Why do you like anime? - And why is it popular

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Minecraft, Call of Duty, Fortnite etc are huge in Japan. I'm not sure who you were talking to who said they don't play western video games. It's comparable to Mario and Animal Crossing being big in the west. This also applies to other media, there are loads of Marvel and Star Wars spergs there. Unless you're talking about the tiny subcultures of people who never leave their rooms they're not insular at all.
Now you mention it I sought out chat groups on the app LINE that were full of people who'd never spoken to a foreigner before as they spoke no English, and I wanted to impress them with my knowledge of their language and culture and get the validation I sought, that I could indeed fully assimilate into Japanese culture and not be singled out as a foreigner. In fact there was one girl who wasn't very bright, and asked me "do you speak Australian?" when I told her I live in Australia. I was able to laugh it off and correct her, but gives you an idea of some of the people I spoke to online.

The ones I interacted with who did enjoy western culture had only really scratched the surface from what I can recall and a lot of it was stuff that was mainstream enough to make it to Japan and wasn't necessarily nerdy - I did also get the occasional message asking me "hey, do you like Ariana Grande and Justin Bieber?" and would get defensive like "are you assuming I like that trash just because I'm a gaijin?"

Every now and then I do sometimes search for fandoms I'm part of in Japanese and see what comes up, but on Pixiv for example there's very little fan art for them compared to the massive categories for whatever the hottest new anime or manga is. Granted, the internet might not be the best way to gauge Japanese interest in western fandoms, but it's where a lot of fan communities are.
 
Now you mention it I sought out chat groups on the app LINE that were full of people who'd never spoken to a foreigner before as they spoke no English, and I wanted to impress them with my knowledge of their language and culture and get the validation I sought, that I could indeed fully assimilate into Japanese culture and not be singled out as a foreigner. In fact there was one girl who wasn't very bright, and asked me "do you speak Australian?" when I told her I live in Australia. I was able to laugh it off and correct her, but gives you an idea of some of the people I spoke to online.

The ones I interacted with who did enjoy western culture had only really scratched the surface from what I can recall and a lot of it was stuff that was mainstream enough to make it to Japan and wasn't necessarily nerdy - I did also get the occasional message asking me "hey, do you like Ariana Grande and Justin Bieber?" and would get defensive like "are you assuming I like that trash just because I'm a gaijin?"

Every now and then I do sometimes search for fandoms I'm part of in Japanese and see what comes up, but on Pixiv for example there's very little fan art for them compared to the massive categories for whatever the hottest new anime or manga is. Granted, the internet might not be the best way to gauge Japanese interest in western fandoms, but it's where a lot of fan communities are.
Most Japanese people don't know what Pixiv is. It's only the 78th ranked website in Japan. It's kind of like asking random people if they know what 4chan is (for comparison, 5ch is ranked 67th and most people don't use that either). I get the impression you're evaluating the whole country by its smelly nerds. Twitter, Instagram, YouTube are the mainstream sites there, as they are here. Japanese Twitter is actually much better than ours because you don't have idiots screaming their terrible takes on politics all the time.

Funny thing is, how you reacted to being asked about Ariana Grande (which I agree, she's terrible) is exactly how a lot of Japanese people would react if people asked them about watching cartoons as an adult. Sure, it's part of the culture, but most mature people aren't interested.
 
People making anime out as this heroic last stand against communism are really weird to me. It's junk made for profit by underpaid animators and mostly sold to China. Censorship will come when the CCP asks nicely.

I think the reason why people think that is because of American corporate astroturfing that's targeted at the American market and has been amplified by Woke Left spergs on Twitter. For a bunch of self-professed anti-capitalists, they seem to gladly parrot the corporate party lines and take part in efforts to suppress the potential competition that can harm corporate profits.

For some strange reason, SJW's/Woke Leftists tend to have an extremely autistic hatred of anime that is far more irrational and goes far beyond throwing shade at spergy weebs or rolling your eyes at the more goofball or obvious fantasy elements of certain titles and sub-genres.

The "anime as the heroic last stand against communism" meme is a case of every action having an equal opposite reaction. The mostly American SJW's went full retard in their hatred of anime and manga (barring two specific mainstream titles* because of nostalgia) and this is where you get that meme as the equally retarded reaction. It's mostly an American phenomenon but thanks to social media and the global nature of the internet, it spills over into other countries where anime was never much of a thing outside of fringe circles (like the UK)

Really, it's two different groups of spergs falling for astroturfing done by American corporations and aimed specifically at the American market. Anime is a lot more mainstream in the United States compared to the UK and most of mainland Europe (but less so than in China or Southeast Asia) because there was a very widespread and popular boom period in the late 90's and 2000's that didn't really end until around the time of the Great Recession. Anime was aired on network TV and basic cable in mainstream hours and got good ratings.

It started out with titles aimed at children and young teens for Saturday Morning cartoon blocks and at its peak in the early-mid 2000's, you had manga being sold in Wal-Marts and K-Marts and the more "edgy for basic cable but still PG-13" sci-fi/fantasy and horror titles being aired on basic cable as well, mainly on Adult Swim and Sci-Fi Channel, but occasionally on other channels as well.

Premium cable channels like Starz, Encore, and HBO would even air the more acclaimed or popular anime movies that weren't typical Ghibli stuff you usually see get praised by the "mature" snobs either.

IIRC, the original Ghost In The Shell movie from the 90's got a lot of airplay on Starz and Encore at various hours in the early 2000's.

Vampire Hunter D got a fair bit of airplay on HBO and Cinemax and in an edited form for TBS and TNT in the 90's and very early 2000's.

*-The two titles that Twitter wokesters cut slack are Pokemon and Sailor Moon.

Both are practically "normie" mainstream fare in America and a major part of childhood nostalgia for a lot of Millennials and older Zoomers in the US since they were on mainstream TV a lot back then. My Hero Academia is the only newer series that gets a pass from SJW's but I can chalk that up to the fact that SJW's really love capeshit for some reason and MHA is explicitly a love letter to old-school Marvel and DC style superheroes.


The fact that two supporting protagonists (Sailor Neptune and Sailor Uranus) in Sailor Moon are also a lesbian couple also helps sell the idea of it being a "woke queer lesbian anime" when the manga was created by a straight woman who simply had a "Y2K Liberal" approach to homosexuality in an otherwise conservative country and every other member of the Sailor Guardians are heterosexual (Sailor Moon initially had a crush on Sailor Uranus until she found out she was a short-haired woman and not a feminine-looking boy)

The two characters in question are normie non-woke lesbians (Uranus is a tomboy but isn't a total butch dyke radfem either) and don't even appear until the third season, and every other LGBT character on the show are flamboyant and downright villainous (two major villains in the first season were originally a gay couple in the manga) seems to fly over their heads.

And before any weebs mention the Sailor Starlights (three male sidekicks who transformed into girls when they got their powers) those weren't trannies. Naoko Takeuchi is a bit of a sperg when it comes to "Only girls can be full-fledged Sailor Guardians" and having the guys magically transform into women for their powers was a compromise since those characters were exclusive to the anime's final season. They've also explicitly said multiple times that they weren't trannies.

The only transgender character on the show was Fish-Eye, a relatively minor but very creepy villain.

Sailor Moon was one of the first anime I watched as a kid and I have a lot of nostalgia for it, so forgive my sperging.
 
People making anime out as this heroic last stand against communism are really weird to me. It's junk made for profit by underpaid animators and mostly sold to China. Censorship will come when the CCP asks nicely.


For a lot of people in Japan "working" is sitting around doing nothing for hours and giving the appearance of working hard to trick the boss. I'm guessing you probably don't get a lot of satire of corporate culture in anime though...


Minecraft, Call of Duty, Fortnite etc are huge in Japan. I'm not sure who you were talking to who said they don't play western video games. It's comparable to Mario and Animal Crossing being big in the west. This also applies to other media, there are loads of Marvel and Star Wars spergs there. Unless you're talking about the tiny subcultures of people who never leave their rooms they're not insular at all.
What'll be funny is if/when the pendulum swings back in Western culture while anime goes full conservative to appease China.

Weebs who have been smug posting about the pozzed West and sjws will be on suicide watch if that happens.
 
I think the reason why people think that is because of American corporate astroturfing that's targeted at the American market and has been amplified by Woke Left spergs on Twitter. For a bunch of self-professed anti-capitalists, they seem to gladly parrot the corporate party lines and take part in efforts to suppress the potential competition that can harm corporate profits.

For some strange reason, SJW's/Woke Leftists tend to have an extremely autistic hatred of anime that is far more irrational and goes far beyond throwing shade at spergy weebs or rolling your eyes at the more goofball or obvious fantasy elements of certain titles and sub-genres.

The "anime as the heroic last stand against communism" meme is a case of every action having an equal opposite reaction. The mostly American SJW's went full retard in their hatred of anime and manga (barring two specific mainstream titles* because of nostalgia) and this is where you get that meme as the equally retarded reaction. It's mostly an American phenomenon but thanks to social media and the global nature of the internet, it spills over into other countries where anime was never much of a thing outside of fringe circles (like the UK)

Really, it's two different groups of spergs falling for astroturfing done by American corporations and aimed specifically at the American market. Anime is a lot more mainstream in the United States compared to the UK and most of mainland Europe (but less so than in China or Southeast Asia) because there was a very widespread and popular boom period in the late 90's and 2000's that didn't really end until around the time of the Great Recession. Anime was aired on network TV and basic cable in mainstream hours and got good ratings.

It started out with titles aimed at children and young teens for Saturday Morning cartoon blocks and at its peak in the early-mid 2000's, you had manga being sold in Wal-Marts and K-Marts and the more "edgy for basic cable but still PG-13" sci-fi/fantasy and horror titles being aired on basic cable as well, mainly on Adult Swim and Sci-Fi Channel, but occasionally on other channels as well.

Premium cable channels like Starz, Encore, and HBO would even air the more acclaimed or popular anime movies that weren't typical Ghibli stuff you usually see get praised by the "mature" snobs either.

IIRC, the original Ghost In The Shell movie from the 90's got a lot of airplay on Starz and Encore at various hours in the early 2000's.

Vampire Hunter D got a fair bit of airplay on HBO and Cinemax and in an edited form for TBS and TNT in the 90's and very early 2000's.

*-The two titles that Twitter wokesters cut slack are Pokemon and Sailor Moon.

Both are practically "normie" mainstream fare in America and a major part of childhood nostalgia for a lot of Millennials and older Zoomers in the US since they were on mainstream TV a lot back then. My Hero Academia is the only newer series that gets a pass from SJW's but I can chalk that up to the fact that SJW's really love capeshit for some reason and MHA is explicitly a love letter to old-school Marvel and DC style superheroes.


The fact that two supporting protagonists (Sailor Neptune and Sailor Uranus) in Sailor Moon are also a lesbian couple also helps sell the idea of it being a "woke queer lesbian anime" when the manga was created by a straight woman who simply had a "Y2K Liberal" approach to homosexuality in an otherwise conservative country and every other member of the Sailor Guardians are heterosexual (Sailor Moon initially had a crush on Sailor Uranus until she found out she was a short-haired woman and not a feminine-looking boy)

The two characters in question are normie non-woke lesbians (Uranus is a tomboy but isn't a total butch dyke radfem either) and don't even appear until the third season, and every other LGBT character on the show are flamboyant and downright villainous (two major villains in the first season were originally a gay couple in the manga) seems to fly over their heads.

And before any weebs mention the Sailor Starlights (three male sidekicks who transformed into girls when they got their powers) those weren't trannies. Naoko Takeuchi is a bit of a sperg when it comes to "Only girls can be full-fledged Sailor Guardians" and having the guys magically transform into women for their powers was a compromise since those characters were exclusive to the anime's final season. They've also explicitly said multiple times that they weren't trannies.

The only transgender character on the show was Fish-Eye, a relatively minor but very creepy villain.

Sailor Moon was one of the first anime I watched as a kid and I have a lot of nostalgia for it, so forgive my sperging.
Ironically, the "normie mainstream fare" anime in America are also the ones people have heard of here. Pokemon is a household name, Sailor Moon and MHA less so but I've seen toys from them in second hand shops.

France does seem to have a real interest in it, linked to their comics culture. Shows like Hokuto no Ken were shown there in the past. Aside from France it's something very much associated with neckbeards in Europe, though. People do know what anime is in Europe, but it's very much associated with memes and online edgelords rather than childhood memories and it's mostly mentioned in the context of parody, with people either imitating the squeaky girl voices or the guys making constipation faces as they power up for 10 minutes. Anime porn is also known to exist, but anyone actually watching it would be laughed at like someone into body inflation.

One question I'd like to ask is the idea going around fans that anime was going to experience some kind of popularity boom in the 2020s. Outside Asia I really can't see that happening, and you're talking about the 2000s boom in the past tense here. If anything it seems like it used to be more popular than it is.
 
What'll be funny is if/when the pendulum swings back in Western culture while anime goes full conservative to appease China.

Weebs who have been smug posting about the pozzed West and sjws will be on suicide watch if that happens.

It's possible, but I wouldn't call it a sure thing either. Especially if a Trump reelection hurts the Chinese economy bad enough via tighter trade sanctions or if 3GD gives out in the next raining season (it barely scraped by this year and nearly all the other dams and levees were destroyed to save it)

The odds of anime going "woke" to appease China are about 50/50 right now though.

Even then, I think the capeshit fad is going to die out in the 2020's, especially if we get the fabled MCU flops in 2021 and 2022.

The "CalArts" Tumblr garbage like She-Ra and Steven Universe is already on life support as it is, with the two aforementioned titles being the only real success stories (unless you count Adventure Time) and both have ended on a bad note.

As much as I like to rag on Marvel/DC, I do still think you'll see a handful of "evergreen" figures who will still get adaptations for movies, TV, and games but it'll be the ones who were popular and had crossover normie appeal even before the capeshit boom.

With DC, it's Batman and Superman (and Wonder Woman to a lesser extent) and with Marvel, it's Spider-Man, The Incredible Hulk, and the X-Men circa the "Bronze Age" of the 70's and early 80's like Wolverine and Storm.

Ironically, the "normie mainstream fare" anime in America are also the ones people have heard of here. Pokemon is a household name, Sailor Moon and MHA less so but I've seen toys from them in second hand shops.

France does seem to have a real interest in it, linked to their comics culture. Shows like Hokuto no Ken were shown there in the past. Aside from France it's something very much associated with neckbeards in Europe, though. People do know what anime is in Europe, but it's very much associated with memes and online edgelords rather than childhood memories and it's mostly mentioned in the context of parody, with people either imitating the squeaky girl voices or the guys making constipation faces as they power up for 10 minutes.

One question I'd like to ask is the idea going around fans that anime was going to experience some kind of popularity boom in the 2020s. Outside Asia I really can't see that happening, and you're talking about the 2000s boom in the past tense here. If anything it seems like it used to be more popular than it is.

In America, the 2000's boom is very much over but the crash that ended it was heavily tied to the Great Recession and the subsequent rise of the MCU, which is very much a faddish thing and is dependent entirely on normal people being bored enough on a summer weekend to see the movies (and outside of the meticulously planned Marvel franchise, isn't really working as well)

The cringe of the turbo-weebs and the usual boom and bust cycles of fads and trends didn't help that decline, but I've noticed that even in 2019-2020, anime isn't quite as dead as it was in the early 2010's here in America. Not as big as it was before in 2005, but not as small as it was in 2013 either.

It's a "down but not fully out" thing here in the US

There's a fair bit of things I've seen online and in person that makes me think we're going to get a second anime boom in the United States in the 2020's. It will be a strictly American phenomenon and the Asian market will always be bigger, but I really think a new cycle's about to happen.

I'd wager part of it would be tied into a wider 2000's nostalgia movement similar to how the current "geek is chic" fads like the MCU, the She-Ra cartoon, and Star Wars sequels banked on a wider 1980's nostalgia movement that was also happening at the same time.

Really, it's going to be a mix of Millennials and Early Zoomers nostalgic for the 2000's and Late Zoomer and Alpha Gen kids wanting to watch shows that are genre-oriented (and not boring dramas) but aren't "woke" or trends that are currently burning out like capeshit.

We're going to probably see the "mainstream" trends in media and the "nerd" trends diverge once again in the 2020's as the COVID-wracked corporations will have to quit putting their eggs all in the same big-budget franchise baskets to stop losing money. Especially if the Chinese market suffers for whatever reason.
 
Última edición:
It's possible, but I wouldn't call it a sure thing either. Especially if a Trump reelection hurts the Chinese economy bad enough via tighter trade sanctions or if 3GD gives out in the next raining season (it barely scraped by this year and nearly all the other dams and levees were destroyed to save it)

The odds of anime going "woke" to appease China are about 50/50 right now though.

Even then, I think the capeshit fad is going to die out in the 2020's, especially if we get the fabled MCU flops in 2021 and 2022.

The "CalArts" Tumblr garbage like She-Ra and Steven Universe is already on life support as it is, with the two aforementioned titles being the only real success stories (unless you count Adventure Time) and both have ended on a bad note.

As much as I like to rag on Marvel/Dc, I do still think you'll see a handful of "evergreen" figures who will still get adaptations for movies, TV, and games but it'll be the ones who were popular and had crossover normie appeal even before the capeshit boom.

With DC, it's Batman and Superman (and Wonder Woman to a lesser extent) and with Marvel, it's Spider-Man, The Incredible Hulk, and the X-Men circa the "Bronze Age" of the 70's and early 80's like Wolverine and Storm.
Even if China's economy contracts a bit it won't stop the fact that they're the main market for this stuff. Remember that anime is much bigger in Asia than anywhere else.
 
Even if China's economy contracts a bit it won't stop the fact that they're the main market for this stuff. Remember that anime is much bigger in Asia than anywhere else.

I agree.

What I was trying to tell @CheezzyMach is that if the Chinese economy is hurting enough, you won't see as much pandering from anyone in general, especially the extreme subservience companies like Disney have for them (and they're considered unusually careful around the Chinese even by Hollywood standards)

Japanese studios are more likely to censor for the Chinese government than for American woke punks and soy beardos on Twitter, Tik Tok, and Tumblr.
 
I agree.

What I was trying to tell @CheezzyMach is that if the Chinese economy is hurting enough, you won't see as much pandering from anyone in general, especially the extreme subservience companies like Disney have for them (and they're considered unusually careful around the Chinese even by Hollywood standards)

Japanese studios are more likely to censor for the Chinese government than for American woke punks and soy beardos on Twitter, Tik Tok, and Tumblr.
True, because American Twitter is not their target market. You get that pandering from Hollywood because they literally are those people, but not from anyone else.
 
You would love that wouldn't you?
Can't deny it'd be funny.
It's possible, but I wouldn't call it a sure thing either. Especially if a Trump reelection hurts the Chinese economy bad enough via tighter trade sanctions or if 3GD gives out in the next raining season (it barely scraped by this year and nearly all the other dams and levees were destroyed to save it)

The odds of anime going "woke" to appease China are about 50/50 right now though.

Even then, I think the capeshit fad is going to die out in the 2020's, especially if we get the fabled MCU flops in 2021 and 2022.

The "CalArts" Tumblr garbage like She-Ra and Steven Universe is already on life support as it is, with the two aforementioned titles being the only real success stories (unless you count Adventure Time) and both have ended on a bad note.

As much as I like to rag on Marvel/Dc, I do still think you'll see a handful of "evergreen" figures who will still get adaptations for movies, TV, and games but it'll be the ones who were popular and had crossover normie appeal even before the capeshit boom.

With DC, it's Batman and Superman (and Wonder Woman to a lesser extent) and with Marvel, it's Spider-Man, The Incredible Hulk, and the X-Men circa the "Bronze Age" of the 70's and early 80's like Wolverine and Storm.
Bro I hate to say it but that's arrogant as fuck, America's pissing match with China will have no effect on the anime market. The West is an afterthought at best to the Japanese.

Also it won't be going woke that's mostly a western thing it would become much more conservative though. * fanservice would be severely toned down I think *
 
Can't deny it'd be funny.

Bro I hate to say it but that's arrogant as fuck, America's pissing match with China will have no effect on the anime market. The West is an afterthought at best to the Japanese.

Also it won't be going woke that's mostly a western thing it would become much more conservative though. * fanservice would be severely toned down I think *

I meant that it would have an effect on the American market and companies like Warner and Disney and I probably should have worded it a lot more clearly.

I agree that it'll be more conservative with the fanservice if they're pandering to China
 
I find that I'm very picky when it comes to anime, like I am with TV in general. To me, if you're going to make a product that requires a large time investment, you better make it worth watching all the way through. I often drop TV shows after a couple of episodes because I realize that I don't feel invested enough to sit through to the end.

Anime's in an even more precarious situation because the really popular stuff, like shonen fighting and slice-of-life shit, doesn't interest me (well the shonen did but I got sick of it a long time ago). The stuff that does interest me tends to be stuff that non-anime people like too, like Cowboy Bebop and Trigun. The fact that those kinds of shows typically clock in at 26 episodes helps too because it's not so large a time sink.

I dabble in movies sometimes. I really enjoyed Akira and Spirited Away was a beautiful little movie. The movies I have seen show that Japan can produce stunning animation that rivals even Disney's best (seriously, Akira came out the same year as Oliver and Company and looks so much better).

I can see why people enjoy anime since it can be a nice fantasy to escape in, and I genuinely wish I could enjoy it on that level, but every time I try to I find myself wanting more out of it, whether it be on a storytelling or emotional level. And sometimes it delivers; like I said, I enjoy some anime but it seems to me the anime I like isn't the norm, as idiotically hipsterish as that sounds.
 
Última edición:
I meant that it would have an effect on the American market and companies like Warner and Disney and I probably should have worded it a lot more clearly.

I agree that it'll be more conservative with the fanservice if they're pandering to China
No matter the reason, toning down the fanservice would make it easier for a lot of people to get into anime imho - random underwear shots and huge bouncing titties can certainly ruin one’s enjoyment of a series, and I don’t mean this in a feminist “hurr durr sexy women bad” way, but rather that it can ruin a good story when something sexually suggestive is thrown in just because. Normies who only have a vague idea of what anime is do often seem to think the sexual stuff is representative of the entire medium, and while there are certainly plenty of series that lack it (be they aimed at a younger audience, or focused around a plot that doesn’t lend itself well to fanservice, or simply created by someone who doesn’t like it), they’re not entirely wrong as when the pervy stuff does come up, it certainly stands out and sticks in your memory as the usual fanservice tropes are pretty much unique to Japanese media.

And it’s not just the fanservice aimed at a male audience either - sparkly bishies aren’t exactly my cup of tea either. Obviously each to their own, but again, it’s something I think could certainly be improved on if anime/manga creators want to bring in more fans from the west.
 
Cartoon tiddies

But really since animation is seen as a serious form of storytelling (unlike in the West) and it costs much much less than most live action TV and most top tier live action movies, there are so many different kinds of stories that can be told and are

Also cartoon tiddies
 
No matter the reason, toning down the fanservice would make it easier for a lot of people to get into anime imho - random underwear shots and huge bouncing titties can certainly ruin one’s enjoyment of a series, and I don’t mean this in a feminist “hurr durr sexy women bad” way, but rather that it can ruin a good story when something sexually suggestive is thrown in just because. Normies who only have a vague idea of what anime is do often seem to think the sexual stuff is representative of the entire medium, and while there are certainly plenty of series that lack it (be they aimed at a younger audience, or focused around a plot that doesn’t lend itself well to fanservice, or simply created by someone who doesn’t like it), they’re not entirely wrong as when the pervy stuff does come up, it certainly stands out and sticks in your memory as the usual fanservice tropes are pretty much unique to Japanese media.

And it’s not just the fanservice aimed at a male audience either - sparkly bishies aren’t exactly my cup of tea either. Obviously each to their own, but again, it’s something I think could certainly be improved on if anime/manga creators want to bring in more fans from the west.

China isn't as worried about Fanservice as much as things that go against the Chinese Government, among other things.
 
It's junk made for profit by underpaid animators and mostly sold to China.
For a lot of people in Japan "working" is sitting around doing nothing for hours and giving the appearance of working hard to trick the boss. I'm guessing you probably don't get a lot of satire of corporate culture in anime though...
Minecraft, Call of Duty, Fortnite etc are huge in Japan. I'm not sure who you were talking to who said they don't play western video games. It's comparable to Mario and Animal Crossing being big in the west. This also applies to other media, there are loads of Marvel and Star Wars spergs there. Unless you're talking about the tiny subcultures of people who never leave their rooms they're not insular at all.
To tack onto @Syaoran Li's post into the future, I am one of those older fans who grew up in that time frame and the geographical area he was talking about, and to summarize everything I've said to @Longcat, to witness that era first hand was inspirational. That was the time when Hollywood and the entertainment industry had to deal with the situation when comics, animation, and video games had just as equal, if not more sway and public appeal on par with TV shows and movies, and fucked with all the censors because the moral watchdogs couldn't touch them because of the money and public appeal for doing things that weren't regulated to be bastardized "kid safe and family friendly".

To lay myself bare for a bit, I am an artist. I enjoy art. I work with art. I enjoy learning about the history of art. I also don't agree entirely with everything society thinks, because much of the time, there's always something hypocritical and absurd going on that runs contrary to where they claim they put their money where their mouths are. I like anime, because I've seen more art and skill applied to it and spread to the world in application than any of the ass sniffing artsy fartsy hoity toity "art makes me special and better" exceptional dipshits who are crying in woe about how the world doesn't appreciate art, but never does anything to tackle this dilemma that is only exacerbated by their own absurd ignorance. Yes, nothing is perfect; I know all about Japan's economic and business culture, from its highs to its lows; I know about series whose staff are so uninspired that don't really fucking care about what they put out, and I am well aware of corporate soullessness and its corruptive greed and malign influences. I honestly don't care though, because nothing is entirely certain or perfect in the world, and life is what you make it. I've also never been to Japan yet, but I guess for all of life's mysteries and blessings, I'll take it that I'm probably better for it until the opportunity comes.

I am also a video game hobbyist who plays a lot of more "obscure" video games, and I grew up way more with Japanese made games; nothing personal, but aside from splitting hairs and explaining myself, that's where I get my anime experience from too. Again, I am old- I grew up in that age before the minecrafts and the fortnites and the call of duties, and have been out of the mainstream for a while. I grew up "retro" or whatever. Played arcade games and emulators and burnt out around 2010-ish.

And if you were wondering, no, I don't like anime simply because it's Japanese. And I honestly don't get where people think that anime is specifically Japanese. I dunno. I'm probably too tired of people not using their brains and not thinking hard enough about our constitutional rights and what that means for our human condition. We're also on a thread that is talking about anime, so I don't need to explain anything more.

So oi, life is all about perspective, mate.

That then raises the age-old question: does it still count as anime if it was produced outside of Japan? I remember Tokyopop when they were still around would occasionally publish OEL (Original English Language) manga, which I wasn’t interested in as a preteen at the peak of my weeb phase, as I didn’t believe it was “real manga”. There’s also the grey area when it comes to manhwa (Korean)/manhua (Chinese), they all derive from the same word, but I find it interesting that there’s a distinction based on what country they originate from. And as far as anime goes, the most famous example I can think of that was produced in the west is Avatar, but mostly I’ve seen that referred to as inspired by anime but still ultimately a western cartoon. I guess it just comes down to whether you define it as a particular art style and maybe a few specific tropes/reoccurring themes, or as animation specifically produced in Japan.

And I can completely understand why a Japanese creator would want to make something that’s culturally relevant to their audience - it’s much easier to get into a work of fiction if there’s something in it that connects to your experience of reality, as someone who writes as a hobby this is something I understand well. But my preferred genre is high fantasy, with settings that deviate from reality quite a bit, and I’ve found very few anime that has the same feel as my favourite works of western fiction - more often than not it’s isekai and I’d rather see a pure fantasy setting than “Japanese teenager gets magically transported to fantasy world”. My ex showed me the first few episodes of DanMachi and while I appreciated the setting and the mythology references, there was still a common anime trope that I disliked - the gratuitous fanservice. There probably is a series or two that is just a sword and sorcery adventure with little to no fanservice, I just haven’t been actively looking, due to the negative baggage with my past weeb phase.

Again, not trying to hate on anime as a whole - just my take as a disillusioned former hardcore fan.
Yes. Yes it does. Not the hipster wojak fuckery of "lol anything animated is anime", but if it's in the style and spirit, it kinda is. Most attempts tend to miss out on the latter though.

Again, it's not wrong for anywhere else to create their own anime, but I can't guarantee that copy and pasting sitcoms or primetimes and prettying them up with an anime veneer is a sure fire way for success. Anime already has its own cultural impressions and baggage wherever it goes, and what works with fans and what the fans have built up in expectation and enjoyment in the fan community is what thrives. I believe understanding that as a foundation and building off of that is the only way that thrives, but I'm just speculating.
No matter the reason, toning down the fanservice would make it easier for a lot of people to get into anime imho - random underwear shots and huge bouncing titties can certainly ruin one’s enjoyment of a series, and I don’t mean this in a feminist “hurr durr sexy women bad” way, but rather that it can ruin a good story when something sexually suggestive is thrown in just because. Normies who only have a vague idea of what anime is do often seem to think the sexual stuff is representative of the entire medium, and while there are certainly plenty of series that lack it (be they aimed at a younger audience, or focused around a plot that doesn’t lend itself well to fanservice, or simply created by someone who doesn’t like it), they’re not entirely wrong as when the pervy stuff does come up, it certainly stands out and sticks in your memory as the usual fanservice tropes are pretty much unique to Japanese media.

And it’s not just the fanservice aimed at a male audience either - sparkly bishies aren’t exactly my cup of tea either. Obviously each to their own, but again, it’s something I think could certainly be improved on if anime/manga creators want to bring in more fans from the west.
I've always felt that problem was a western thing. You know, the whole intellectuallism versus physical stoicism thing, western society's emphasis on being "real", the whole expected life cycle where you're supposed to have a nuclear family thing and you're supposed to lose your virginity by 18, etc. Not to say for all of them, but most Japanese people tend to not give a shit by general value of sex is natural and they also know how to keep that under wraps, and as long as you're not being a neet or otaku you can be into anime. Not that the whole "lol virgin" thing doesn't exist out there, but that kind of stuff is more ingrained with greater divides in specifically what you enjoy than how you enjoy it, and the whole interests hierarchy out west.

You're right in that it shouldn't be in everything, but at the same time, I don't trust the idea that things should be toned down simply to garner more appeal.
Walt Disney was the Vince McMahon of animation, and to pretend anything else is laughable.
Really? I heard that after he aired Snow White and the Seven Dwarves, his tune changed when the Oscars gave him a special kid's award despite Snow White moving people to tears.
 
Can somebody explain why anime women have breasts that defy gravity?

I'd say it's meant as an exotic thing, same reason why so many anime characters look stereotypically White despite the fact they're Japanese (Sailor Moon) or from a fantasy equivalent of feudal Japan (Naruto) or why so many others have totally unnatural hair colors and eye colors
 
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