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- 3 de Oct, 2022
iirc Joel was a fag about that with Cinematic Titanic tooThe refusal to film even a single live show is baffling to me.
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iirc Joel was a fag about that with Cinematic Titanic tooThe refusal to film even a single live show is baffling to me.
Yeah, troon Crow was unwatchable. Then they made it worse by having that Crow also be the one who was with Joel.her Crow was that woman who did a Milhouse cartoon voice for every riff
I went to a show during the Watch Out for Snakes tour, and yeah. Jonah, Hampton, and Baron worked great when they were riffing together live. It's how they should've filmed the show instead of having the riffs pre-recorded by them separately in a sound booth then acted out in pantomime or CG for the theater segments. Whoever edited the Netflix show had no concept of comedic timing.everything I heard made them sound like the best version of the reboot
Yes, thank you. I used to think it was "they're shoving in too many jokes, let it breathe!" but I've been watching more of the old MST episodes lately rather than Rifffrax and there are near-constant jokes in some of those but it works because the performances and interplay between the riffers is so much better.Whoever edited the Netflix show had no concept of comedic timing.
Yes, thank you. I used to think it was "they're shoving in too many jokes, let it breathe!" but I've been watching more of the old MST episodes lately rather than Rifffrax and there are near-constant jokes in some of those but it works because the performances and interplay between the riffers is so much better.
Troons ran it. And troons run their twitch feed too, they'll boot anyone no matter how long over the slightest thing you might say about old movies not being woke and that was good. Rifftrax and mst3k's maintenance people are all troons.The Netflix era in particular was odd. Joel had Jonah and the Crow/Servo actors record the riffs, then he had Jonah go to the theater and sit with two puppeteers and mime along to the recording, and then it was dubbed over? Some of the early episodes have riffs showing up before the thing they're joking about because someone had to edit the audio over the video.
It also gave us Slab Bulkhead.The Mike era remains undefeated, praise be.
There were way too many writers for the netflix seasons, including many talentless "big names" inviting themselves in to make things even worse (i.e. Steven Universe creator Rebecca Sugar and her brother).None of the riffs feel like people making jokes as they watch the movie, it just feels like reading off a script. The acting is all so shit.
To this day, my sister and I still just call each other up out of the blue and proclaim, "SARGASSUM: THE WEED OF DECEIT."Just gave the Netflix revival a chance, good GOD this is fucking bad. It feels so,,, fake. None of the riffs feel like people making jokes as they watch the movie, it just feels like reading off a script. The acting is all so shit.
The Mike era remains undefeated, praise be.
And it always will be. There is no competing against this:The Mike era remains undefeated, praise be.
Bit of a Big Stupid fan here.More of a Rowsdower man myself, but that is true.
SARCASIM FISH!To this day, my sister and I still just call each other up out of the blue and proclaim, "SARGASSUM: THE WEED OF DECEIT."
I wonder if that among other reasons was why Mike declined when Joel invited him to be part of the the reboot. If you've ever listened to the podcast Mike does with Conor Lastowka, 372 Pages We'll Never Get Back, Ready Player One was the first book they reviewed.The reboot MST3K was a bunch of LA career geek-comedy people with the same set of cultural references as Ready Player One (Ernest Cline even guest-wrote for one of the revival episodes, for 'effs sake).
I'm not sure if anybody other than Kevin has really been reliable at laughing at their own jokesShitty Girl Crow sounds more like Timmy Turner, and insists on laughing at her own jokes every time.