I just watched Fight Club

Back then films could fail at the box office but become hits on home media. No one saw Austin Powers in the cinema, but on video it became popular.
I'm not a hollywood enthusiast so maybe I'm missing something, and sorry about quoting wikipedia, but it says the original movie grossed 676.3m at the box office against a 112.5m budget. How is that possible if "no one saw Austin Powers in the cinema"?
 
I'm not a hollywood enthusiast so maybe I'm missing something, and sorry about quoting wikipedia, but it says the original movie grossed 676.3m at the box office against a 112.5m budget. How is that possible if "no one saw Austin Powers in the cinema"?
Austin Powers was like 17 million and did 60ish million in box office. It was not a flop by any means but it was the video market that pushed its sequels to getting made and pushed its cultural influence.
 
Austin Powers was like 17 million and did 60ish million in box office. It was not a flop by any means but it was the video market that pushed its sequels to getting made and pushed its cultural influence.

That doesn't make sense. Where did you get this?

I checked Wikipedia myself and the numbers there corroborated what @namelesstacotruck said.
You are right, I was looking at numbers for the whole series, which includes the (fairly bad, imo) second and third movies which were made when it was already popular. I should have known better since the numbers I quoted were quite large. I think my point stands though, as ~67m box office is probably no small potatoes for a 1997 movie.
 
You are right, I was looking at numbers for the whole series, which includes the (fairly bad, imo) second and third movies which were made when it was already popular. I should have known better since the numbers I quoted were quite large. I think my point stands though, as ~67m box office is probably no small potatoes for a 1997 movie.
100 million dollar movie cost would have been summer blockbuster or bust in the 90s. Remember that rule of thumb is movie has to make twice its money back and the 17 doesnt include marketing. Also 60 is misleading because when a movie gets eyeballs matters. Its a formula that gives the studio the most early on in a run and more to the theatres later on. A movie with a bad opener but gets good word of mouth and gets eyeballs and box office in the weeks past the first 2 can still be a failure.

But assuming 30 million profit means maybe sequel yes. But Austin Powers 2 was an "event" movie when it came out and punched way higher had more budget more star power more marketing. I remember seeing it opening weekend as a kid and it was a sold out showing.

The box office of Austin Powers didnt justify that. The home market made it culturally relevant to that extent. Austin Powers didnt have sold out showing in other words.
 
I really enjoyed Haunted ( 2005 ) though.
agreed.
Loved it. Super edgy, very original story/s, his prose on point. And while everyone, including the critics, seemed to hate it, i also loved Diary. One of the spookiest books i have ever read.
i was an avid chuck palahniuk reader until snuff. i lost interest after that.
i enjoyed lullaby, diary, and haunted. in my opinion, his best writing is to be found in his darkest novels.

fight club was an entertaining read, especially the development of the relationship between the narrator and marla, but it's one of the rare instances where i would honestly say that the film is better than the novel.
 
agreed.

i was an avid chuck palahniuk reader until snuff. i lost interest after that.
i enjoyed lullaby, diary, and haunted. in my opinion, his best writing is to be found in his darkest novels.

fight club was an entertaining read, especially the development of the relationship between the narrator and marla, but it's one of the rare instances where i would honestly say that the film is better than the novel.
Yeah, Snuff was terrible. Rant is my overall favourite book of his, i thought Pygmy was rather good and if you haven't read it i can recommend it. I used to be a fan like you and think it is the last good thing he has written. I read both Doomed and Damned and found them to be below dogshit-tier, both from a prose and story point of view. Tell-All is self-masturbatory, virtually unreadable bullshit. Beautiful You i read and did not like one bit either. I have no clue what happened to Chuck after Pygmy but to me he completely lost whatever it was that made is books interesting, original and entertaining.
Did you hear about the theory that both Tyler and the girl along with the entire fight club are all in the main chars head? It really makes a lot of sense honestly
That is a theory that i only heard from people who only watched the film, the book and the comic make clear that this is not the case, Marla is not one of his delusions. Tyler is his split personality, it doesn't go deeper than that.
 
That is a theory that i only heard from people who only watched the film, the book and the comic make clear that this is not the case, Marla is not one of his delusions. Tyler is his split personality, it doesn't go deeper than that.
Yea I didn't read the book or comic but in the movie it makes a lot of sense.
 
One thing that i didnt exactly dislike but thought was strange was how in the end Tyler is effectively killed (and the method is weird but who cares its meant to be symbolic) which i find strange because he doesnt really teach the narrator anything
Tyler doesn't have anything to teach. He's an overgrown teenage anarchist with daddy issues living out a childish antisocial fantasy. The narrator grows by rejecting him and accepting responsibility for his life. That's Marla's purpose in the film, she forces the narrator to care about someone other than himself. This endangers his relationship with Tyler, which is really just self-obsession. "All of this has to do with a girl named Marla."

Did you hear about the theory that both Tyler and the girl along with the entire fight club are all in the main chars head? It really makes a lot of sense honestly
Both Palahniuk and Uhls have debunked the notion that Marla is a hallucination in their respective stories, though Palahniuk said (with some graciousness, I think) it was a good idea. It makes no sense in the context of his novel, because Marla's mother supplies their fat. In the movie, Marla's genuinely confused and hurt by her boyfriend's rapid changes in personality, which is not what I'd expect if she were just another expression of the narrator's subconscious mind.

The fight clubs being hallucinations is a new one to me, and it doesn't make any sense. We see them doing their homework assignments outside the narrator's awareness while he's at his day job. And the narrator only escaped the police station because there were members there and they got careless while trying to castrate him. No fight clubs, no one tries to castrate him, and he goes to jail.
 
It's a good film, but when it went mainstream on home video and everyone was acting like they just discovered some unknown rare gem of a movie. They were somehow cool for doing so. Trying to leverage having liked the film as some credibility as to how awesome they were. It just came off douchey and so there was a natural revolution towards people saying the film was good. Or even mentioning you liked it.

Then there were the retards that didn't see the film, or didn't understand the film who labelled it whatever toxic masculinity was called back then. This was super cringe because people don't want to engage with them to explain the film and where they were wrong. As before you could even do so, they were labelling and calling you a bunch of "bad things." So people just rolled their eyes and shut up.

So people just enjoy the film by themselves these days and don't talk about it.
I never watched the movie when it came out because it seemed like some dumb bro fighting movie and at the time everybody at school decided random fights were now just going to be a thing because of the movie. Which was kind of fun for a bit. It wasn't until years later when I was an adult I was looking through some list of trippy movies or something like that and fight club was on the list for some reason so I decided to give it a try and I guess it wasn't so much a dumb bro fighting movie at all. I thought it was a pretty good movie. Not the best movie in the world or anything but the whole mental breakdown shit and discovering he's actually both people was pretty trippy. I managed to not be spoilered over the years, mostly because I never cared and kind of forgot about it so I still didn't really know what the movie was about when I went into it.
 
Both Palahniuk and Uhls have debunked the notion that Marla is a hallucination in their respective stories, though Palahniuk said (with some graciousness, I think) it was a good idea. It makes no sense in the context of his novel, because Marla's mother supplies their fat. In the movie, Marla's genuinely confused and hurt by her boyfriend's rapid changes in personality, which is not what I'd expect if she were just another expression of the narrator's subconscious mind.
It made sense when I watched the video, the guy did bring some compelling evidence from the film but I'm not entirely sold on it. I did rewatch the movie with that in mind and honestly it makes a little more sense if they are both in his mind and it broke because he had cancer. One of the examples I remember was at the beginning he basically begged the doctor to give him xanax, later in the film Marla is seen with a prescription of xanax. I cant remember all the "evidence" he used but it was pretty compelling to belive
 
One thing that i didnt exactly dislike but thought was strange was how in the end Tyler is effectively killed (and the method is weird but who cares its meant to be symbolic) which i find strange because he doesnt really teach the narrator anything,
It's more that it's an act of defiance that allows the narrator to take back control of his life. All throughout the film you notice that the narrator takes more of a backseat to his own life and never really thinks or acts for himself "Three pitchers of beer and you still can't ask me" "Tylers words were coming out of my mouth" "Name something you want to do before you die" "I can't".
It makes more sense with the novel as it bookends the death of Tyler with his creation, as it's implied that it was a drunken act of defiance (Pissing on the Blarney Stone while on holiday in Ireland) that created Tyler in the first place. The narrator creates Tyler as an idealized version of himself to do all the things he wants to do but felt he could not and the act of killing him is the final step to becoming him, Notice how his final words to Tyler are not a condemnation of what he is are what he is doing, but an acknowledgement of of his ideals "My eyes are open". Further reinforced by how the project mayhem people in the following acknowledge him as Tyler when talking to him when they never really did before.
 
How likely will Hollywood do a sequel, reboot or remake of this beloved film? If they are willing to further desecrate The Matrix, Fight Club wouldn't be off the table now, would it? They could even adapt the other comics or whatever. I think this may happen in the next ten years.
 
That's Marla's purpose in the film, she forces the narrator to care about someone other than himself.
There's a deleted scene that underscores this so blatantly I'm glad they left it out of the movie. After Chloe gives her speech about needing to have sex one more time before she dies she singles out the narrator and tries to corner him but he dodges her and runs straight to Marla instead. Basically showing his first instinct was to choose Marla over the group without realizing it. But that would have been a much shorter and less interesting movie.
 
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