding between starting a relationship with a woman he met in Australia to make his last months more palatable, and remaining faithful to his (almost certainly) dead wife.

As the film progresses you see glimpses of abnormality, hints of impending doom interrupt every bodies delusions of normality. The Australian Government for example begins to distribute suicide pills, preparing the populace for the incoming trouble. At another point the start of trout season is moved up to accommodate that everyone will soon be dead from Radiation. In the midst of this a faint Morse code signal is discovered in San Diego, far into the zone of in habitability where nobody should be alive, let alone sending Morse code messages. The signal doesn't spell out any decipherable message and seems to stop and start and random intervals, still it is something, and a Navy submarine is dispatched to investigate as some hold out hope that this means they may be able to avert their impending doom.

The film beautifully explores the themes of loss, impending death, and hope/hopelessness. It is also notable for featuring Fred Astaire (yes that Fred Astaire) in one of his serious roles (he does alright). Definitely worth checking out if you get an opportunity.
 
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This is not really a recommendation, although a recommendation not to see is a recommendation of sorts. Saw Wonka last night (didnt pay, never do) and I am perplexed but also disturbed it has received the positive reviews it has. The race swapping was on the nose, making Slugworth a blackie. Wonka also helps some black orphan, but the town is supposed to be some mythical place in Europe sometime in the past. The movie pulls names and characters from the original but there is no character arc to show how Wonka became as jaded and cynical as he was.
I looked and did not see either Doomcock or Critical Drinker gives this derivative hack job the scathing review it so richly deserves. I still think professional critics are paid off but this sort of thing is also explained out of ideological and political alignment as much as anything.
The music aspired to be something from the caberet era from the 1920s but it just fell flat. And yet it seems to have enjoyed critical and monetary success.
 
This is not really a recommendation, although a recommendation not to see is a recommendation of sorts. Saw Wonka last night (didnt pay, never do) and I am perplexed but also disturbed it has received the positive reviews it has.
The only acceptable adaptation is the one with Wilder in it. As for this version:
But only the first half.
 
Has anyone been watching HBO'S The Regime? I started to download it as it looks interesting and seems to have the aesthetics I loved from shows like Snowpiercer.
 
I had low expectations but was curious bc of the strong reviews, both from critics and viewers. They are of course also manipulating viewer scores as well.and ah e been for some time. Most of what I watch I do so as "resistant viewing."
I generally automatically assume remakes of anything that was already done perfectly or as near to perfectly as is likely are going to suck ass.
 
I’m enjoying Constellation on Apple TV, don’t worry it’s pirated. The diversity isn’t ham-fisted like other streaming services and they don’t play lip services to woke topics. I mean a black guy dies in the first 5 minutes, a refreshingly retro trope. The storyline revolves around quantum physics experiments and alternate realities, pretty fun watch if you’re into that mind bending shit. Although the daughter in it is ANNOYING.
 
All right, I have plumbed the depths of haram media and I have returned with some watchable stuff. Why, you ask? I don't really know. Just stumbled on to most of them, but, frankly, if something is well done, even if it's fucking woke as shit, at this point I'll take it. Most of the following are really just woke by coincidence, I don't think the media-makers actually set out to make something political, they just happen to be covering stuff that usually falls under that blanket, and usually sucks so bad it's unwatchable. Anyway.

Let's start with the semi-pooner, Gentleman Jack. This is a loosely historical HBO series starring (I'm convinced), secretly based Suranne Jones as some Victorian broad who wants to do man things (but not really BE a man...sort of). Season one is actually pretty great. There's a LOT going on, from her dealing with neighboring banker assholes mining her coal a la There Will Be Blood (the best part), to her dealing with her farmer tenants who range from Samwise Gamgee loyal to absolutely murderous, to her love life (trying to get over her old flame, and falling hard for the new hottie that moves in next door), and finally (and thankfully smallest) her being a woman, doing man things, omg. This last part isn't TOO much in your face, and it's at least judged mostly from the Victorian perspective, rather than a modern one. Honestly, for as melodramatically as these things are usually covered, the show is actually pretty light and bouncy. It's fun. Gemma Whelan is great in very small doses as a comedic foil, all the usual character actors are great. Even the new young girlfriend does a good job, even if her character is annoying.

Season 2 falls off the rails a bit. I'm not sure if they were told they weren't getting any more seasons and just fucking gave up, or they were planning on drawing out every story line to Game of Thrones lengths. In any case, basically every story line is just dropped or ignored except for her love life. It's still OK to watch, because the production is great and all the actors are great, but it SORELY lacks the fun that was in the first season. Also whoever made the decision to do Suranne Jones' eyebrows like that should be drawn and quartered.

On the feminist front, let's talk about Top of the Lake. This kind of opens like your typical murder mystery, but then it turns out it's not a murder, it's a rape (maybe). But mostly that's not really important, what's important is that this is Jane Campion feminism stream of consciousness, and not your average cop murder show. But the thing is, it somehow....well I'm not going to say it works, but I will say it's fucking entertaining. You know how everyone except consoomer faggots hate Mary Sues and flawless heroines? Well Jane Campion went the other way, because our heroine is NOTHING BUT flaws, terrible decisions, and lessons not learned. This is counter-balanced by the fact that literally everyone in the show is an absolutely horrible piece of shit. Jane Campion makes you fucking hate the 13 year old pregnant rape victim. The main cop's boyfriend that comes to her rescue? Piece of shit. The wise woman guru who moves into paradise to lead her flock? Piece of shit. Her wounded and broken flock of healing women? Idiot pieces of shit. There's literally not one decent person in the show. It's fucking hilarious. I mean yeah the actual mystery kind of doesn't work (I mean you have to believe that a group of normal/worldly teenagers (not sheltered Mormons or something) don't know what roofies are, and don't know how to set up their phones to record and stuff to make it work), but it's also not really that important. It's supposed to be dour and depressing and enlightening, but I watched it from a darkly comic mindset and enjoyed the shit out of it.

Season 2, however, pretty much sucks. She turns all the bad guys into arch-comic-book villains, and all the non-bad guys into verging-on-literal retards, and they're ALL hateable - but not in the fun way like season 1. Also, there's definitely a murder, and I can't remember if they actually solved it. I kind of had to force myself to finish watching it. The 'coincidences' are just too much, everyone is a caricature, Nicole Kidman is fucking annoying, and it's just dumb. Gwendolyn Christie is in it, though, and she's kind of fun to watch (although retarded like everyone else).

And finally, let's visit Animal Control with The Death of Dick Long. This one has ONE THING, but if you can get over it, it's a really enjoyable, and I'd almost say really good, movie. But that ONE THING is fucking tough. I almost didn't watch because of it, and I wasn't wrong, I honestly think the movie suffers because of this faggoty choice, but that being said, there's still something there to enjoy.

So this movie is basically the story of Mr. Hands. And the ONE THING that fucking sucks and irks me to no end, is that in fictionalizing it, they take it from the Pacific Northwest, and put it in the south, and turn the college educated communist faggots (and Chicago faggot trucker), and turn them into good old boys. I know right? Fucking annoying as shit.

But, that being said, they don't really play them being rednecks that much for laughs. They don't really try to score points off of them being like christian chuds or anything, I guess they just try and tell the story as if it was these guys instead of who it actually was. There are a lot of fucking laugh out loud moments in the movie, mostly with the doctors/cops/etc figuring out what's going on. Also, it's pretty poignant at the end, it's pretty decent at communicating how much of an impact it had on the main character's family and such. Anyway, if you can either get over the re-location/casting of the story, or don't give a shit about it like I did, this one is well worth a watch.

Well there's some shit I don't see mentioned very often -- probably for good reason, I mean none of it is GREAT, but it's all at least watchable, which is fucking high praise these days.
 
An interesting older film many may not have seen is "On the Beach" (1959). Based on a novel by the same name it is set in Australia the aftermath of a nuclear war which has left the northern hemisphere devoid of life.
I read this when I was quite young, and have seen the film since. Both struck me as spectacularly bleak, and really put the fear of The Bomb into me.
Strong recommendation.

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What I’m watching now is series 5 of Fargo. It’s potentially the best of the spin-off series yet, good horror vibes but intelligent with it. Great female characters including Jennifer Jason Leigh. Nice references to the original film and some other Coen works.
 
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