Movie & TV Show Recommendations

Why would they do that? It'd be like saying you're going a Lord of the Rings remake but only using Tolkien's first draft that he did in high school.
General nihilism and cynicism overall. They'll pillage the concept and setting but nowadays thoughtfully exploring metaphysics or religion in a positive way just isn't something that happens in film and TV. Plus modern writers are totally inept and completely missed the boat when it comes to nuance.

Rewatched Payback (1999) yesterday, a gritty neo-noir revenge flick directed by Brian Helgeland (A Knight's Tale, Legend) and starring Mel Gibson and a bunch of great character actors (Bill Duke, Debra Kara Unger, Gregg Henry, David Paymer, etc). I remember this was marketed on Mel playing an immoral character (the exact tag-line being "Get ready to root for the bad guy!") when in fact his character is amoral at most.

Gibson plays Porter, a freelance gunman and professional criminal who gets hired for a heist by a low level mobster eager to buy his way back into the local crime organization. Following their success, Porter is betrayed, shot, and left for dead, robbed of his share of the loot. He eventually recovers and re-emerges six months later, not even for revenge, just to regain his share of the money they stole.

There's two different versions of this movie, the theatrical cut has a bit more levity and Porter is even more of a charming antihero. It also has a "big bad" that's introduced in the last half hour to serve as antagonist for no real discernable reason. The directors cut, released in 2006, does away with this subplot, and is much more grounded and focused for it. The music is different, there's no colour grading, and it feels more bleak. Both have their highlights but the directors cut is the optimal way to watch it imo.

It's one of those movies released during the weird spot in the late 90s, early 00s at the tail end of the Clinton administration right before digital technology overran every aspect of our culture, which adds a feeling of nostalgia. Arlington Road is another movie that feels similar in that regard.
 
I read this when I was quite young, and have seen the film since. Both struck me as spectacularly bleak, and really put the fear of The Bomb into me.
Strong recommendation.
I watched "When the Wind Blows" recently. A cartoon about a lovely British couple who somehow survive the initial attack of WW3, only to die of radiation poisoning because of all of the bad advice their government has given them. Absolutely brutal stuff. Interesting animation style with 2D people in a 3D house.
 
I don't want say more about the film because it's free on YouTube and, since I like watching films without any prior knowledge of them, I assume a lot of other people do too
Just chiming in to say it is appreciated, i do it the same ever since Imdb managed to spoil me a movie in their one fucking sentence blurb, i forgot which particular film it was. Ever since i go solely by director and/or actors, or recommendations from the only two friends whose tastes in film are similar to mine.

I watched The Crow 2 and 3 and the less said about these utter shitfests the better. Truly terrible.

Rewatched Payback (1999)
I feel this is one film many people have completely forgotten about, it's a solid watch but i can't actually remember which version i've watched. I think it was the 1999 version, maybe i check out the directors cut tonight, i am fresh out of things to watch or rather out of films i currently want to watch. Last film with Mel in it that i absolutely loved was Dragged Across Concrete.
I watched "When the Wind Blows" recently. A cartoon about a lovely British couple who somehow survive the initial attack of WW3, only to die of radiation poisoning because of all of the bad advice their government has given them. Absolutely brutal stuff. Interesting animation style with 2D people in a 3D house.
On par with Plague Dogs when it comes to bleak, depressing, animated european kino. I imagine many a young kid being traumatized by watching this with their clueless parents at the cinema who saw it as "animated = must be suitable for kids".
 
Última edición:
Plus modern writers are totally inept and completely missed the boat when it comes to nuance.
To this clade of weirdoes, there literally is no such thing as nuance. You are either a mindless zombie who bows down and worships whatever new fake ideology BlackCock handed down last Thursday, or you are a literal Nazi demon who must be murdered.
 
I watched "When the Wind Blows" recently. A cartoon about a lovely British couple who somehow survive the initial attack of WW3, only to die of radiation poisoning because of all of the bad advice their government has given them. Absolutely brutal stuff. Interesting animation style with 2D people in a 3D house.

Ah yes, that was based on a graphic novel by Raymond Briggs of “The Snowman”’fame. Again, trauma time for 80s children.

The ultimate in this vein was of course the movie Threads, which I suppose everyone has seen. We got shown it at school at like the height of the Cold War.
 
Finally tracked down a torrent of a documentary I've wanted to see, Once Upon a Time in Uganda (2021).

It's a dramatic retelling of the story of Wakaliwood, staring the main people who helped put together films like Who Killed Captain Alex and Bad Black together. Namely Isaac Nabwana or Nabwana I.G.G and Alan Hofmanis, a film marketer formerly based in New York.

The story of Wakaliwood starts with Issac's childhood. As a kid, he grew up in the 70s and 80s in a Uganda that was going through a series of terrible civil wars. Idi Amin has forced the British to leave and was purging local ethnic groups. He was ousted in 1979 but this resulted in a 6 year civil war with Yoweri Museveni eventually solidifying as an autocratic dictator, bringing much needed stability. Yoweri still rules today.
Growing up, Issac cites his love of films with Bruce Lee, Arnold, even the Italian Bud Spencer movies. These all inspired him to become a film maker.


So Issac works on his films and in 2010 throws up the trailer for Who Killed Captian Alex on Youtube. It gets a few million views and Alan in New York sees it. He decides to drop everything and try to find Issac. The Muzungu (Muzungu is a Swahili term for wanderer but is slang for foreigner) eventually finds him in one of the poorest regions in Uganda, in the ghetto of Wakaliga outside Kampala. The conditions of Wakaliga are colonial tier, little running water, frequent power outages, open sewerage ditches, plumbing non-existent. Yet somehow in all this, with the power outages killing his hard drives (Tebaatusasula is another film Issac was working on but is now considered lost media because a power outage killed the drive the footage was stored on), him relying on hand held cameras and CRT monitors and what looks like Windows 7, he somehow works at trying to get together the completed film. With Alan's help, he starts a kickstarter in 2015 asking for $160 USD to finish the film or 600k Ugandan Shillings. He receives 13K, or 50 million Ugandan Shillings.


From here things just explode, Captain Alex is released for free on Youtube in 2015. Bad Black, his next film is released in 2016. In 2017, Bad Black is shown for the first time internationally at the Seattle film festival. And Issac and Wakaliwood are now known internationally, all thanks to Uncle Muzungu.

One of Issac's Goals that he states in the documentary is training the next generation of film makers. That while they live in this era of stability and have an income thanks to the successful kickstarter, he can afford to pay his actors and talent to help grow the local industry. Ramon Film Productions is an actual LLC today, there are child actors in the ghetto that are training in Kung Fu to star in Issac's movies. The Ugandan film industry is now creating about 200 films per year, some of which have won awards internationally. I'd say he got his wish.

In closing, if you haven't seen a Wakaliwood film, you should. Captain Alex and Bad Black are up on Youtube and they're only an hour long. The documentary can be found on any streaming site or through the sketchy YTS site that strangely was a BDrip and came with subs. I'd recommend watching this to see what happens when someone with passion puts something out there and filmmakers support him not out of some "White savior complex" some reviews are saying but because Issac is a fellow film maker and they want to see what he can make when given the proper level of support other film makers in the west have.
I know RLM have mentioned these guys and Issac himself has mentioned Space Cop but I'd still like a proper vid from them on Wakaliwood movies. It's a perfect thing they haven't touched for some reason.

Two more vids, one on the VJ's or Video Jokers. Think of an audio commentary for a movie that's actually funny. The BD releases of Alex and Black both have audio tracks without Emmie and it's a worse experience, he brings so much.


The other is of the prop maker. He made a minigun prop out of scrap metal and a lawnmower engine. It spins.

And the Mad Max looking bike he has at the end.
 
Última edición:
So apparently three shows called "Utopia" came out in 2014. One from the Netherlands, one in the US (that's supposedly based on the Dutch one), and an Australian one that's a comedy instead of a drama. So far I've only found the Australian one. Another one came out a few years ago, but that one is about a magic comic book and isn't as interesting.
 
I just rewatched Joker again today. I saw it in the theaters when it came out. It impressed me then, and it actually improved on a second viewing. It's a remarkable film, especially considering its capeshit origins (and the obviousness of its influences).

You really don't want to have to say cringey shit like this, but it's absolutely an important movie. The screenwriter tapped into a cultural tension that was waiting to explode just a few months after the film was released, and I think that's one of the many reasons it was a huge success. There is tons of substantial stuff to analyze in the movie (allusions to real people and events, really cool artistic choices, interesting parallels you might miss in a single viewing, etc.), but normies don't think about all of that. They think about how a movie makes them feel, and this profoundly dark and depressing movie felt right to a lot of people. That's worth considering.

There should never have been a sequel, but good on Phillips for going in a crazy direction if one had to be made. I'm not even remotely a Lady Gaga fan, but her casting seems inspired and probably not a result of studio influence. She might be the right person for the job.
 
There should never have been a sequel, but good on Phillips for going in a crazy direction if one had to be made. I'm not even remotely a Lady Gaga fan, but her casting seems inspired and probably not a result of studio influence. She might be the right person for the job.
There's also the fact that Joaquin Phoenix absolutely knocked it out of the park. "You wouldn't get it."
 
I watched the new “Road House” movie and now I want 2 hours of my life back.

It’s amazing how disjointed a plot becomes because they want to give every single faggot/tranny/nigger some air time.

It reminded me as to why I hardly ever watch modern movies.

I guess I’ll have to go and watch the original, which I had actually never watched before.
 
Where did you find that? I was only able to find the Australian one which is a comedy.
Archive.org. Betonhaus, I can officially say you suck at finding out media stuff on the Internet. I'm sorry. Just explore around, you'd be surprised how many places you have to find free stuff in.

With that said I have no idea where to start looking for Kage no gundan season 2, it's just nowhere on the fucking Internet. I was able to find season 1 on some Japanese blog but season 2 escapes me. Same with yagyu conspiracy, if I could just get my hands on that.
 
Atrás
Top Abajo