Production for it was rushed in hopes that the movie would do better than Monsters vs. Aliens in terms of kickstarting a new franchise, and honestly looking at the visuals, it somehow shows as it feels more like a rendered cutscene for a PS3 game. 2 and 3 improved a lot with visuals, yet like the first, they are also very consistent with quality.
Don't tell other people to do research when you yourself got your facts wrong. Beetlejuice TAS started in 1989.
Implying that neither He-Man nor Transformers were quirky and imaginative.
Or that the Simpsons came out in the '80s because there were some shorts on Tracy Ullman's show and the first episode aired in 1989. I remember being slightly pissed about that because it basically signaled the end of Groening's Life in Hell books which I liked at the time. It was still pretty good through most of the '90s.
I'm sure, if he had more to do with The Simpsons than he did for his strip. He kept it going until 2012. Perhaps what we need is a complete Fantagraphics release if it.
Groening stopped doing these in favor of milking his Simpsons and Futurama shit.
I'd buy a Fantagraphics reissue, either one of them in a huge volume with literally everything or a series of smaller graphic novel sized reissues.
I thought about the same about Tear Along the Dotted Line as you did. This World Can't Tear Me Down revealed the absurdity of the main character in the first one. Zero is pathetic.
Rango is also a great animated movie that came out that same year. Tintin comes close, in my opinion, yet I'm also pissed that Tintin never had a sequel.
Blame Peter Jackson, from my understanding he was meant to do the second movie but kept farting on
Peter Jackson focused his eggs on the Hobbit trilogy, and eventually producing Mortal Engines, and look how they turned out. Think about it, had Peter Jackson and Steven Spielberg focused on a Tintin serquel, then we would've lived in a utopian future.
At least we get to have an adventure with Prof. Calculus.
Lord knows what they do to the majority of the cast (all white men).
So go suck a dick and enjoy your autotune you soulless dickless fuck.
Maybe I should watch that Tintin movie. I utterly loved Tintin as a kid and have been horrified at virtually every adaptation of every other thing I loved that I just never watched it to avoid new trauma.
If you've seen Zero's work he's a band scene kid hipster who got old. He patterns himself after La Haine-watching high school resistance grifting, the European variety. If you thought I was criticizing American rock or even stating an opinion on music at all you're mistaken.
It's really good. Even as a film from Spielberg, it never came across as preachy or manipulative unlike most of his other works. He and Peter Jackson are well aware that they're doing a Tintin movie, and if anything, it's an amazing adaptation of it. I'd say the only negative thing I have is that the animation in it is outdated that, even in times, it just looks like a PS3 rendered cutscene. Still, it's a great watch, and I even recommend it for those who want to get into Tintin.