Anime should be considered a neurotoxin.

Cats

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17 de Abr, 2020
Anime has all of the properties of a neurotoxin. It is painful to experience and has the real ability to rot, poison, or make retarded the brains of those who spend too long ingesting it. And just like any good toxin, it evolves over time to become more deadly and proficient at accomplishing it's goals. Each day, countless young people are poisoned and have their minds forever altered in some way by this insidious far-eastern weapon.
 
It's fucking annoying. How anyone can find some kind of deep story in those disgusting Nip cartoons is beyond me.

It's hard to quantify who I hate more, the groveling Nip men or the sluttish Nip women, but no matter...the solution is Total Nip Death. Man, had I been born a century ago I would have whipped that goddamn island into shape so fast they'd be eating Corn Flakes as chicken katsu.

Admittedly this is what everyone in pre-bugman China thought since basically forever, but I've always preferred penjing and the erhu to bonsai and the shamisen. Ni hao.
 
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Ok, ok, but here's the real question. Are cats the ultimate neurotoxin?
 
Many anime artstyles use cat-like proportions for the characters.
IMG_20240816_095146.jpg
It has prompted the theory that anime is cats.
Which means that @Cats is very likely anime himself and therefore is, in his own words, the neurotoxin.
This is a thread of self hatred.
 
It's true. "Anime" is not designed for the Anglo mind to comprehend; attempting to do so will lead to fungal spores taking root in your brain stem, reducing you to a hapless Soydrone Automaton. For safety reasons, Caucasoids should limit their consumption to ethnically suitable pieces of media such as Simpsons, or Homestuck, or the Super Bowl.
 
Anime has all of the properties of a neurotoxin. It is painful to experience and has the real ability to rot, poison, or make retarded the brains of those who spend too long ingesting it. And just like any good toxin, it evolves over time to become more deadly and proficient at accomplishing it's goals. Each day, countless young people are poisoned and have their minds forever altered in some way by this insidious far-eastern weapon.
Then how come the Japanese don't do the retarded shit the west does?

Even then, you could say the same thing about any piece of media. It's media, it's fictional. If you are too retarded to see the difference then literally anything could turn you into a bigger retard. Remember western shows like MLP and Steven Universe? It's literally people who never grew up and the constant coddling on social media makes those beliefs cement even more instead of making the idiots realize "Holy shit, I'm a fucking manchild fuck-up".
 
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Many anime artstyles use cat-like proportions for the characters.
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It has prompted the theory that anime is cats.
Which means that @Cats is very likely anime himself and therefore is, in his own words, the neurotoxin.
This is a thread of self hatred.
Outstanding analysis. Do we need to be worried about you, @Cats?

Edit: The problem with anime is that most of it is shit. I am again on my neverending quest to watch every worthwhile OVA of the 80's and 90's ever since i found my glasses and can read subs again and there's just so. much. shit. Forget even googling for lists of good anime as these are made by zoomer spergs and millenial secondaries and their tastes are shit. Mad Bull is not a good OVA. Angel Cop is not a good OVA. Violence Jack is not a good fucking OVA, but titles like these are on virtually any must-watch 90's animu list. These niggers have no idea what they are talking about.
 
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Indeed, I suspect the problem is that anime evolved in the oppressive pressure cooker that is Japanese culture to be hyper appealing to those with neurotic or autistic traits, then it escaped out into the rest of the world to exploit the same rising vulnerabilities in other countries.

Personally I see it more like an invasive species of pathogen. It infects people then spreads by forcing them to become gay and post it everywhere.

Then how come the Japanese don't do the retarded shit the west does?
Because they do a different set of retarded shit.
Like for example turning sex with little girls into a cultural fixture that their government only pretends to care about to keep up appearances.
 
Then how come the Japanese don't do the retarded shit the west does?

Even then, you could say the same thing about any piece of media. It's media, it's fictional. If you are too retarded to see the difference then literally anything could turn you into a bigger retard. Remember western shows like MLP and Steven Universe? It's literally people who never grew up and the constant coddling on social media makes those beliefs cement even more instead of making the idiots realize "Holy shit, I'm a fucking manchild fuck-up".
It's those kinds of people who are making anime. It's why every show has little girls making funny noises, because grown men in the 80s couldn't stick to their GodMars and Xabungle and had to go spastic over Creamy Mami and Minky Momo.
Mad Bull is not a good OVA. Angel Cop is not a good OVA. Violence Jack is not a good fucking OVA, but titles like these are on virtually any must-watch 90's animu list. These niggers have no idea what they are talking about.
Because they're all ironic weebs who think 80s OVAs are supposed to be a barrage of sex and violence with high animation quality. It's why Megazone 23 Part 2 is considered the best, even though Part 3 is better. It's also why people think Bubblegum Crisis is better than Techno Police 21C. There really aren't that many good 80s/90s OVAs once you've watched everything Artmic worked on, plus a few others like Salamander, Legaciam, MD Geist, and Super Atragon. You're better off watching the actual TV shows like Zeta/ZZ Gundam since they have more in-depth writing and stories. Also, the 1980-1985 era has the most interesting anime since they're all long TV shows with good design work and better writing, and they're mostly original premises.
 
Because they're all ironic weebs who think 80s OVAs are supposed to be a barrage of sex and violence with high animation quality
Thing is, the labels who published anime in the West, or rather in Europe, in the 90's thought the exact same thing. Manga Video, a UK publisher, was notorious for almost only putting out sex & violence stuff (IIRC they were the first to get a license for european distribution of GitS, so it's not all bad) which didn't just have an atrocious english dub but was also cut to shit or otherwise censored. As a german i was lucky that ACOG established itself here as the #1 distributor very early in the animu craze that started in the early 90's, they helped a couple of domestic translation teams to get their foot in the door so we ended up with superior translated versions of, for example, EVA, everything was strictly subbed and the teams worked much closer with jap publishers and labels than, for instance, A.D. Vision did in the US. Prices were still outrageous, i paid 40 Deutsche Mark for Riding Bean on VHS (worth it in the end).
It's also why people think Bubblegum Crisis is better than Techno Police 21C
I am watching BGC currently and like it quite a bit. I really like Sonoda designs, be it mecha or chara. Or guns, in the case of GSC. Still think he is a pedo, i reread the Gunsmith Cats manga last year and stuff like May's back story or loli Rally pin-up's as chapter covers scream kid toucher to me.
 
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Indeed, I suspect the problem is that anime evolved in the oppressive pressure cooker that is Japanese culture to be hyper appealing to those with neurotic or autistic traits, then it escaped out into the rest of the world to exploit the same rising vulnerabilities in other countries.
That's honestly not far off.

Manga at least started out great. Osamu Tezuka got the ball rolling, and he was a genius--ironically, one who was into western media like cartoons and pulp sci-fi stories--with an additional dash of having a medical degree (he could've been a doctor and been assured of a safe income, but he chose to draw comics), spiritual beliefs, and having lived through some of Japan's darkest days.

People tend to remember he was the "Father of Manga." What often gets lost in the conversation is his stuff was damn good. His manga, at least--anime adaptations of his work tend to watch like a safe, watered-down version. Fortunately in most cases the manga are easier to find in English. Anyway, while his art tends towards simplistic and cartoony, his stories tend to have themes and ideas that I've honestly seen nobody else attempt. Recommendations are Phoenix (at least try to finish the first two volumes), Ayako, and the short story collection Clockwork Apple. Those are all manga... anime selections are sparse and tend to not be good adaptations.

Okay, enough praising one man.

So here's the thing.... much like how J.R.R. Tolkien set off a boom of people who saw his work and said "I wanna do that too!" so did Tezuka, so now manga (and soon anime) was becoming a regular industry. But also like Tolkien, a lot of his imitators were just... nowhere near as good, and often were only distinguished by a gimmick (like Go Nagai being known for sex, blood, and demonic themes). Even the best stuff tended to feel like it was just aping the main man.

And then he died, and with that, the only person who actually made works of art in either medium was gone, and the slow decline into slop began. Without true visionaries, mediums tend to decay, and eventually end up being just corporate brainrot. That's where anime is now: people don't tell stories anymore, they just try to hook you with obvious emotional manipulation--often descending into Stephen King-esque hackery of "let's just arbitrarily have bad things happen to the cutest character in the room in order to coax a reaction out of the audience."

And then people who weren't around for the old days and have an irrational fear of watching or reading anything from before they were born, get into the medium and elevate the goyslop, and the slide into hell is complete.
 
Edit: The problem with anime is that most of it is shit. I am again on my neverending quest to watch every worthwhile OVA of the 80's and 90's ever since i found my glasses and can read subs again and there's just so. much. shit. Forget even googling for lists of good anime as these are made by zoomer spergs and millenial secondaries and their tastes are shit. Mad Bull is not a good OVA. Angel Cop is not a good OVA. Violence Jack is not a good fucking OVA, but titles like these are on virtually any must-watch 90's animu list. These niggers have no idea what they are talking about.
They're still stuck in the '90s of "This isn't Disney, Mom! It's adult!" that is the animation age ghetto.

The OVAs of yonder are reminiscent of schlocky action B-movies, but those retards want to pretend they're sophisticated watches compared to the moé we got for years. They don't want to admit that it's okay to turn your brain off and enjoy stupid shit when you feel like winding down with a bowl of popcorn. And weirdly enough, those same people kinda knew that back in the day depending on the batshit insane OVA they were watching like Mad Bull 34, Angel Cop, and The Ultimate Teacher, but something happened in the following years that changed their perception and now suddenly those same anime are considered godsends.

People I guess are just too obsessed with numbers and peer-approval about "taste" to be happy with cherishing a select few favorites. It's really exhausting keeping up with seasonal anime, it's no fucking wonder only a small handful of titles manage to stand the test of time and maintain an adoring audience for years to come. The mainstream is an extremely warped and biased way to gauge an anime's popularity that it's more-or-less have hurt the medium, and there's definitely good mainstream titles fwiw, they just happen to be more of the exception.

If fans would just stop criticizing fellow fans for liking or hating something for such-and-such reasons, it'd be a happier experience. But ultimately, it's always better to have a small circle of friends/acquaintances who don't mind if you like something they didn't and vice-versa but could still hold a conversation to explain themselves and give you the floor, and also will consider trying out recommendations.

The Internet was truly a blessing and a curse.
 
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