Columbo

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https://youtube.com/watch?v=aeKEIQIqi4U
Finally, a reason to post this song that always gets stuck in my head. This channel has a couple more Columbo themed songs.
Double post but I love that guy's Columbo remixes. The Majong one gets stuck in my head. He made a new one this past week as a short that was pretty good too. There's another guy who does similar things turning Star Trek dialogue into classic Christmas songs.
 
I don't know how much of that was due to Falk being too old to play Columbo by the late 80s/early 90s, how much of that was due to the writers, how much of that was Falk or studio interference behind the scenes, or even how much was just the entire tone of TV had shifted by then. About the tie Falk brings back Columbo in 1989, Miami Vice, Hunter, and In The Heat Of The Night were taking on serious stories for cop shows (although, to be fair we still had Matlock and Murder She Wrote for the paint-by-number murder shows), not to mention Cops.
 
My mother loved Columbo & watched them over & over.

John Cassavettes episode "Étude in Black" is very good, him & Peter Falk were best friends IRL.

The Johnny Cash episode is good too, he makes for a surprisingly gleeful wife killer.
The one thing that always struck me was just how happy most of the killers were with killing someone and just how they basically shrugged their shoulders when Columbo caught them. He busts them, they share a drink or dinner or whatever and no one ever tries to make a run for it or jump out a window when it's clear they're going to prison.
 
Susan Clark threatened to do that in S1/E7 Lady In Waiting but he reminded her there were a bunch of cops waiting outside the room.
Okay, but if you're already going down for murder, in for a penny...

Though it occurs to me that Columbo never tried his bit in the hood.

"Oh, just one more thing."
"You want one more thing? I got one more thing for you motherfucker."
[Sound of an entire magazine being emptied]
"Man some bitches dont know when to shut they ass up, goddamn."
 
I don't know how much of that was due to Falk being too old to play Columbo by the late 80s/early 90s, how much of that was due to the writers, how much of that was Falk or studio interference behind the scenes, or even how much was just the entire tone of TV had shifted by then. About the tie Falk brings back Columbo in 1989, Miami Vice, Hunter, and In The Heat Of The Night were taking on serious stories for cop shows (although, to be fair we still had Matlock and Murder She Wrote for the paint-by-number murder shows), not to mention Cops.
Not only Columbo, but also Terry Salavas returned for a couple of tv movies in the early 90s until he pass away after a fight against cancer and faced the same music as Columbo.
 
Some real stinkers in the last run of episodes though. Don't feel like they got bad until the kidnapping one but I didn't hate anything until the Undercover episode. That one fucking sucks. Hopefully there's some more decent stuff in the last few.
IIRC the show had a much lower budget for the 90s run. They switched from film to video, the set lighting was all 90s sitcom flatness and the writers just weren't the same calibre. Far less creative writing, with more by-the-numbers plotting. Some stand-outs, like Butterfly in Shades of Grey, which was mostly carried on the back of Shatner's ham, but the majority just wasn't as good. It didn't help that Peter Falk was getting old and was showing early signs of dementia towards the end of the run.
 
Considering the theme of boomer shows, how is Matlock? I think I've never watched it. Saul Goodman popularized the iconic suit again.
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I guess I'm the fan who hasn't died of old age yet. Matlock was great theater. They really ran with the "Now ah'm just a humble country law-yuh" schtick as a way of making his opponents underestimate him. But they also genuinely made him a country bumpkin asshole at times, too. I remember an episode where the B plot was him trying to defend himself in court after he got a ticked running a stop sign. He brought in props and everything. And another where a prosecutor was using cheap tricks in the courtroom, so Griffith walked over and tried to flip his table onto him before getting shouted down by the judge.
 
I guess I'm the fan who hasn't died of old age yet. Matlock was great theater. They really ran with the "Now ah'm just a humble country law-yuh" schtick as a way of making his opponents underestimate him. But they also genuinely made him a country bumpkin asshole at times, too. I remember an episode where the B plot was him trying to defend himself in court after he got a ticked running a stop sign. He brought in props and everything. And another where a prosecutor was using cheap tricks in the courtroom, so Griffith walked over and tried to flip his table onto him before getting shouted down by the judge.
Also Matlock did a comeback in a two-part episode of Diagnosis Murder. https://www.imdb.com/title/tt0559218/ Speaking of Matlock and Diagnosis Murder, too bad they didn't have a crossover with Perry Mason...
 
In almost every Columbo episode, the entire case is based on some obscure circumstantial evidence that probably wouldn't be enough to charge, let alone convict. And the perp is always like "Well done Columbo, you got me. How did you figure that out?"

Also, the killer is never nervous talking to a detective who is following them around investigating the murder they just committed.
 
In almost every Columbo episode, the entire case is based on some obscure circumstantial evidence that probably wouldn't be enough to charge, let alone convict. And the perp is always like "Well done Columbo, you got me. How did you figure that out?"
Monk and a lot of other shows that were probably inspired by Columbo also had that issue.

The challenge for the writers is that the detail the hero finds that implicates the bag guy must be so minor that it is easy to see how no one else saw it. This makes the hero appear smart for figuring it out, but in many cases, if it is that minor, the villain could simply deny it and at least have a good chance of getting away with it at trial. In Columbo the villains just give up so that the story has closure.
 
My mother loved Columbo & watched them over & over.

John Cassavettes episode "Étude in Black" is very good, him & Peter Falk were best friends IRL.

The Johnny Cash episode is good too, he makes for a surprisingly gleeful wife killer.

The first few seasons have several episodes that are rewatchable, albeit the surprise twist of how Columbo is going to catch the baddie is a bit less exciting. For me its seeing the celebrity cameo's. Isn't Columbo like the only time Dick Van Dyke ever played a baddie? (Aside from Night At The Museum which isn't quite the same.)
 
Unfortunately everyone who actually watched Matlock died of old age several years ago, but I did see an ad on youtube for a reboot of Matlock where Matlock is either a tranny or a woman, I don't recall which it was. Thankfully brave browser ad block is working again.
About the 2024 Matlock, there's a bit of a double meta reverse twist: Matlock was a show in-universe, and Kathy Bates's Matlock shares the character's last name, which she says during the pilot inspired her to get into lawyering for real.

The other twist is that she wants to ruin the firm she's working with because they covered up for a dangerous opioid that killed her daughter.
 
I saw something with a mid-1970s Peter Falk and he said the charm was Columbo knows who the murderer is right from the start and the killer knows he knows, they just think they're so smart that he can't nail them for it. The killer wants to be able to gloat and tell him they did it and its their ego that does them in. That's why the killers are always the rich and powerful, because they think they are so smart and normally would get away with it. Outwitting a street thug is nothing, but taking down a CEO or a top surgeon or a Hollywood legend is a different ball of wax.
 
Love Columbo. After every episode rewatch I watch this great Youtuber named Watch It For Days that recaps episode by episode and gives very neat facts about production or anything else interesting to know. Very cozy watches, in the middle of Season 4 right now.
 
I saw something with a mid-1970s Peter Falk and he said the charm was Columbo knows who the murderer is right from the start and the killer knows he knows, they just think they're so smart that he can't nail them for it. The killer wants to be able to gloat and tell him they did it and its their ego that does them in. That's why the killers are always the rich and powerful, because they think they are so smart and normally would get away with it. Outwitting a street thug is nothing, but taking down a CEO or a top surgeon or a Hollywood legend is a different ball of wax.
The top surgeon, how can we forget Leonard "Spock" Nimoy for his performance as the top surgeon? Let's also remember the one starring Martin Landau who portrayed twin brothers who accuse each other to be the murderer but Columbo founded they worked together.
 
The one with the shit eater grin guy is really infuriating and I wanted Columbo to go police brutality on his ass.
 
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