- Registrado
- 23 de Ago, 2018
We all know that a lot of people will quote or reference famous works without having read them. But there are times where it's authors or even entire genres that people get wrong.
To start off the thread. Altus Shrugged. I never finished this brick of a book, but it's amazing how many critics of the book, and it's author Ayn Rand, get wrong about it. I could try and list the mistakes, but I'd end up listing everything.
For those that don't know the story. It follows a railway tycoon, a steel company owner, and a cooper company owner turned playboy as they try to build a railway during a global depression while various industrialists, artists, and other movers and shakers are disappearing. Turns out that they're being taken by John Galt, who is taking "men of the mind" to hide in an isolated community while the world sinks into an apocalyptic global depression.
A frequent retort is how industrialists will function in an isolated community, let alone rebuild the world, without a working class to do the labour. Missing several points like Galt taking people from all rungs of society, and that exploitative fat cats are the kind of people left behind. And that's just one plot point.
As for an author. Lovecraft. I heard, repeatedly and often, that every Lovecraft story ends with the protagonist dead, insane, or both. But as I slowly made my way through his work, this is not the case at all. Maybe it happens later. Likewise, the toughness of the monsters is also wrong. If a game has the option to fight a monster, it's considered to have failed. But many of the stories have the monster dead, defeated, or simply delayed. eg. The yeti is killed by a guy throwing a rock blindly in the dark. Cthulhu is sent back to sleep by crashing a fishing boat into his head.
And to finish this OP. Genre.
I struggle to find pulp entertainment that lives up to the promise. The cliche of pulp being shallow action stories about Indiana Jones type adventurers, cowboys, and hard boiled detectives rescuing damsels in destress from railway tracks. I've yet to find these stories.
For modern takes there's a webcomic I'm recommended often, but every time I try to read it, the page has an author insert OC getting into unfunny slapstick hijinks. The comic book Gold Digger comes close, but is rare to find where I live, and the only one I own the title character is secondary, instead focusing on a side cast.
As for the classics. Hard to say. Noir is usually thriller/mystery stories. Westerns are, well, westerns. While the adventure stuff is usually serials with lots of talking to pad the run time until the action cliffhanger.
To start off the thread. Altus Shrugged. I never finished this brick of a book, but it's amazing how many critics of the book, and it's author Ayn Rand, get wrong about it. I could try and list the mistakes, but I'd end up listing everything.
For those that don't know the story. It follows a railway tycoon, a steel company owner, and a cooper company owner turned playboy as they try to build a railway during a global depression while various industrialists, artists, and other movers and shakers are disappearing. Turns out that they're being taken by John Galt, who is taking "men of the mind" to hide in an isolated community while the world sinks into an apocalyptic global depression.
A frequent retort is how industrialists will function in an isolated community, let alone rebuild the world, without a working class to do the labour. Missing several points like Galt taking people from all rungs of society, and that exploitative fat cats are the kind of people left behind. And that's just one plot point.
As for an author. Lovecraft. I heard, repeatedly and often, that every Lovecraft story ends with the protagonist dead, insane, or both. But as I slowly made my way through his work, this is not the case at all. Maybe it happens later. Likewise, the toughness of the monsters is also wrong. If a game has the option to fight a monster, it's considered to have failed. But many of the stories have the monster dead, defeated, or simply delayed. eg. The yeti is killed by a guy throwing a rock blindly in the dark. Cthulhu is sent back to sleep by crashing a fishing boat into his head.
And to finish this OP. Genre.
I struggle to find pulp entertainment that lives up to the promise. The cliche of pulp being shallow action stories about Indiana Jones type adventurers, cowboys, and hard boiled detectives rescuing damsels in destress from railway tracks. I've yet to find these stories.
For modern takes there's a webcomic I'm recommended often, but every time I try to read it, the page has an author insert OC getting into unfunny slapstick hijinks. The comic book Gold Digger comes close, but is rare to find where I live, and the only one I own the title character is secondary, instead focusing on a side cast.
As for the classics. Hard to say. Noir is usually thriller/mystery stories. Westerns are, well, westerns. While the adventure stuff is usually serials with lots of talking to pad the run time until the action cliffhanger.