- Registrado
- 30 de Mayo, 2024
I was surprised that this thread apparently didn't exist so here you go, curated anime tracks that are actually worth listening to and won't make you die from cringe and embarrassment if they suddenly play over your phone.
The opening track for Elfen Lied is one of the most beautiful and somber songs you'll hear all day which is fitting because it's a brutal and dark anime that's also a love story. More passion and thought went into this one song than goes into most modern anime and the show is damn good too.
Susumu Hirasawa needs no introduction for those in the know but the man is a legend in the japanese industrial/electronic scene and has made multiple famous anime film OSTs but this is by far his magnum opus. Parade from the surreal animated film Paprika. A song that's joyful with a subtle underlying feeling of discomfort and "wrongness" portrayed through distorted vocals, used as a vessel to depict a parade as an object of sheer terror and destruction. (it's a super surreal and cerebral plotline that inspired the far inferior western movie Inception. Just watch it and it will make sense in context)
The opening track for Elfen Lied is one of the most beautiful and somber songs you'll hear all day which is fitting because it's a brutal and dark anime that's also a love story. More passion and thought went into this one song than goes into most modern anime and the show is damn good too.
5:42
Susumu Hirasawa needs no introduction for those in the know but the man is a legend in the japanese industrial/electronic scene and has made multiple famous anime film OSTs but this is by far his magnum opus. Parade from the surreal animated film Paprika. A song that's joyful with a subtle underlying feeling of discomfort and "wrongness" portrayed through distorted vocals, used as a vessel to depict a parade as an object of sheer terror and destruction. (it's a super surreal and cerebral plotline that inspired the far inferior western movie Inception. Just watch it and it will make sense in context)
5:42
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