Horror Movies - Super Spoopy

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I raise you "gut puncher" with an actual gut puncher.

https://youtube.com/watch?v=8qGmjd45Ryw
Im talkin emotional gutpunching here. Any syphilitic italinigger with a beard and a camera can weave bleak visual tales of the horrors and depravity of humanity unrestrained by the rules of both civilised and savage society....infact im pretty sure half their entire cinematic canon during the 70s-80s were made up of such works.

Speakin of which I tried to think of any Wop horror that had a dose of the sad and realised I havent watched Fulci's Dont Torture a Duckling in like 15 years and never undubbed so imma recommend that and schedule a rewatch for tomorrow
 
Im talkin emotional gutpunching here. Any syphilitic italinigger with a beard and a camera can weave bleak visual tales of the horrors and depravity of humanity unrestrained by the rules of both civilised and savage society....infact im pretty sure half their entire cinematic canon during the 70s-80s were made up of such works.

Speakin of which I tried to think of any Wop horror that had a dose of the sad and realised I havent watched Fulci's Dont Torture a Duckling in like 15 years and never undubbed so imma recommend that and schedule a rewatch for tomorrow

All that edge to cover up the fact that a PG-13 Japanese ghost girl movie scared you and made you cry to mama.
 
All that edge to cover up the fact that a PG-13 Japanese ghost girl movie scared you and made you cry to mama.
All this pretension to distract from your need to latch on to deservedly obscure foreign cash grab pieces and proclaim them as "hidden gems" just to make your tastes appear "interesting" or "unique". Like so many modern art aficionados who work themselves to orgasm when looking at a lifesized sculpture of an outhouse in an art museum.
 
An outhouse continuously crapping on a statue of Jesus.

I just find the adoration of the ghost girl movies amusing. Reminds me of when Scream came out and the horror virgins declared it the greatest thing ever.
 
Given how obsessing over crappy and forgettable "obscure" 80s/90s VHS tier horror has become largely the domain of specimens like Devin Faraci I would hardly judge people who enjoy a particular horror subgenre.
 
more weeb Ring faggotry, when I got the dvd of the USA The Ring that night I was working overnights playing around with it, and found the easter egg of the video
immediately after it ended somebody called me :jacewtf:

here's a playthrough video where somebody actually gets the final boss level
Sadako looks nothing like her in the movies
iirc the game is based on like, the second or third book or some shit
 
A few weeks ago I saw Videodrome, one of the most fucked up and trippy movies I have ever seen.


It is steeped in early 80s cable TV culture, but the core message of an audience craving increasingly disturbing material shines through thanks to the Internet where we can watch people die at a moment's notice. Its themes aren't as dated as I thought given the time period this was made. But what sold this movie to me was the increasingly fucked up body horror and insanity as the movie goes on. Cronenberg is a master of this stuff, we all know this, but Videodrome takes it a step further by adding in cyberpunk horror ("Long live the new flesh" will be burned into your mind after that last scene, and not just because of James Woods' excellent performance).
 
I've watched a bit of the early one to see some gratuitous horror movie sex, I'll definitely need to finish it.
Never read the novels, I've read enough about them that they seem pretty weird, yeah.

A thing that didn't make it into the movies is that Ring-girl can come out of any reflective surface, like anything you can see your reflection in. This led to a very creative thing where a guy was driving a motorcycle with the visor down at night and hellooo reflections.

Sadako looks nothing like her in the movies
iirc the game is based on like, the second or third book or some shit

Yeah, the world that the Ring takes place in is a computer simulation and she is a virus or something.


Honestly the Horror genre could do with more movies that mix horror with sadness.

I mean....look what the last minute gutpunch of The Mist did for its lasting popularity
https://youtube.com/watch?v=nLvKj4WOYfE

The ending of The Mist was fantastic, a real wow moment. I read the story many years earlier but that was new. Sidenote: one of the reasons I was interested in the movie was because I wanted to see what the lobstermen looked like, the ones that snipped Roland's fingers and during recovery he was fed lobsterman meat.

In contrast to that ending we have Jacob's Ladder. It's a movie where you come out fresh on the other side.

Then there's a movie I saw a long time ago that would fall into the middle, ending wise, can't remember what it is called. It was a psychological horror movie about a woman who lost her son but no one would help her, not even the police, because she never had a son, even her friends and family told her so. The despair was driving her crazier and crazier and she started to doubt her own sanity, you get the idea of what the movie was about, but... turns out that an evil version of herself from a parallel universe stole her son because she couldn't have children and then swapped their places, it was actually a crummy sci-fi movie not a horror movie I had just missed the first 20 minutes and wasn't paying attention in general.
 
A thing that didn't make it into the movies is that Ring-girl can come out of any reflective surface, like anything you can see your reflection in. This led to a very creative thing where a guy was driving a motorcycle with the visor down at night and hellooo reflections.



Yeah, the world that the Ring takes place in is a computer simulation and she is a virus or something.




The ending of The Mist was fantastic, a real wow moment. I read the story many years earlier but that was new. Sidenote: one of the reasons I was interested in the movie was because I wanted to see what the lobstermen looked like, the ones that snipped Roland's fingers and during recovery he was fed lobsterman meat.

In contrast to that ending we have Jacob's Ladder. It's a movie where you come out fresh on the other side.

Then there's a movie I saw a long time ago that would fall into the middle, ending wise, can't remember what it is called. It was a psychological horror movie about a woman who lost her son but no one would help her, not even the police, because she never had a son, even her friends and family told her so. The despair was driving her crazier and crazier and she started to doubt her own sanity, you get the idea of what the movie was about, but... turns out that an evil version of herself from a parallel universe stole her son because she couldn't have children and then swapped their places, it was actually a crummy sci-fi movie not a horror movie I had just missed the first 20 minutes and wasn't paying attention in general.
I thought one of the guys in the 98 movie died offscreen on a motorcycle?
 
Directed by "King of the Gimmick" William Castle, script by Robert Bloch, the opening to The Night Walker, a little gem of a psychological horror film. (One of Universal's last black-and-white films and Barbara Stanwyck's final performance in film)


Stanwyck is the widow of a wealthy, blind millionaire inventor. Her husband was jealous and controlling to the brink of madness, even recording conversations and her talking in her sleep, suspecting she's having a fling with somebody, accusing his personal attorney (Robert Taylor). One day, they have a big argument over his accusations of her having a lover. She does have a lover of sorts, and flings this line in his face:

“Yes! Yes, I do have a lover. He comes to me every night. He holds me in his arms. He’s young, handsome and tender. He’s everything I’ve ever wanted, everything you’re not…my lover’s only a dream but he’s still more of a man than you!”

and after she leaves an explosion destroys his personal laboratory with him inside. She inherits the estate but moves out after nightmares of her husband coming for revenge, and her dreams of a mysterious fantasy lover begin again, becoming more frequent and bizarre.

 
A movie that I enjoyed but clearly for the wrong reasons(it's funny as hell) was The Entity from 1982.

It's in the vein of The Exorcist, without the possession, just that it takes place in the real world and anything super-natural is dismissed as bunk or a sign of mental problems. Realism!
The movie itself is about a woman that suddenly gets haunted by a poltergeist, an invisible and malicious entity that is never seen in the movie. Unlike other poltergeists all this one wants to do is molest Barbara Hershey and try to get his ghost-boner in her. That's the movie. They spent a lot of time to create practical special effects to show an invisible ghost squeezing the titties of a screaming woman.

Remember, this is a serious movie, a drama-horror, not a sexploitation flick or a b-movie. It is hilarious.
 
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I just watched the Turkish horror film Baskin (2015) and though it was good enough to recommend here. VERY atmospheric. VERY gory/disturbing. The ending didn't quite live up to everything that had been set up in the movie, but I still think it's worth watching.

Mild spoiler:
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This is a great overview. And this is a great series of interview with a lot of now dead great directors:

 
I appreciate Amazon Prime Video absolutely not caring at all about what they have up for streaming. I don't even miss torrenting. Really now, what the hell is this even. A view into the subconscious of the average German, perhaps?

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Also, Tom Selleck was in a movie about nude Satan-worshipping witches that live in a painting, and Bills Pullman and Paxton starred together in a horror movie about experimental brain surgery. Thanks Amazon rec algo.
 
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