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- 20 de Abr, 2021
Pretty weird anime coming from the creator of Dream Hunter Rem
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In the 80s in Japan they were in a huge economic boom. They were tossing money left and right to animators to make things, no matter what it was. This is why so many beautifully animated short films and movies were made during this time, or just a couple episode runs. It's also why some of the most bizarre shit came out in that time. By the 90s things started to stagnate, which is when by the middle you start seeing a difference in what's being put out.If there's an art style that needs to come back... It's amazing how detailed and stylized that animation was back then and just how far it's deteriorated since. What is the deal? Is it just too expensive to do an art style like that on computers? Do they think no one wants it or notices?
Of course he does mostly porn...Unfortunately, a lot of it is hidden from the public unless you have an account.![]()
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This one is my favorite
1251541179231088641.mp4
What are you 10? how did you avoid watching THE anime of all time? that movie mogged disney animators.watched Akira for the first time
The intros were basically anime because even western cartoonists could see it was cooler than their stuff.Oh, I'm aware of that. I'm just more taken aback at how 80s anime they could get at times.
If there's one trope from old anime that I don't miss is the long music video sequences, it always felt cringy to me even as a kid.This happened well into the mid 90's, I think even a few series like SWAT Katz had their styled drastically changed because an anime studio was willing to animate them. Batman:TAS had a ton of episodes animated by Japanese studios.
Bubblegum Crisis is also another one worth checking out, that and it's sequel 2040.
https://youtube.com/watch?v=an_0IIRDlc4
You mean the shitstastic 3D animation? because the character style its straight out of the manga, it has nothing to do with the animation.Or maybe that's because Initial D is the first time I noticed a style change.
That's exactly the reason, consider a "cheap" OVA would cost you $100 per episode, in 80's dollars so it would like what, $300 now? most weebs can barely afford their crunchy(shit)roll subscription.may have been due to the rise of OVAs allowing animators to just go nuts and show off their skills.
Amazing animation but not a fun movie and the ending its gainax going up its own ass. I still believe anno's butthurt at otakus stems from how badly this film did with that public because he believes it was "too deep" rather than just the anime equivalent of a tech demo, which is probably why he went with dumb-ish mecha&tits the anime, aka: gunbuster, right after that.you might want to check out Royal Space Force: The Wings of Honnêamise from 1987.
What's the first one?At least the sequel of the novel i'm working on is filled with that aethestic.
To think dirty pair was considered top pervy anime with too much fanservice back then.The 80's anime aesthetic is so much better then today's anime. Everything in modern anime feels too polished and "clean", there needs to be some grit.
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80's anime girls look more masculine than 2023's anime guys.I'll say it now, masculine but lean anime women are so much fucking better then the literal 11 year old's we get in modern anime.
80's catgirls were hot.I blame the internet for it
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Like really what the fuck is this weak ass pussy shit?
Not enough highlights on the hair, skirt too long can't see the panties, and not enough shit/accessories in her hair or whatever like those vtuber sluts have.
It goes to show how retarded the myopic assholes working at disney right now are when they pass over this to make the most generic-looking anime with a literal furry instead.Obligatory OtaKing:
https://youtube.com/watch?v=PN_CP4SuoTU
One fan of 80s anime made this in his basement. A lot of scenes made use of modern tech. For ships and stuff, he uses 3D references made in Cinema 4D and then rotoscopes over them in TVPaint, by hand. He nailed the aesthetic.
Also:
https://youtube.com/watch?v=5tBuPwXBCvs
Goddamn, I love this shit. So much better than modern moeshit it’s not even funny.
There was a lot of trash back then too, you just don't remember.and most importantly, quality over quantity.
Otomo did that, and the third segment of Neotokyo.I can't believe it took me this long to remember ROBOT CARNIVAL.
https://youtube.com/watch?v=Am8grbyTxTw
That opening still gets me excited.
Extremely because it still needs to be hand-drawn and theres way more detail so it would take longer to animate.What is the deal? Is it just too expensive to do an art style like that on computers?
Is there a market? because the vast majority of weebs now started with naruto and other early 2000's crap, they think 80's anime looks old and therefore "lame", they prefer their bigtiddy anime gf of "undetermined age".Do they think no one wants it or notices?
A big mix of eras between nations.What's the first one?
Definitely. Akira is still popular but weab fags hate it.Is there a market? because the vast majority of weebs now started with naruto and other early 2000's crap, they think 80's anime looks old and therefore "lame", they prefer their bigtiddy anime gf of "undetermined age".
Man, I love Take the X Train. I wish we had more interesting sci-fi anime like it!https://youtube.com/watch?v=Ft1Auo6vEQ8
This is quite an experience with really wonderful visuals and not your typical design of weebery.
Enjoy.
Dude! I am currently rewatching Queen Millennia for the first time since my early childhood and i simply love those timeless Matsumoto aesthetics. Sure, the animation is not top notch but the colour pallete, the backgrounds, simply amazing. I'm also fond of his potato head characters that most people seem to hate and that show has plenty of them. The mechanical designs are another highlight, but that's par for the course with Matsumoto's works.
Dezaki is another legend. I remember disliking his style a lot when i first got into manga and anime but over the years my taste started to go towards the works that looked unique and not typically animu. Hideaki Arai, Hideo Yamamoto and, of course, Otomo are some of my favourite artists nowadays. Shirow is another one, his mecha design in the Appleseed manga is second to no one's in the business, i will forever mourn that he didn't finish those books. Kenichi Sonoda's designs for Bubblegum Crisis are also noteworthy, i find them to be the perfect evolution of classic 80's mecha design made for a 90's audience, from a non-giant robo anime perspective.How about that Space Cobra? Osamu Dezaki is one of my favourite directors, he has such a striking style. I loved both the series and the movie. I should probably read the manga at some point as well. It has the kind of Star Wars science-fantasy vibes
https://youtube.com/watch?v=dt6XXfcdVY0
I'm a big fan of the show but the manga is where Tsukasa Hojo's artwork really shines, absolutely outstanding. And i agree, peak 80's aesthetic indeed.The animation quality is not great but for me City Hunter is peak Jap '80s aesthetic:
https://youtube.com/watch?v=O02ZoFsGIcQ
The music too, I have something like 10 CDs with the series/OAVs soundtracks.
Its gonna be a novel or a graphic novel?A big mix of eras between nations.
World capped at the 70's with a alliance but entirely destroyed by a war.
So the more advanced nation stucked in the 50's. The others are between 10-40 of slow advance.
I used USA/Europe as base but i took some Asian elements and introduced naturally into the nationalities.
The sequel have a main city which is a mix between the USA/Europe 80's, a bit of dystopic vibes mixed with Japan's "economic bubble" of the 80's too and a retro-futurist police with high-edge vehicles and guns.
This is in a early stage thought.
AKIRA will always be popular because it was a huge groundbreaking film, its timeless.Definitely. Akira is still popular but weab fags hate it.
For now a novel, but i really want to do a graphic novel with a good artist someday.Its gonna be a novel or a graphic novel?
Weebs are fucking retarded. Otomo is a god amongst mangaka, completly unique style. The pencils in Legend of Mother Sarah are my favourite work of his, a neater and cleaner look than in Akira, though the messiness (for lack of a better term) of his work in the Akira manga perfectly fits the setting. Mother Sarah is also underrated as fuck.Weebs hate it because Otomo went for a more realistic design, the characters actually look like japanese people
Extremly based take. That film was a total slog to watch, no matter how amazing the animation.Amazing animation but not a fun movie and the ending its gainax going up its own ass. I still believe anno's butthurt at otakus stems from how badly this film did with that public because he believes it was "too deep" rather than just the anime equivalent of a tech demo
Barely got anywhere in America...https://youtube.com/watch?v=yB-AUqDAmU0
Ulysses 31, a 1981 coproduction between DIC and the Japanese studio TMS Entertainment, is a pretty neat anime. It's a loose retelling of Greek mythological tales and a cool space opera too with colourful, futuristic designs. It's one of my favourite animes -- I'm surprised it's not more popular.