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- 3 de Ago, 2018
Enter doesn't understand any of that, he's opposed to working with a network because he thinks real show runners are idiots who will drag him down.Funny enough Mr. Enter work ethic would make him undesirable even before this step unable to be ever considered for animation work.
Case and point two animators who used to be youtubers documented their entire journey to get their show on the air (they made Disney's newest show "Space Chickens in Space") and they had to give a pitch and even have a place to work on their project on their own dime because they couldn't travel back and forth to work every day.
Aka just one of many real-life factors I know for a fact Enter never considered that he might have to actually travel for this occupation.
Here is the playlist it is a very good insight for anyone to know what you actually need to do to get your foot in the door even if you know no one in the industry.
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A DAY IN DUBLIN – Director Diary #1
Vlogging??? This is the first episode of us trying to document what it's like to be directors on a cartoon TV series. To be clear, this vlog series will NOT ...www.youtube.com
What you will see from this that Enter definitely will have a dumpster fire on his hands if he doesn't fix, account for, or learn to to do
1. No real pitch bible he can readily talk about (He needs to figure that shit out because that is his pitch to the network and that want they done before anything else)
2. Communication skills he would need to convince the network they will make the investment back, if no return good luck getting the show
3. Ability to travel because this isn't a sit at home job
4. Ability to work in groups because this is not a one-man job and no industry wants another John K
5. Money to pay for food or possible living quarters to do said job.
6. Ability to write and work quickly, these showrunners had to write basically a season in a few weeks, no way in fuck would a network allow 5 years for one season.
7. A consistent and focused idea on what the show is and what the characters are because the network does not want to waste time and spend more money on people than it has too.
8. Be willing to change elements for the network, because if you can't work to them say goodbye to your shit
9. No fucking pilot, if they can't see what the project even is other than concept, then they will ask you to get out the door
The list goes on but these are the very basics you need for a job in this industry because it is one of the most demanding and uncompromising jobs out there and if you can't do this basic shit, you are definitely fucked.