Red Letter Media

Favorite recurring character? (Select 4)

  • Jack / AIDSMobdy

    Votos: 262 23.7%
  • Josh / the Wizard

    Votos: 79 7.1%
  • Colin (Canadian #1)

    Votos: 472 42.7%
  • Jim (Canadian #2)

    Votos: 237 21.4%
  • Tim

    Votos: 398 36.0%
  • Len Kabasinski

    Votos: 215 19.4%
  • Freddie Williams

    Votos: 283 25.6%
  • Patton Oswalt

    Votos: 29 2.6%
  • Macaulay Culkin

    Votos: 564 51.0%
  • Max Landis

    Votos: 67 6.1%

  • Total de votantes
    1,106
I refuse to see it, I guess because I am a chud. Nigger Helen of Troy, no thanks, nevermind the tranny derangement. I spend all day dodging political propaganda, it seems stupid to willingly sit down and consume it.

RLM was funny when they didn't spew their retarded shitlib political beliefs in every video.
They've revealed a while ago that they really want to stay in Hollywood's graces and that summation confirms it.
 
Called it!

Literally skimmed through and heard “the [source] materials old, cast however you want”

you’ve heard about suicidal empathy, next comes suicidal goysumption!
 
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Smiling Friends I get but mewgenics?
 
RLM was funny when they didn't spew their retarded shitlib political beliefs in every video.
They're afraid. They started out fearless, but they're afraid. Afraid of demonetization, afraid of being cancelled as right-wing chuds, and afraid of upsetting their Hollywood connections.
It's really been affecting their work. They pull their punches and mince their words.
It's not just them, it's happening to all the aging Youtubers that I follow.
 
"Hey, I love this new movie!"
"Does it have a fresh new story?"
"No."
"Is the acting, directing, or screenwriting particularly good?"
"Huh? I don't know. I don't think so."
"Does it have great special effects? Or some other unique feature?"
"Oh no. You see, people online whose opinions differ from mine hate it, so I have to LOVE it!"
 
They're afraid. They started out fearless, but they're afraid. Afraid of demonetization, afraid of being cancelled as right-wing chuds, and afraid of upsetting their Hollywood connections.
It's really been affecting their work. They pull their punches and mince their words.
It's not just them, it's happening to all the aging Youtubers that I follow.

I think they are man-babies. They can't take it when people ruin their 'toys' (Ghostbusters, Star Wars, Star Trek), but are okay when people ruin other peoples 'toys'.
 
The two of them insist that the various deviations from the original story make the film "fresh"; dismissing a hypothetical faithful adaption as "feeling like something you've seen before." They handwave all raceswapping or deviation from the source material as "cast who you like."
In the span of a decade, they became a parody of themselves.
 
I haven't been watching RLM in probably a year or so, but wanted to see the reception from them on The Odyssey, and while I'm not surprised they had a positive reaction, I will say it feels a bit like they are sorta kinda trying to justify liking it in a way, and thus having to explain away any of the more criticized elements of it.
I will always retain warm and affectionate feelings for RLM, but I've stopped watching RLM because I've stopped watching new movies.
 
I think they are man-babies. They can't take it when people ruin their 'toys' (Ghostbusters, Star Wars, Star Trek), but are okay when people ruin other peoples 'toys'.
Their coverage of The Acolyte shows they're fine with Star Wars being shat upon, as long as The Right People are the ones shitting on it.
 
The review ends with Jay stating that the film (and Nolan's films in general) are "big and sloppy", before course-correcting that "that isn't necessarily a bad thing." Mike ends with "I don't have faith in the human race to go and see this." In case it isn't clear: These two are only willing to relate to the film as snobs. Mike reinforces this by belittling the attention span of anyone "bored" during the three hour film.
By this logic, they would have been head over heels for that Zach Snyder space opera shlock that they happily shat all over. You wonder where exactly the line is being drawn between the "impartial" image they are trying to cultivate and how much they are being paid to shill since they became arguably the most relevant trusted movie critics working today.

I'll put the schizo hat on and say they are occasionally given their marching orders from their Satanist culture cultivators (the headquarters of the church of Satan is in Detroit) and this movie was something they were off limits from giving fair criticism.
 
Última edición:
The two of them insist that, had the movie been cast with Greek actors speaking Greek, "no one with that complaint would have gone to see the movie."
This argument is absolutely absurd because apocalypto came out in 2006, made 120 million off a 40 million budget, was a hit in mexico, received constant praise from hollywood, and was filmed in a language literally nobody outside a minority in mexico knows. You think the guys who constantly bitch about hollywood lameness would be in favor of a little bit more ambitious film making to challenge audiences. "But subtitles and people on dey phones!" Most young people today watch anime and k-dramas, subtitles aren't a deal breaker anymore.
 
This argument is absolutely absurd because apocalypto came out in 2006, made 120 million off a 40 million budget, was a hit in mexico, received constant praise from hollywood, and was filmed in a language literally nobody outside a minority in mexico knows. You think the guys who constantly bitch about hollywood lameness would be in favor of a little bit more ambitious film making to challenge audiences. "But subtitles and people on dey phones!" Most young people today watch anime and k-dramas, subtitles aren't a deal breaker anymore.
Gibson and Eggers are the only two I can think of that could have done The Odyssey properly. The Northman was leagues better than this shlock that Nolan handed out.
 
I think they've just become the crotchety old men that Mike used to delight in tormenting, and in doing so they've also become sellouts to Hollywood. There were several movies where I didn't agree with their reviews, but it feels like it's become hypocritical at this point. All that endless grizzling about Man of Steel being a joyless, tone-deaf take that they couldn't let go of for 7 years, and now they're fellating Nolan's considerably more joyless, tone-deaf take.
 
I think they've just become the crotchety old men that Mike used to delight in tormenting, and in doing so they've also become sellouts to Hollywood. There were several movies where I didn't agree with their reviews, but it feels like it's become hypocritical at this point. All that endless grizzling about Man of Steel being a joyless, tone-deaf take that they couldn't let go of for 7 years, and now they're fellating Nolan's considerably more joyless, tone-deaf take.
I hope they make another movie or at least lean into more avant garde content like the melting down of the Star Wars figures or Josh Robert Thompson as George Lucas calling the Bodyblade folks. That seems to be their sweet spot. Not saying they need to be shock jocks but when the culture at large is ebbing like it is now, original content like that is even more valued and precious.
 
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Smiling Friends I get but mewgenics?
Mike voiced a couple of cats in Mewgenics, first bit in this video.

If you are surprised in the least that they liked The Odyssey, you're an idiot. Shit had everything they want from a Hollywood movie in current year and it's delivered to them by a Christopher Nolan who knows what's up and not someone like that idiot Curry Barker who signed on for the Texas Chainsaw Remake (their own summary, not mine).
 
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