Sigue el video de abajo para ver cómo instalar nuestro sitio como una aplicación web en tu pantalla de inicio.
Nota: Esta función puede no estar disponible en algunos navegadores.
"emotional distance"New rule on Enter's discord: no more talking about masks. Ver archivo adjunto 1425565
ApparentlyI'm getting Dobson flashbacks with this mask talk. Remember when Dobson was scared of Carnivale masks? Is this a common autistic phobia?
Holy shit, this might be a goat Animated Atrocity. It's a perfect amalgamation of Enter clichés. He's angry almost the entire video about things that have absolutely nothing to do with the episode in question, in fact, he almost never talks about the actual plot. There's a fan going off in the background which isn't distracting per se, but is noticeable and annoying. Enter says there is no way anyone can ever make something less animated than this, which is ironic considering that Growing Around will never ben fully animated. He spends an entire minute explaining what a fucking radio is. Hell, he even brings back the Old Man from his older videos for a joke that is horribly edited and has sound effects so ungodly loud that I could see it causing headaches. Thanks, Ryan.No time for commercials, let's hate-watch a Butch Hartman cartoon! He's still relevant, right?
https://youtube.com/watch?v=_Cp8j9jusYA
Just wait until he reviews the Bojack Horseman episode that takes place in one room and is just Bojack walking back and forth while talking for half an hour. Better yet, wait for the Growing Around script that takes place in complete darkness but "done right."Holy shit, this might be a goat Animated Atrocity. It's a perfect amalgamation of Enter clichés. He's angry almost the entire video about things that have absolutely nothing to do with the episode in question, in fact, he almost never talks about the actual plot. There's a fan going off in the background which isn't distracting per se, but is noticeable and annoying. Enter says there is no way anyone can ever make something less animated than this, which is ironic considering that Growing Around will never ben fully animated. He spends an entire minute explaining what a fucking radio is. Hell, he even brings back the Old Man from his older videos for a joke that is horribly edited and has sound effects so ungodly loud that I could see it causing headaches. Thanks, Ryan.
As for Enter's doxing, considering the A-Logs that browse this thread, there's almost a guarantee that there's going to be some kind of weening, and while I don't encourage it in any way, it'll certainly make things more interesting for a little while.
Holy shit, this might be a goat Animated Atrocity. It's a perfect amalgamation of Enter clichés. He's angry almost the entire video about things that have absolutely nothing to do with the episode in question, in fact, he almost never talks about the actual plot. There's a fan going off in the background which isn't distracting per se, but is noticeable and annoying. Enter says there is no way anyone can ever make something less animated than this, which is ironic considering that Growing Around will never ben fully animated. He spends an entire minute explaining what a fucking radio is. Hell, he even brings back the Old Man from his older videos for a joke that is horribly edited and has sound effects so ungodly loud that I could see it causing headaches. Thanks, Ryan.
As for Enter's doxing, considering the A-Logs that browse this thread, there's almost a guarantee that there's going to be some kind of weening, and while I don't encourage it in any way, it'll certainly make things more interesting for a little while.
This is the same guy who got angry at that Ninja Turtles cartoon because the fight scenes were better animated than the rest of the show. He really doesn't understand-- Well, anything.I can appreciate "Lights Out" as a bottle episode that most likely only exists because "Wishology" killed the animation budget. Mr. Enter, who has no concept of budget or even time management, sees any piece of media as an "All or nothing" affair, and to say otherwise is a personal attack on the arts, limited resources and non-negotiable deadlines be damned.
Take note of our writing expert using the wrong form of 'they're' in the first bullet point.New rule on Enter's discord: no more talking about masks. Ver archivo adjunto 1425565
As if Anime isn't a step in that directiontheir society has yet to crumble
He doesn't own the house, it's his grandparents' house and he lives with them.I might be misunderstanding here, but how in the hell does this guy have enough money to own a house?
At least real children have an excuse. What's these manchildren's excuse?
Yeah, gonna be powerleveliing a little bit here and amazed It’s my first time posting here considering how long I’ve known of Enter, but even if someone who’s actually a fan of a lot of Enters more modern reviews (Not his Cartoon, I know it’s trash with Bland Art, innumerable Plot, Character and In Universe logical inconsistencies with gross fetish content that would make Dan Schneider Blush) I gotta day that This review feels extremely dated and subpar by even his standards. It feels similar to his Older, less experienced reviews back In his ‘classic’ 2013-2015 Mrenter Era. Enters editing for some reason Seems to wildly range in quality, occasionally having well animated graphics and editing of clips for transitions and sometimes His Audio Sounds perfectly fine with no background Noise or awkward Cuts with an overall more Fluid and Competent feel. It’s disappointing that Enter sees this Rushed and Extremely Unprofessional and misfocused review as Polished enough to release as an official video. Although hardly Suprising considering his Profound Narcissism and Refusal to Understand Cartoons as a Cooperative Project between an Artist and a Studio.Holy shit, this might be a goat Animated Atrocity. It's a perfect amalgamation of Enter clichés. He's angry almost the entire video about things that have absolutely nothing to do with the episode in question, in fact, he almost never talks about the actual plot. There's a fan going off in the background which isn't distracting per se, but is noticeable and annoying. Enter says there is no way anyone can ever make something less animated than this, which is ironic considering that Growing Around will never ben fully animated. He spends an entire minute explaining what a fucking radio is. Hell, he even brings back the Old Man from his older videos for a joke that is horribly edited and has sound effects so ungodly loud that I could see it causing headaches. Thanks, Ryan.
As for Enter's doxing, considering the A-Logs that browse this thread, there's almost a guarantee that there's going to be some kind of weening, and while I don't encourage it in any way, it'll certainly make things more interesting for a little while.
Pretty sure someone else has said this, but honestly, it's a wonder as to why Enter wants a fucking studio pitch, especially when you consider that anyone and everyone involved in a production needs to be actively communicating, and Enter is too tarded to manage basic interactions. You'd think having to constantly socialize and keep working would be an instant turn off for him.
As ever, Enter believes that because Spongebob is the most popular wacky children's cartoon, therefore all wacky children's cartoons are Spongebob.He literally makes up what he thinks the writers wanted from the FOP episode so it could fit his narrative.
"this is a bad traditional slapstick episode so it's bad overall" uh maybe they weren't trying to do traditional slapstick and wanted to put a fresh take on their comedy with the lights-out gimmick (which to me seems the more obvious explanation)?
thats like saying "zelda is a bad 2d platformer so it's a bad game".
This is the house of Mr. Enter.
Ver archivo adjunto 1424631
Front of the house
Ver archivo adjunto 1424632
Ver archivo adjunto 1424634
while that does apply to the average script, the passage is referring to spec scripts and writing samples. The stuff you show to execs so they know what kind of writer you are and that you can actually do the job they need for their show. It doesn’t really fit what Enter is trying to accomplish with his scripts.”Switching subjects back to GA, I'm reading a book on writing for animation by Jeffrey Scott (a writer for several 90's cartoons like TMNT and Muppet Babies) and found this little tidbit:
I think that perfectly describes GA and it's surplus of cliched blank slates.
(Though if my earlier sperg-out is any indication it would do me good to follow this advice myself.)
actually, Butch had just announced a new “book” he wrote about how to get a cartoon made days prior to this getting released. It’s actually funny because the website looks like something a PUA scammer would put together and the sample chapter is just 10 heavily margined pages of fluff stroking Butch’s ego. But the site also leads to another site where you can pay $4000 to pitch your show to Butch and get advice directly from him. So he’s kinda relevant now? In a grifter sort of way that is. Don’t forget, commissions are still open!No time for commercials, let's hate-watch a Butch Hartman cartoon! He's still relevant, right?
https://youtube.com/watch?v=_Cp8j9jusYA
Lights Out is sort of like Seinfeld’s infamous Chinese restaurant episode. A seemingly low effort thing that is so polarizing that the viewer will either be on board with it the whole way through or hate it immediately. Personally I don’t think they accomplished the task with nearly the same skill, but there’s clearly a vision here. “Let’s make an episode that forces the viewer to imagine things.” Of course it was likely to get around a depleted season budget, but it’s not a crime against humanity, but there’s also still several people who consider that Seinfeld episode to be either hilarious or the most unfunny thing to ever appear on television. And to that I say, who doesn’t want a divisive episode that people can be talking about for years and years? That’s called staying power.Speaking of Growing Around, I'm entirely convinced that was his motivation for making this review. Why would he get so mad about minimal-effort animation? Because it reminds him that life is unfair.
-Nickelodeon produces literal garbage that Enter thinks he could make in a week or two; Nick gets all the money and accolades
-Enter puts six years (and counting) of "effort" into his own cartoon; Nobody wants to pay him.
I can appreciate "Lights Out" as a bottle episode that most likely only exists because "Wishology" killed the animation budget. Mr. Enter, who has no concept of budget or even time management, sees any piece of media as an "All or nothing" affair, and to say otherwise is a personal attack on the arts, limited resources and non-negotiable deadlines be damned.
Edit: I think this quote illustrates the point very well.
enterprojects.mp4