Somewhere in the Jack Scalfani thread, I wrote about diminishing returns in generations of celebrity posers: Jack is a mentally retarded horrorcow who isn't any of the things he pretends to be (which includes being a chef or somebody who can walk). He also holds to an idealized impression of Tony Bourdain's persona which he long ago decided he wanted to live up to in some perverse role model capacity; in which Jack fancies himself a straight-shootin' bossman who tells it like it is. To great, comedic effect, this
never works out for Jack; due to his pathological inability to perceive either himself or anything he egocentrically relates back to himself with any degree of accuracy. To this day, Jack claims that Bourdain was
ackchyually murdered for conspiratorial reasons to do with the Obama administration. In this respect, Jack epitomizes the parasocial quality many of Bourdain's fans had in common: Jack's sentiments reveal that he lived vicariously through Bourdain by pretending that his uninformed, small-minded, idealized misconceptions (what Jack would consider "perception") of a stranger on television was who the man
truly was - And
Jack's Anthony Bourdain would
never commit suicide.
I mention this because Bourdain himself practiced this form of hero emulation; choosing to relate to the things about Hunter Thompson's persona he wanted for himself - Despite there being a rich history of interviews in which Thompson bemoaned the trap of feeling he had to be fucked up 24/7 just to avoid letting his fans down. In the years since his death, it's become more accepted to concede that Thompson plausibly did only
some of the things he wrote about, just as his hero Earnest Hemingway did when exaggerating his exploits as a safari man in the course of emulating Teddy Roosevelt (who himself came closest to living up to his legendary status, if only because it was
others recounting his adventurous lifestyle). The point is that each of these generational derivatives demonstrated diminishing returns in emulating not only their role models, but their own flanderization within the broader pop culture of the day; and this life of fiction in which they lived vicariously through themselves under increasing burden of their own mythology seemingly contributed to their suicides, while also leading them to consider themselves to be in good company for choosing to die.
Given the specific, generational influence of Thompson's persona upon Bourdain, I'll focus on that for the next few paragraphs:
Though I'm not old enough to have met Hemingway emulators, I’ve encountered plenty of people who act from the conceit that they’re kindred spirits to Hunter Thompson: They deliberately confuse visualizing themselves being cool and having a good time with what others end up seeing as just another drunk loser who has to be told when to leave the party. And when they finally stop showing up uninvited, it’s rarely noticed or lamented.
It’s an easy mindset to understand: Imagine going through all the stages of your adult life insisting that alcohol is your personality, then dying before you get through very many of them - all while insisting that it’s because world just wasn’t ready for all that you had to offer.
If you take the time to listen to these people recount their glory days - even with the details changing upon every retelling -, it soon becomes apparent to everyone but themselves that they’re not the heroes of their own story: They consistently come across as suffering a terminal case of arrested development. They never managed to count themselves included amongst the cool crowds of high school or college (when the practice of making booze their life could have had social value) and, somehow, they still think that being fucked up all the time retains their superpower of being the Life of the Party for years and decades afterward (despite the party having ended long ago and -again -, without anyone else at the party ever having invited them in the first place).
These people may not all kill themselves in an overtly suicidal manner - But they all have issues which compound until they die from them. By the 21st century, it became utterly normalized for many of us to observe people within our own peer groups who invoke alcohol and weed as copes for a life not well-lived; with none of them managing to be the self-actualized individuals they want others to perceive them as being. Furthermore, if they truly enjoyed being themselves, I doubt they would be resorting to such dramatic forms of escapism during waking hours, always lasting until their friends resent having to babysit them at the end of the night.
Rather than LARP as a twenty two year old until his body fell apart and he shot himself, Hunter Thompson could have endeavored in any number of alternative activities or pastimes which don’t result in hating yourself to death. Like many great authors, his greatest skill was using fiction to combat loneliness. He then sold these obvious lies about himself as new and exciting GONZO, rather than the plain old fiction that it was. The bigger the Hunter fan a person insists they are, the less willing they seem to be to admit that the anecdote is only funny if you actually did it.
Even in the last decade of his life, Thompson was publishing implausibly new and outrageous stories about the antics he’d gotten up to in the 1970s - Reinforcing my impression that he remains underrated as a fiction author. However, his most annoying fans continue to take it all at face value: They laugh and exclaim, “Man, I can’t believe Hunter waited thirty years to tell that story!.” Yeah - Neither can I.
Having said all that, I hope you can better understand why I felt that any of Anthony Bourdain’s various TV series could have been more accurately titled “Am I Cool, Yet?.”
Though I liked Bourdain (and Thompson, for that matter), my appreciation of creative people includes conscious recognition of their defining flaws; because those constitute the crucial components of the machinery at work. And, to my eyes, much of what afforded Bourdain the sense of depth that comes from working one's sense of humor from a broken spirit was that he was a strutting, striving, posturing, bloviating try-hard who understood full-well that not every person’s talents translate to compelling television: He was miserably aware of only
truly being in his element when he was shooting smack or chopping onions; and needing to fake his way through anything else. And, so, he had to contrive this artifice of acting like Hunter Thompson and Johnny Rotten, while looking like Herman Munster. It didn't help that the guy thought he was free and clear in life because he had replaced coke and heroin with legal alcohol to abuse.
I give Bourdain the same benefit of the doubt I give anyone; in that he was probably tolerable, under the right circumstances - But he certainly didn’t reinvent the wheel when it came to being an insufferable, elitist liberal on television: Trying to be both politically reverent and relevant in your cooking show is just pathetic.
Bourdain regularly depicted himself as jetting around the world in the utmost luxury, to spend his days sampling the menus of Michelin-starred restaurants. His nights consisted of five star hotels in which he was waited on hand-and-foot by a network-supplied crew of gofers and sycophants - all while he admonished capitalism in his voice-overs. It bears repeating: He made tens of millions of dollars through spending hundreds of thousands of a network’s money, while
admonishing capitalism. Bourdain routinely filmed himself vacationing to non-white countries to specifically boast of how great the lack of foreign influence is, then immediately jetting to white countries in the next episode to talk about how great it was that they were getting so many immigrants. Any
one of those qualities, in and of themselves, can amount to a despicable human being without even getting into how, apparently, the embarrassment resulting from the mantlepiece girlfriend he had rebounded into after his divorce being outed as a pedophile in a blackmail scheme Bourdain himself having paid for for was sufficient excuse for him to abandon his child by strangling himself in yet another luxury hotel.
No matter how down-to-earth or relatable Anthony Bourdain's viewers told themselves he was, the reality is that he was so out-of-touch as to find a champagne problem too much to bear. "If you can't stand the heat..."
I also don’t necessarily give Bourdain full credit for his own success - I think there are so many people in the world, that a percentage of them are guaranteed to enjoy the simple pleasure of passively watching television about snobby food they’ll never eat. And, so long as those willing to live vicariously through celebrity chefs continue to exist, we can expect a new generation of terminally-insecure addicts with video cameras in the kitchen to earnestly compete for a headline referring to them as the next Anthony Bourdain - Even if it’s for an obituary.