Catch Me If You Can. The scene where Frank realizes he has no home to go home to. Just hearing Nat King Cole's version of The Christmas Song gets me emotional and I think this scene is partly the reason why.
I'll let this description do the talking for me on the sadness of this scene.
In
Catch Me If You Can, “The Christmas Song” plays near the film’s end, on the day after Christmas 1969. On the way home from France, Frank escapes through the airplane lavatory and onto the runway as the plane taxis toward the terminal upon landing. Now night has fallen, and our teenage fugitive stands in the snow outside a window of his mother’s expensive new home. Peering inside, Frank sees Paula sitting in a chair, reading a magazine. The cozy domesticity of the scene is heightened by the relaxed warmth of Nat King Cole’s voice. His mellow baritone lulls you into visions of hearth and home, while the song’s soft, high-pitched string section simultaneously slices at your heart. Not with the harshness of a
Psycho-type violin score, not with the lushness of a Nelson Riddle orchestration, but with the weeping sadness of
Tobani’s “Hearts and Flowers” – that melodramatic violin piece associated with tragedy in silent movies.
As Frank watches through the window, Paula turns to smile up at someone, then hands a drink to . . . none other than her new husband, Jack Barnes (former best friend of Frank’s father, Paula’s first husband). As Jack walks out of the frame, a little girl moves in front of the window, playing a silent harmonica. Frank mouths to her, “Where’s your mother?” She turns and points to Paula.
The shock on Frank’s face is amplified by flashing red lights that suddenly appear behind him on the lawn – dramatic punctuation signifying the end of the fantasy that his family could be made whole again.