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I recently got a hand me down audio setup from my dad. Two first gen Orbid Neptune satellites with early 00's replacemen drivers on the bottom:
A late 80's Taiwanese Wangine WCA-220 Stereo Integrated amplifier (they used to be an OEM manufacturer for Blaupunkt):
And a gigantic Magnat Monitor Supreme Sub 301A precariously placed underneath my desk because I'm waiting on longer cables to be delivered (the jury rigged metal shield has saved my ass multiple times):
Plenty don't. Depends on how expensive you are talking, but generally if you are amplifying speakers, the amps will be standalone, and you will get a standalone DAC. For example, JDS Labs sells a standalone DAC and a standalone amp for headphone/IEM use, and they also sell an all-in-one that is their flagship product (Element 4)
Personally my setup is a Schiit Yggdrasil and Ragnarok. Those power some JBL 530 studio monitors, and also Sennheiser HD800 SDR mod. I got the entire setup (sans speakers) for a deal from a friend that was exiting audio so I got it for relatively cheap. If I had to do it again honestly I would probably just get an Element 4 or something similar for the HD800, headphones are much more important imo than the DAC and amp.
I just opened up the boy to look at him because he wasn't coming out of standby and discovered a grave injury on his power board:
I'm ordering new caps right now.
Oh and for anyone curious, this is what 30+ years of cigarette smoke does to amp circuitry:
Fluid Audio coaxial 8 inch monitors with a matching sub. If I want I can make things fall off the wall and scare the neighbours.
They do run through Klark Teknik EQs and a very crap compressor that I like.
Audio interface is either a Saffire Pro 40 (Firewire), Behringer x air 18 or a 18 80s analogue Soundcraft desk.
Podcast and audiobook listening is through a really cheap pair of logitech speakers.
That's unbelievably retarded. If there were a particular frequency response curve that was inherently superior for listening, studio monitors would use that.
The idea is that with a flat response you can add EQ and spacial effects and have control over the mix. Once you have a decent mix you try it out on a grot box to hear what it will sound like via normal speakers you find in cars, phones and so on.
I used a JVC Boombox but it died so now I use a mix cube.