Do you read book's Forewords?

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Foreword as an introduction by someone else than the writer talking about it.

I never understood the concept, maybe if I reread something I'd care what another person has to say about the book before I start, or if it appeared in the end discussing the book it will be an interesting addition. But as an introduction it spoils parts of the book and will probably bias the reader to interpret the book in a certain way.

The only exception is translators notes since this is one point where language barriers are important to know to understand.
 
It depends on the book itself and who wrote the foreword in question. Some books can't really be "spoiled" and I'd say Guerard's foreword to The Cannibal was interesting as a lead-in to the book itself even as someone who was already all in on Hawkes at the time I read it. Though a lot of them are just wank or curiosities at best so that's something of a rare example.

Though speaking of Guerard it's a shame how obscure he is, Night Journey was a really cool book and I would've never heard of it if I hadn't dug up an ancient out of print copy on my own years ago.
 
If the foreword was added way after the original release, usually not. I enjoy the tidbits you can learn but, as someone who never did read many of the classics, I don't want to be spoiled on anything or influenced toward an interpretation like you mentioned. Usually it's good to read it afterward anyway to soften the mild melancholy you can feel after finishing a particularly good book.
 
A lot of them are the author covering their bases/trying to prevent Death of the Author interpretations of their work, which I find just pre-biases me in the opposite direction when reading it. If I like a book enough to re-read it, that's when I'll see what the author had to say in a foreword. In that regard the foreword Tolkien added to the 2nd edition of the Lord of the Rings is hilarious, since it's 5 pages of him saying "I started writing parts of this story in the fucking 1920's, it's not about WWII, stop saying it is you weirdos"
 
Foreword as an introduction by someone else than the writer talking about it.

I never understood the concept, maybe if I reread something I'd care what another person has to say about the book before I start, or if it appeared in the end discussing the book it will be an interesting addition. But as an introduction it spoils parts of the book and will probably bias the reader to interpret the book in a certain way.

The only exception is translators notes since this is one point where language barriers are important to know to understand.
Eh, it depends. I like it if the foreword has something interesting. Sometimes it's one written by an expert on that specific topic/author/genre, and they can have something insightful to say. Lin Carter would often have good introductions when he was the editor for the Ballantine Adult Fantasy series of books that revived pre-LoTR fantasy in the '70s. He was one of the first proper scholarly types to give fantasy proper attention as a genre.

The other type of foreword I like is when it's from an author's peers. I've read forewords from the likes of Asimov, Robert Silverberg, Ursula le Guin, J. G. Ballard, and other SF-F writers in which they're using that foreword space to talk about the book's author/work and their own experiences and perspectives of being someone from the same era/movement (New Wave, Space Age, Fantasy Boom, etc.) or from personal friendships (Asimov often wrote about his relationships in a jovial and affable manner).

I don't like the Neil Gaiman thing where he spoils the book he's writing a foreword to and then goes "hey that's where I got XYZ for in my stuff".

Another underappreciated related thing is a good afterword. One of the decent ones I've read was GRRM's afterword for a Roger Zelazny book, in which he passionately and tenderly reminisces about Roger Zelazny being a wonderful friend and mentor. It's probably why I can't really bring myself to hate on GRRM too much, because he just seems to be a genuinely sad and lonely old fella that misses his friends and loved ones. Every damned time I read him reminiscing on the past, I just feel bad for the fella.

A lot of them are the author covering their bases/trying to prevent Death of the Author interpretations of their work, which I find just pre-biases me in the opposite direction when reading it. If I like a book enough to re-read it, that's when I'll see what the author had to say in a foreword. In that regard the foreword Tolkien added to the 2nd edition of the Lord of the Rings is hilarious, since it's 5 pages of him saying "I started writing parts of this story in the fucking 1920's, it's not about WWII, stop saying it is you weirdos"
This is funny. I recall a plenty of writers who were around in the '20s-50s eventually writing forewords for editions of their works put out during the mass market paperback book of the '50s onwards. There's quite a few mass markets with "foreword by author" in them for a book that was supposedly originally put out like a decade or two before.
 
Foreword as an introduction by someone else than the writer talking about it.
I read it in the store and I won't buy the book if it makes me seethe. A lot of forwards are shit. I don't care what Stephen King has to say about The Plague.
 
What if it's some leftie seething on how based the book is?
Modern politics are so incredibly homosexual that I don't want to be reminded of them in my 70+ year old novels. They're usually not that politically charged, but they are dumb. Most of them are either a modern genere fiction author relating the book to their life or a lit PhD writing an essay on how they interpret it. Call it an aftword and slap it in the back.
 
Yes I think they give a pretty good insight about the book but some of them can be shitty.
I am reading Goethe's Faust right now and the translator included a Theatre play of Faust on the Foreword and I think thats pretty neat.
 
I usually just read first few paragraph. And after that I decided if I will read it all , skim through it or just skip to chapter one. I am not really interested in reading summarized version of author biography for third time and what heckin problematic opinions did he have and no no words he used in his text.
 
After reading a lot of nonfiction for a book club I realized forwards were a waste of time. I'm pretty sure they are a legal loophole that lets you reprint someone else's book and not pay them royalties. Very much a " what are the oranges for?" Tier of " transformative work"
 
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