The Writing Thread

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A few pages back I asked about comic writing. I've come across two challenges. The 5 hour comic challenge, and the 24 hour comic challenge. Both are the same concept. Make a 5-10 page comic in 5 hours. And make a 24 page comic in 24 hours.

I can't do a full, uninterupted 24 hour stint (even 5 hours is pushing it) but I'm thinking of trying one of these with a "non-consecutive" rule but keeping the spirit of the challenge.

I have a few outlines for "story", though 5-10 pages of decompressed story telling doesn't leave a lot of wiggle room. One small problem is the sketch pads I can find are all a5, with a4 paper only coming in massive reams that I have no use for. I can make do.
The one advice I have regarding a challenge like this is that when it comes to writing compressed stories, you want a story that has a jo-ha-kyu like structure. Begin, break, and speed up and end swiftly. A dramatic sudden feel. But that's for the 5 hour comic challenge.

When it comes down to the 24 hour ones, you want to come up with a story on the spot you can commit to. Pencil the story, ink everything. Another trick is no colors, use screentones/Deleter tones. (unless the challenge explicitly states color).
 
Previous chapter

Chapter Four: Peer Review and Submission​

He let himself in. The house held a different kind of quiet than the hotel, less contained, more distributed. It settled into the walls, moved between rooms without needing to return to a single point. It felt familiar without announcing itself.

Shoes sat by the door, smaller ones paired beneath them. A backpack slouched against the wall, one strap folded under as if it had given up mid-fall. He set his bag down in the same place he always did, just off to the side of the entryway. It fit without adjustment.

On the kitchen counter, a note. The paper was held down at one corner by a set of keys he didn’t recognize immediately. He leaned in just enough to read it where it sat, lips moving once without sound, then straightened and left it where it was. At the sink, he turned the tap. The water ran clear and cold. He let it go a second longer than necessary, watching the stream until it steadied, then cupped his hand beneath it and drank.

The room held still around him. The refrigerator hummed, shifting slightly as he opened the door. Inside, things were arranged in a way that suggested they’d been used recently but not continuously. He looked in without reaching for anything, then closed it. A new photo was fixed to the door. It was his daughter in a baseball uniform, cap slightly too large, glove raised in a pose that didn’t quite decide between readiness and attention. He hadn’t seen it before, taking a second longer than he needed to.

Down the hall, a door stood half-open. Light from the window fell across the floor at an angle that didn’t align with anything else in the room. The bed had already been made. The surface was smooth in a way that didn’t suggest rest so much as completion. He moved past it.

On the dresser at the end of the hall, a photo sat angled slightly outward. Him, earlier, and his other daughter in his arms, younger, her face turned toward something beyond the frame, together. He looked without picking it up. Beside it, a small glass jar held a single flower, freshly cut. The stem still angled as if it had only just been placed there. A drop of water clung to the inside of the glass, not yet settled.

His phone buzzed once in his pocket. He pulled it out. A calendar entry shifted forward a few minutes, correcting itself without acknowledgment. He looked at it, then set the phone face down on the dresser. Nothing else changed. The house remained as it was.

***

The sterile, corporate hallway ran longer than Daniel remembered, brighter than it needed to be, yet dark where it wasn’t needed. The light flattened everything: the glass, the floor, the people moving through it, outlined, visible, clerical. No one stopped. They adjusted their paths around each other as if the building had already assigned them trajectories. He heard her before he saw her.

“Danny.”

He turned. She was already closing distance, a tablet in one hand, something half-finished in the other. No greeting, no hesitation, just a slight shift in pace. Her ponytail matched it, bouncing to and fro.

“You need to get in earlier,” she said, already moving past him. He fell in beside her.

“It’s 9 am.”

She scanned the tablet, thumb moving in small, precise strokes. “Your report’s ready.”

“Finished it last night.”

“I know. I saw the upload.”

They walked. The corridor opened briefly, then narrowed again. A pair of people peeled off in the opposite direction without acknowledgment.

“What’s our position?” she asked.

“It works.”

“They all work.”

“This one actually does.”

She made a small sound, something between agreement and deferral, and kept moving.

“Where are you stuck?” she asked.

“Personnel,” Daniel said. “I mean the first field install was perfect. But this team in Arizona … some things aren’t pulling together.”

She nodded once, already adjusting something on the screen. “Is that Carlos?”

“It’s actually Marcel.”

“Same story.” She scribbled something in with her finger. “They’re always understaffing. I know a bright new hire who loves getting miles. I’ll reassign him there.”

They passed a series of glass-walled rooms. Most were empty, but one had a group inside. A chart held steady at a level that suggested motion without change. Stephanie slowed just enough to tap the glass with the back of her knuckle. One of them looked up.

“Hey,” she said through the door, not waiting for an answer. “Request travel approval to Phoenix. It’ll go through. I’ll send you a message about the assignment.”

The young man inside hesitated, looked past her, then nodded.

“Thank you,” Daniel said, quieter.

“Don’t expect it to stick.” She was already moving again. They walked in silence for a few steps. The pace didn’t drop.

“They moved your desk by the way,” she continued, as if checking boxes, “You’re never here, so they put you in a cube. Hope you don’t mind.”

Daniel glanced at her. “You haven’t changed that much.”

“Don’t do that,” she said, without looking at him.

“What.”

“Act like we’re catching up.”

“I didn’t—”

“You did,” she said, still moving. “Just now. ‘You haven’t changed.’ That’s a version of it.”

He let that pass. They reached a junction. People filtered across in both directions, no clear pattern except that none of them collided.

“I could use a little help,” Daniel said. “For old times’ sake.”

That slowed her, not enough to stop, but enough to register.

“Don’t play that card,” she said, “Don’t start that sentimental bullshit—”

“I’m just saying—”

“I know what you’re saying.” She cut him off cleanly. “No. You got your freebie today.”

Then, a second later, she said, “Look, you’re on my team. You’re also my friend. I want this thing to work just as much as you do.” She stopped for a moment. She meant it. “You have a lot of installs. Just focus on making the first one look good. You’re not the only one I’m doing favors for.”

Daniel didn’t respond. The understanding didn’t need to be stated.

“You know what my daughter said to me the other day? ‘Fuck.’ And she knew what it meant. I have a lot on my plate right now.”

“I’ll make it up to you,” Daniel said, half-smiling.

“You always do,” she said, her face expressing a cocktail of sarcasm and truth.

They continued on. “You’ve got the panel soon,” she said. “They want a clean story. Keep it tight. Give them something they can pass up the chain. And don’t wander into edge cases.”

“It’s not an edge case.”

“It will be in that room.”

They passed another cluster, broke through it, and came out near a wider corridor that led toward the larger conference spaces. They reached a junction.

“I’ll see you,” she said. “No lunch today—no lunch this week. Don’t even ask.”

“Appreciate it,” Daniel said.

She was already walking away, absorbed into the movement of the corridor. Daniel stood there a second longer than necessary.

“Howdy, Daniel.”

He didn’t get a break. Sam was coming up the hall with an open expression, arms slightly out, as if he hadn’t seen Daniel in months.

“Heard you got in,” Sam said, closing the last few steps. “Been meaning to track you down.”

“Just ran into Stephanie,” Daniel said.

Sam smiled, easy. “Yeah? She’s really fit into that new role.”

Daniel glanced back down the hallway. Stephanie was already gone.

“Looks like she already did you a favor,” Sam added, like it was part of a sequence he recognized. “That’s good. Means we’re lined up.”

“For what?”

“For this panel,” Sam said, placing a hand lightly on Daniel’s shoulder and steering him, gently, back into motion. “You’re in a real good spot here. I really think you’ve done an amazing job, one of the best projects we’ve put together.”

They walked in the same direction Stephanie had just left behind, but at a different pace now: less urgent, more assured.

“Everything’s set up for you,” Sam continued. “They’re ready to hear it. You just give them the story, and I’ll make sure it lands.”

Daniel nodded once. Ahead, the doors to the conference wing were already opening. People were already inside. For a moment he waited, almost turning. Then he went in.

The room was larger than it needed to be. Glass on two sides, a long table centered beneath a suspended display. The light came in evenly, diffused across the surface so that nothing cast a sharp edge. Chairs were already occupied in a loose distribution that suggested neither hierarchy nor symmetry, only arrival order. Daniel took the seat indicated on the small screen embedded in the table. His name appeared there, properly formatted, with a label beneath it he hadn’t seen before. It adjusted slightly as he sat, then held. At the far end, a woman leaned forward to adjust a cable that didn’t appear to be connected to anything. The display behind her refreshed once, then settled. Sam took a seat two places down, not directly beside Daniel, but close enough to register. He didn’t say anything. He smiled once, briefly, the way someone does when confirming that something has already been arranged. A man across the table cleared his throat.

“Alright,” he said, not loudly. “Let’s get started.”

No one announced the meeting. It had already begun. A name appeared on the display. Then another. Each was accompanied by a title that expanded briefly, then collapsed into an initialism.

“Daniel,” the man said, looking down at his own screen rather than at him. “You’re up first.”

Daniel nodded, though no one appeared to be watching.

He reached forward and brought the main display into alignment with his local screen. The system responded immediately, no lag, no adjustment period. The opening slide resolved: a clear header, a clean summary, output figures aligned to the right. He gave an opening, a straight agenda, and then began.

“Field validation,” he said. “Initial deployment completed two weeks ago.”

He did not raise his voice. The room was tuned for it. Microphones adjusted themselves, levels equalized. His words appeared as a faint transcription along the lower edge of the display, then faded as he continued.

“System performance met all baseline criteria. Power output tracked within expected range throughout the test window. Water output exceeded minimum thresholds under variable irradiance—”

“Exceeded by how much?” someone asked.

Daniel glanced briefly at the corresponding value.

“Between eight and twelve percent over baseline,” he said.

The questioner nodded, already marking something on his device.

“Any degradation over time?” another voice.

“No measurable degradation within the test period.”

A pause.

“And outside the test period?”

“We haven’t observed any indicators that would suggest—”

“Right,” the same voice said. “But that window is still limited.”

“Yes,” Daniel said.

The room accepted that.

He moved to the next slide.

“Operationally, the system requires no external moving parts. Maintenance is limited to standard surface cleaning and periodic inspection. The unit sustained continuous operation across the full daylight interval without interruption.”

On the display, a graph rose smoothly from left to right. No variance beyond the expected band. No interruptions. Someone leaned forward slightly.

“Could you bring up the raw logs?”

The data appeared in rows, evenly structured, each entry aligned with the next. Minor fluctuations registered within narrow tolerances. Nothing fell outside expected parameters. A hand lifted, not to interrupt, but to signal attention.

“Is this the full output?”

“Yes,” Daniel said.

“From the entire run?”

“Yes.”

A small pause.

“Do you have a version that includes system-level anomalies?”

“It’s operating within tolerance,” Daniel said. “There are no recorded faults.”

The room remained still for a moment.

“Right,” someone said. “But for intake purposes, we’d still expect to see variation reflected at that level.”

Daniel glanced down again at the data, as if something might have changed. He took a note: same rejection as quarantine.

“There is variation,” he said, looking back up. “It’s just within range.”

“Within modeled range,” the same voice clarified.

“Yes.”

Another note was made.

“Okay,” the first man said, gently re-centering. “Let’s not get too deep into formatting yet.”

A few nods. Daniel moved on.

“Water output remained consistent across the period. Visual clarity—”

“Was it tested against classification standards?” a woman asked, not looking up from her screen.

“Yes,” Daniel said. “Initial samples were—”

“Which standards?” she asked.

He paused just long enough to pull the reference.

“State and federal potable thresholds,” he said.

“And environmental?”

“That hasn’t been finalized yet.”

A small shift in the room.

“Right,” she said, typing. “So at this stage, we don’t have a confirmed designation.”

“The water is drinkable,” Daniel said.

“Let’s stick to standardized language,” she said. “We need to understand how it’s categorized.”

She did not look up. Daniel let that rest. Sam shifted slightly in his chair, just enough that Daniel could see him in his periphery. He didn’t intervene. Daniel advanced the slide.

“Implementation at scale would allow for simultaneous power generation and localized water production—”

“For which use case?” someone asked.

“Multiple,” Daniel said. “Agricultural, municipal, off-grid support—”

“So, we’re not targeting a specific vertical yet,” the man summarized, already writing.

“We’re demonstrating capability,” Daniel said.

“Understood,” the man said.

Another pause. The screen remained steady.

“Can you clarify,” another voice said, “whether the water is being treated as a primary deliverable or a secondary output?”

“It’s integral to the system,” Daniel said.

“But from a reporting perspective,” the voice continued, not looking at him, “it needs to be assigned to one category.”

“Primary would put it under utility standards,” someone else added, already scrolling. “That triggers a different validation path.”

“And liability,” another said. “You’re now responsible for downstream use.”

“If it’s a byproduct,” someone said, “you avoid that—but then it can’t be deployed directly.”

“It can with correct environmental classification,” the woman added, still typing.

There was a pause, not for Daniel, for allowing more to join the discussion.

“Which we don’t have,” someone said.

“Not yet, we can get that,” another replied. A few nodded at that.

Daniel looked at the display. The numbers hadn’t changed.

“It doesn’t change what it produces,” he said.

No one answered.

“Evaluation still depends on designation,” someone said after a moment.

“And consistency across reporting,” another added. “Otherwise it won’t track.”

“If the designation shifts later, the dataset has to be revalidated.”

“That should be straightforward.”

“That resets the timeline.”

A few heads nodded. Someone marked something down.

“The output is consistent,” Daniel said, a bit louder than usual, “Power and water are generated together, and they are only generated together.”

No one responded. The display refreshed slightly as someone adjusted a field on their screen.

“We’ll need a declared category before intake,” the woman said.

“And alignment across teams,” another added. “Otherwise it won’t clear review.”

Sam leaned forward, not interrupting, but entering at the point where the thread had already settled.

“We’re aligned on performance,” he said. “What Daniel’s presenting meets operational criteria. We can proceed with preliminary classification under existing reporting standards.”

A few screens shifted.

“That allows us to capture the dataset as-is,” Sam continued, “and revisit final designation during the next review cycle.”

A pause.

“That works,” someone said.

“But we’ll need alignment before Phase Three,” the woman said, without looking up.

“We’re not even past Phase One,” a younger man said, turning a pen between his fingers. A few smiled briefly. Many didn’t.

The slide advanced. Another clean graph. Another stable line. No one commented on it. After a moment, the display shifted on its own, returning to the opening summary as if marking completion.

“Okay,” the man at the far end said. “This is good.”

He paused, then continued.

“Let’s talk about next steps.”

A list of items appeared on screen as he took control of the main screen from Daniel.

“Given where we are,” he said, “I think it makes sense to take this into a broader review cycle. Incorporate feedback, make sure we’ve got the right framing.”

A few nods. No objections.

“Timeline?” someone asked.

“Let’s say—” he glanced down, adjusted something on his screen, “—three to four months for full alignment.”

“Dependent on cross-team input,” someone else added.

“Of course,” he said.

Daniel looked at the screen and took some notes. Sam leaned back in his chair, satisfied.

“We’re in a good position. Daniel has enabled the project to move forward at an accelerated pace,” he said. Daniel nodded once. The meeting continued. Daniel remained in the room.

***

After lunch, Daniel went searching for his new space. He found his desk by following the map twice. It had been moved into a row of identical workstations set along the interior wall. No window, no partition beyond a low divider that stopped just short of blocking the line of sight to the next screen. His name appeared on the corner display when he sat. It took a moment to resolve, then held steady.

The surface was mostly clear. A docking station. A keyboard. A chair that adjusted itself a second after he did. He sat down. A pile of things sat in a box too small to contain them. There wasn’t enough space to lay them out. He found space for one thing. Digging into his bag, he took out a copy of the picture he saw the day before: his daughter in her baseball uniform. His wife had quickly handed it to him in the morning before he rushed out the door. Clipping it to the divider, he looked at it for a second longer than he needed to.

He set out his laptop and looked for a place to put his bag. At last he squeezed it into the space between his legs and a black box that had no visible function. He opened his laptop and connected it to the docking station. The report, already opened, appeared on the screen. Its structure stood in place: field validation, output validation, supporting logs, and commentary. He read through it once, not searching for errors so much as confirming that nothing was out of order. He made a small adjustment to one line, changing continuous to stable across the interval, and left the rest as it was. A few keys and a few clicks were heard, then the system prompted:

Ready for submission.

He didn’t press it immediately. He pivoted in his chair, glancing up at the lights above, slightly squinting against the glare, then down to his surroundings. He could see the edge of someone else’s screen. He was using the same template. The chill from the air system caught the corner of a calendar, lifting it slightly before letting it fall back. He stood and stretched, then pulled a light coat from his bag. After putting it on, he sat down and focused on the screen. After a click, it changed:

Submission received. Routing to review.

He sat for a moment longer, watching the status field hold.

“Howdy, Daniel,” said the familiar voice. “I had trouble finding you. Looks like they put you way out here.”

“Seems that way,” Daniel said, as if he was expecting someone to come by and ask him to move. “I just submitted the report.”

“Great. I’ve been working on something about that myself,” Sam said, a glint in his eye.

“Good news?” Daniel asked, shifting slightly to give Sam more space. The chair caught against a plastic brace beneath the desk, out of sight.

Sam stepped closer, “I’ll get to it. Right now, your report is set to move in sequence. Generator clears first, then they pick up water, finally the battery. That’s usually standard.”

Daniel nodded.

“But it takes time to settle. The other path I’ve been working on is to treat it as distributed components. We can treat each input and output channel as independently reviewable. The criteria are the same, same checks. They just don’t wait on each other to begin.”

Daniel turned to look back at the screen, jerking the chair free from the tangle beneath. The status field hadn’t changed.

“That applies here?” he asked, turning back to Sam.

“It can,” Sam said. “I just have to reframe it upstream.”

Daniel tried to shift back a bit, but there was no room. “Even if the system’s integrated?”

“It doesn’t matter for the review,” Sam said, still relaxed. “We’re not changing what it is. Just how it flows through review.”

“I get what you’re saying, but it doesn’t make sense to me.”

Sam leaned on the edge of the desk, lightly. “It helps it move,” he added. “Helps it land.”

Daniel let out a small breath through his nose. “I see. You know this is beyond my pay grade, so I’ll be fine with it as long as it works for you.”

Sam smiled again, the same as before. “Yep. I’ll write it up.”

He pushed off the desk, leaving faster than he came.

***

Stephanie looked up from her tablet with a brief moment of puzzlement, then confirmation.

“Hey Sam, I cannot believe how often they move people around in this place,” she said.

“Oh,” said Sam, turning from his computer, “That just means you ought to visit more often. What can I do for you?”

“Distributed components,” she said. “I’m not familiar with how that applies to an integrated system.”

“It’s not a definition for the system, just the review pipeline,” Sam replied. “I have the review template open. Have a look.”

She scanned the structure once, quick, efficient. “You’re doing this because it’ll move faster?”

“That’s the idea. People need this system, Stephanie. They needed it yesterday.”

“I couldn’t agree more,” she said, leaning in further. She pointed to the corner of the screen. “They’re putting a post-process verification on it.”

“I saw.”

“That’ll pull a review pass after the fact,” she said. “Not a blocker, but you’re going to get a lot more eyes on it.”

Sam rocked slightly. “It’s a standard classification. I don’t mind any post-processing or what have you.”

“Maybe we should think about reducing exposure on this one.”

Sam thought for a moment, then nodded once. “We can reduce exposure if you can get a pre-clearance for me.”

Stephanie looked at him for a moment, then away, then back to the screen.

“I happen to know a VP on the review chain for that condition,” she said. “If I request one, it could land there.”

“Good,” Sam said, smiling. “Then we know where it’s going.”

She didn’t return the smile. “Not exactly. It could land on someone else’s desk.”

Sam’s expression didn’t change, but something in it fixed into place. He leaned back gradually, “You can stick the landing for me?”

She exhaled once, not quite a sigh. “I’ll see what I can do,” she said.

“I appreciate that, Stephanie, I really do.”

She stepped out and quickly sat down at an open table. She pulled out her keyboard and attached it to the tablet. There was nowhere to charge, no time anyway. Pre-Clearance Request was at the top of the form. She started working on the justification field. She could only write it once. Her typing was faster than both Daniel’s and Sam’s, compressing the argument into something that could pass without drawing attention. Then she stopped, staring at the routing diagram towards the bottom of the screen. She looked down for a moment, and then she opened her calendar. She looked for a narrow gap. There was nothing. She shifted an event, canceled another, and found a moment that could work. She typed in a meeting request, polite, minimal, yet forward, and sent it. At 11:15 the next day, she would have just a few minutes to make the case in person. Otherwise, it would move on without her.
 
Progress report:
This is day 120 of writing my heckin epic scifi novelerino.
Word count is 181,000
I might be...60% done?
I just have to see where this goes.
 
Small progress report on my end: werecreature plotline is coming along well enough, got a few details left to try and figure out, but I think I'm making good enough progress in what little time I have - IRL just loves to throw curveballs. The big thing is that I got the design confirmed; had it narrowed down to three different animals to use, first one wasn't available due to several character reasons, and the latter two... one was ridiculously easy to use, the other I couldn't even figure out an in-universe justification for it even existing.

So, yeah, that's done and dusted. For real this time.

The real issue I'm having with this plot is... the actual plot. I've got a metric shit-ton of ideas for the story, a lot more than most people would probably think, but I'm currently just a little overwhelmed and trying to figure out where I could fit which plots. Still, I think I have some ideas, though it will take some time to comb through it all. Keeps me busy, at least.
 
This is going to be so ass. But I have an urge to write and I need to put this down before I completely forget to finish this.
Age 469 of the Human Era
Abandoned Cathedral

Annabelle Rossi never considered herself a devout servant of the Goddess. The only reason she even took up the Job of the Priestess was simply due to circumstance. Finn Blanc lacked the thaumatic aptitude to even make use of a spark of mana, even though he understood the material better than she did sometimes. And Roberto Gonzalez, the old man, was too set in his ways as a mage. He obviously was more experienced than Annabelle and Finn combined in terms of traveling the continent.
Digging through the ruins of what was likely a dead church wasn’t her idea of adventure. Looking over to Finn, who was busy examining one of the more intact stained glass windows, Annabelle couldn’t believe he lacked a Calling from how deftly he handled his sword as well as a Knight. It didn’t help that her eyes kept straying to his backside before snapping herself back to focusing on her own task, which was to find some intact instances of these books simply titled, “The Holy Bible”.
Frankly, Annabelle didn’t see what was Holy about these books. Most of these were clearly designed to be disposable and the materials that these were made from didn’t withstand the ravages of time. Being too absorbed into her own thoughts, she hadn’t heard Finn call her over until she felt him start shaking her in his excitement. “Anna! You gotta see this! I found something awesome, heck those historians are gonna foam at the mouth when they see this!”
Not knowing what Finn found to get him this excited, Annabelle followed him deeper into the cathedral, inside there was an altar, not much different from the Goddess’s altar. The only major difference was that there was a cross right behind that altar, on that cross was a statue of a man with nails pierced through his wrists and feet, a crown of thorns, and a cloth covering his privates. This statue left Annabelle with the impression that this man had been punished by society and he had been propped up as a symbol. After a few minutes of staring, Annabelle looked over to Finn. Who had been giving her an impression of a dog for some reason. He still seemed very excited, she sighs and asked, “What exactly am I supposed to be looking at? If this weren’t a church, I would have thought this statue was depicting what happened to criminals.”
Seeing his face fall, Annabelle wondered what was wrong with what she had said. Finn coughed into his hand, “As gruesome as the statue was, that wasn’t what I wanted to show you. Look at the altar, I think that’s one of those Holy Bibles we needed to collect.”
Looking at the altar properly, Annabelle noticed the large book. While it wasn’t exactly the most pristine thing, it was significantly more intact than the rest of the tomes in this building. Flipping through a few pages, Annabelle notes that this book was written in Ancient English. Not the easiest thing to translate on the spot, she can see why Finn would think the historians would be angry. Aside from that, the book was serviceable for archiving.
Carefully storing the ancient Holy Bible into a safe container, the two made their way back to the camp outside where Roberto was tending to the fire. The smell of warm soup wafted through the air as they got close to the camp, if she smelled this correctly, it was beef stew again.
Looking back at the cathedral, Annabelle did wonder something. Who was The Punished Man that hang on that cross, why was he placed above the altar as if here were to be worshipped? Perhaps that Bible would have the answers. Annabelle would have snorted if she weren’t busy eating, the ancients were a strange and alien group of people. Worshipping a man as if he were a God. Feeling the chills, Annabelle realized that she was toeing the line of Divine Wrath. Whatever God that statue was supposed to depict, was still around apparently and He was very merciful in His judgement.
Finn looked at Annabelle concern etched on his face, “Are you thinking bad thoughts about Gods again? Because I really don’t want to fight another God.”
Annabelle shook her head laughing nervously, “No! Not totally thinking about bad stuff! Not at all!”
Looking over to the both of them Roberto coughed, “You do know we have about one day left before the portal back home closes for good. I am in no mood to fight a God. So no more chit chat, no thinking about ancient religions, no tempting the Gods in their domain, and no blasphemous statements. Understood?” He had been looking in Annabelle’s direction waiting for her to confirm.
Swallowing the last of the stew, Annabelle sighs and rolled her eyes, “Understood loud and clear.”
And so the night went on uninterrupted and they made it home the next day.

That’s about it really.
 
Last night I had a dream that I posted all of my horrible, unedited chapters in this thread complete with gobbledygook notes. Worst of all, I was double-posting.

Worst dream I've had in a while.

Writing has been going quite well otherwise. Why can't I dream about what I write instead of the act of writing? Grr.
 
Last night I had a dream that I posted all of my horrible, unedited chapters in this thread complete with gobbledygook notes. Worst of all, I was double-posting.

Worst dream I've had in a while.

Writing has been going quite well otherwise. Why can't I dream about what I write instead of the act of writing? Grr.
Don't let yuor're dreams be memes. I'll post a couple of retarded unedited paragraphs (because this shit is handwritten and I'm too lazy to do a full transcription until I'm at least halfway done with the whole book) so jew don't have to.

But anyswitchgays, having scootypuffed zxheir provisions back home to zxhis mobile fortress of stoolietude, our cheese-eating-FBI-adjacent canine-aspiriant in queef scoured the World Wide Web of zxheir shart for pet prolapse pirates and diabeetus divas to quasi-ironically adorn with wreaths of digital laurel and cybernetic crowns of croaked crespi fagag peony as all Idylling La(i)rds of the Lockerroom are wont to do in zxheir illusory Illyrian small-intestine-intranets. In a humiliation-based economy all attention is currency, and though crowing about perpetual poverty zxhimself, zxhe had in fact made a slumlord's stack of silver off being a sticky web-meister of such sordid touch-starvèd soirees.

A soothingly psychotic gambling addicted crackhead. A recently decased goffick alocholic. A Mexican't Bile Bear metempsychozed into a Bog Boar. A polyculated cokehead Polack. More morbidly obese Muslim converts than you could cover with a carpet. Cuckolds by the chockful. Addicts by the ammo crate. Autists in abundance. And so on and so forth in minor repetitive recursive subversive inverted variations queer after queer of this littly clitty infranet's operations everygay since zxhe'd inherited it from its original owner who'd done the impossible and aged out of sucking dick for cock in zxheir own personal anti-real estate slice of Never-Never-Land rancho (hold the frosted boyholes).

Love is love, bigot, even the parasocial quasi-platonic chomosexual love between a morbidly obese cheddar connoisseur and zxhis stable of semi-to-entirely retarded digital petting zoo animals par exellance. Like the sapphic Gay-reek shephebophiles of hairy-muffed old Les Bos queef-self, Dogmeatquan and zxheir retinue of PCOSian MAIDneads lavished all zxheir many counterfiet Orpheuses with all the bristly pineconular adoration not even the most mystic souvlaki ever did suffer on his shins. A motherly smotherly molestation, touching not the flesh but prolapsing the already pozloaded soul. Anally receptive. Reach-around-preaching. Retrieve me mother, for I have binned. The sacrament of unbirth, the modernized Mysteries of our ever fatter Magna Mater. Cybele and Attis separated and reunited through SSRIed-out rites of spaying, neutering and eventual mother-son incest.
 
I’ve been working on a project, it’s the first-person logs of a Superman expy and the idea is his life chronicles of an absurdly long lifespan from his activation to an indeterminate period in the far future. It started as a break from my more personal travel experiences fictionalized and let me try superheroes for a while.

I’m avoiding the cynicism of every “legendary” comic story like Watchmen and the ones that have heroes taking over where somehow that’s a bad thing. It’s optimistic reconstruction of heroism.

Where if you dropped a being with supreme power into present day, would the idea of him and his peers taking charge be all that bad? How many CIA-funded assassination attempts before they say “fuck it” and continue to be heroes and serve mankind, but not necessarily man’s world?

So no “The Boys” or “Injustice” edgewank, just an ubermensch and his peers taking “save the world,” the most cliche capeshit slogan, as deadly seriously as possible and the consequences of rejecting “left” or “right” for upwards momentum.

I like my edgy team comics, despite disagreeing with their cynical approach, Squadron Supreme, The Authority, Ultimates, Supreme Power, love it. So here I’m using the trappings to present optimistic heroes.
 
FYI I am still working on my novel and will continue posting it here. Chapter five is really important, so I am taking it very carefully.
 
I’ve been working on a project, it’s the first-person logs of a Superman expy and the idea is his life chronicles of an absurdly long lifespan from his activation to an indeterminate period in the far future. It started as a break from my more personal travel experiences fictionalized and let me try superheroes for a while.

I’m avoiding the cynicism of every “legendary” comic story like Watchmen and the ones that have heroes taking over where somehow that’s a bad thing. It’s optimistic reconstruction of heroism.

Where if you dropped a being with supreme power into present day, would the idea of him and his peers taking charge be all that bad? How many CIA-funded assassination attempts before they say “fuck it” and continue to be heroes and serve mankind, but not necessarily man’s world?

So no “The Boys” or “Injustice” edgewank, just an ubermensch and his peers taking “save the world,” the most cliche capeshit slogan, as deadly seriously as possible and the consequences of rejecting “left” or “right” for upwards momentum.

I like my edgy team comics, despite disagreeing with their cynical approach, Squadron Supreme, The Authority, Ultimates, Supreme Power, love it. So here I’m using the trappings to present optimistic heroes.
This sounds like an (unintentional, probably) attempt at defagifying Alan Moore's Miracleman.
 
This sounds like an (unintentional, probably) attempt at defagifying Alan Moore's Miracleman.
I don’t like Moore that much but among my friends I’ve gotten the comparison to Miracleman, my Superman expy is very “old-school manly,” he’s uncompromising, morally absolute and is internally being torn apart by gruelling 24/7 global patrolling. There’s no “single city” approach, he’s dedicated himself to helping and sometimes that involves breaking a mugger’s hands and sometimes it involves backhanding the head off a dictator. None of this “if you kill a murderer, the number of killers remain the same,” bullshit.

Golden Age morality in the 21st century. A Superman who would look at what (insert current topical human rights nightmare) is happening, frown and step in, no debate, find bad guy, kill bad guy, help people who need helping and be the moral constant in a world of immorality.
 
I don’t like Moore that much but among my friends I’ve gotten the comparison to Miracleman, my Superman expy is very “old-school manly,” he’s uncompromising, morally absolute and is internally being torn apart by gruelling 24/7 global patrolling. There’s no “single city” approach, he’s dedicated himself to helping and sometimes that involves breaking a mugger’s hands and sometimes it involves backhanding the head off a dictator. None of this “if you kill a murderer, the number of killers remain the same,” bullshit.

Golden Age morality in the 21st century. A Superman who would look at what (insert current topical human rights nightmare) is happening, frown and step in, no debate, find bad guy, kill bad guy, help people who need helping and be the moral constant in a world of immorality.
Yeah, Moore's a big fat bearded homo but he's kinda unavoidable if you take even a passing interest in comics. With Miracleman he went with the idea that he was inflated into this enlightened immortal ubermensch type figure rather than a standard superhero, which was mildly interesting, but Moore being Moore still had to fag it up in his usual fashion even if it was more readable than some of his other abortions.
 
Yeah, Moore's a big fat bearded homo but he's kinda unavoidable if you take even a passing interest in comics. With Miracleman he went with the idea that he was inflated into this enlightened immortal ubermensch type figure rather than a standard superhero, which was mildly interesting, but Moore being Moore still had to fag it up in his usual fashion even if it was more readable than some of his other abortions.
I’m a huge comic tard and Moore’s breed have been responsible for a lot of good and I’d argue, a lot more bad. Like Grant Morrison, I hate that guy. Fucking bald queer ruined everything he touched.

But the ideas they have, I like, they were just limited by the weak inbred limey hands of their creators. In particular, superheros not having status quo and after a certain point, arguably becoming global powers and the superhero/supervillain thing becoming just inter-factional conflicts rather than the theatrics.

My superheros by the time they reach their middle years are more demigod vigilantes who’ve grown fed up with the nonsense from everyone, they’re not lunatics, but they are asking the question, “Who are you to rule?” to the inept (on all sides) world leaders we see today:

With the few supervillains not killed when the heroes stop fucking around being genuinely dangerous extisential threats who will never stop. Like for example, a time-traveller who clues in there’s no multiverse, branching timeline or possiblity of a pardox and views himself as the sole “free” being and goes ham with it.
 
I’m a huge comic tard and Moore’s breed have been responsible for a lot of good and I’d argue, a lot more bad. Like Grant Morrison, I hate that guy. Fucking bald queer ruined everything he touched.

But the ideas they have, I like, they were just limited by the weak inbred limey hands of their creators. In particular, superheros not having status quo and after a certain point, arguably becoming global powers and the superhero/supervillain thing becoming just inter-factional conflicts rather than the theatrics.

My superheros by the time they reach their middle years are more demigod vigilantes who’ve grown fed up with the nonsense from everyone, they’re not lunatics, but they are asking the question, “Who are you to rule?” to the inept (on all sides) world leaders we see today:

With the few supervillains not killed when the heroes stop fucking around being genuinely dangerous extisential threats who will never stop. Like for example, a time-traveller who clues in there’s no multiverse, branching timeline or possiblity of a pardox and views himself as the sole “free” being and goes ham with it.
I would've probably liked comics more if I was exposed to them more often as a kid, but trying to read almost any of them now bores me and I end up skimming through pages if not chapters at a time or losing interest entirely. The last one that actually held my attention from start to finish was The Boys and that was more out of morbid curiosity/comparing it to the dogshit TV show than genuinely thinking it was good. Though actually I'll at least give Ennis credit for being funnier in his crude grotesque way than the gayniggers who adapted it for Amazon. He's a greasy pretentious commie retard who jacks off onto his bust of Stalin daily, but he can still be funny in spite of himself.
 
I wanted to get some input and this was the only place I could think of.

I've been working on this novel/script concept on and off for like 2-3 years now. The setting/backdrop is a mercenary state in Africa in the near future and I've written pages upon pages of lore for it and I have a rough idea of the plot. But the second I try to write out the characters and etc I just stare at the screen like a retard. It's like I'm too overwhelmed by the ideas/concept and all the characters who are from around the world and its to the point where I don't know if I'll ever be able to make progress.

It made me want to can the whole thing and go with another simpler concept I had about an American based PMC with American characters but it felt a little generic and while it'd be easier to write it may not be as interesting to me.

I'm at a crossroads, should I just can the thing and move on or is there a way I can try to get progress going again?
 
It's like I'm too overwhelmed by the ideas/concept and all the characters who are from around the world and its to the point where I don't know if I'll ever be able to make progress.
I know that feel. What works for me is I have the idea, have the big signpost plot beats and then I just write myself into the story. Characters and worldbuilding stuff come to me when I need it, then once I have that first draft I go back and add in flavour. Otherwise, yeah it feels like I'm paralysed by what I've got in my notes and I have to remind myself, unless it's on the page it doesn't matter, and I always end up changing things so much notes don't matter until I've hammered everything out in the first place anyway.
 
I wanted to get some input and this was the only place I could think of.

I've been working on this novel/script concept on and off for like 2-3 years now. The setting/backdrop is a mercenary state in Africa in the near future and I've written pages upon pages of lore for it and I have a rough idea of the plot. But the second I try to write out the characters and etc I just stare at the screen like a retard. It's like I'm too overwhelmed by the ideas/concept and all the characters who are from around the world and its to the point where I don't know if I'll ever be able to make progress.

It made me want to can the whole thing and go with another simpler concept I had about an American based PMC with American characters but it felt a little generic and while it'd be easier to write it may not be as interesting to me.

I'm at a crossroads, should I just can the thing and move on or is there a way I can try to get progress going again?
Hyperfixating on worldbuilding/lore/outlines is a trap that's way too easy to fall into early on. If you're at an impasse because you thought about all this shit way too hard without actually telling a story, strip it down to a more barebones form, recycle whatever ideas you can actually write out and leave the rest in your outline. A lot of the details that felt like they mattered at first either don't or will actively make you cringe if you go back and look at them 5-10 years later.
 
Hyperfixating on worldbuilding/lore/outlines is a trap that's way too easy to fall into early on. If you're at an impasse because you thought about all this shit way too hard without actually telling a story, strip it down to a more barebones form, recycle whatever ideas you can actually write out and leave the rest in your outline. A lot of the details that felt like they mattered at first either don't or will actively make you cringe if you go back and look at them 5-10 years later.
The lore should serve the story, the story should serve the theme IMO. That's not to say you have to ignore the background and "lore," hell, sometimes it requires the most effort if you want to make your story believable. But it should come after you figure out what you're doing.
That said:
I wanted to get some input and this was the only place I could think of.

I've been working on this novel/script concept on and off for like 2-3 years now. The setting/backdrop is a mercenary state in Africa in the near future and I've written pages upon pages of lore for it and I have a rough idea of the plot. But the second I try to write out the characters and etc I just stare at the screen like a retard. It's like I'm too overwhelmed by the ideas/concept and all the characters who are from around the world and its to the point where I don't know if I'll ever be able to make progress.

It made me want to can the whole thing and go with another simpler concept I had about an American based PMC with American characters but it felt a little generic and while it'd be easier to write it may not be as interesting to me.

I'm at a crossroads, should I just can the thing and move on or is there a way I can try to get progress going again?
You don't have to throw out what you got or anything, but maybe what you do first is take a step back and figure out what you want to say or what you want to do. Then think about what characters enhance the theming and story. Then take another look at your lore, make sure it fits with the story, and try to weave your characters into it.

I haven't written much fiction, this is mainly from what I observed from reading. So grain of salt and all that.
 
I would've probably liked comics more if I was exposed to them more often as a kid, but trying to read almost any of them now bores me and I end up skimming through pages if not chapters at a time or losing interest entirely. The last one that actually held my attention from start to finish was The Boys and that was more out of morbid curiosity/comparing it to the dogshit TV show than genuinely thinking it was good. Though actually I'll at least give Ennis credit for being funnier in his crude grotesque way than the gayniggers who adapted it for Amazon. He's a greasy pretentious commie retard who jacks off onto his bust of Stalin daily, but he can still be funny in spite of himself.
Long and short is, as the more creatively-inclined son, my mom took me to all the superhero movies and spectacle films growing up, like her dad did back in the 70s-80s with her. Physical comics entered my life during a series of stressful moves and my mom got me an issue of “Ultimate Enemy” and “Secret Avengers” and I was hooked.

Though most of comics are bad, especially now. The sweet spot is the late eighties to early 2000s, that’s my shit, that’s the era I love, more the DC and Wildstorm stuff but Marvel had some bangers with Peter David Hulk and Ultimates.

Garth Ennis solidified my prejudice against anyone with the name Garth, it’s an untrustworthy and scummy name. I hate everything the man’s ever made and have the opposite opinion regarding capes.

As the reality of war is shown to more and more people, the myth that being a soldier is in anyway heroic or noble is widely acknowledged as a tool to control and idealize a lie to be propagated to children by their parents. His military fetishism being idolized by jarheads, cops and boomers was inevitable and no “HUR DURRRRR FRANK WOULD HATE YOU,” cope will stop that. It’s funny that Frank Castle, his version no less in MAX is idolized by people Garth hates.

There’s lefty shit I like where the writer had their bias but could still make a good story, they lost that subtlety in the post-911 era. The only upside to the Millar, Ennis and Moore types is even scum like them can acknowledge and respect Superman.

Which is where my project comes in, returning the flying brick to the golden age morality, bit more ruthless and rough around the edges but with more power, global reach, an active career that runs into the 2100s and the innate good of the archetype. That original Siegel idea of the perfect stranger, you don’t know him and he doesn’t know you, but he’s stepping in when you need him. Power doesn’t corrupt, it just makes your true self harder to hide.
 
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