🐱 10 Harsh Realities Of Rewatching Anime

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Classic anime series are often ranked by rewatchability, and avid otaku love nothing more than sharing old favorites with new friends. But rewatching a personal favorite can have some definite downsides.

Anime often act as time-capsules, reflecting the era that created them as well as the mindset of the audience that enjoyed them. Memory is fickle and the sands of time can be cruel. All too often, rewatching a series leaves fans disappointed, wondering why a beloved show has lost its charms or how they fell in love with it in the first place.

10 It's Not Easy To Write Something Timeless​

Knowing a punchline doesn't always ruin a joke. Many great comedies improve on a rewatch because anticipating a great gag can be as rewarding as being taken off guard by one. But it takes an especially clever writer to write jokes that remain humorous years after airing. Too often, jokes are dependent on cultural touchstones that soon lose relevance.

While most jokes in Gekkan Shojo Nozaki-Kun are funny years on because they're tailored to the characters and situations they find themselves in, other comedies aren't so lucky. Offbeat, inappropriate humor made the Ghost Stories dub infamous, but it doesn't work anymore. Jokes about Rosie O'Donnell and principals being lesbians just don't jive with modern sensibilities.

9 Formulaic Patterns Become More Apparent​

Every genre has its tropes and clichés, and this can hamper a rewatch. After a while, one isekai becomes indistinguishable from another. Going back to rewatch earlier entries in the genre is often disappointing because isekai, arguably, have improved a great deal since Sword Art Onlinereally popularized the genre.

Similarly, watching older mecha shows can be challenging in a post-Evangelion era. Magical girl anime that aired prior to Madoka can feel vapid. When a series is built to match the confines of a very specific mold, there is little point in rewatching it after the mold is broken. After all, there are a dozen similar series on the horizon, and only so much time in a day.

8 The Twists Are Twists No Longer​

Credit where credit is due: Death Note remains a tense viewing experience on a second viewing. Yet, knowing the results of Light's decisions, the plot points to come, and the unsatisfying demise of several key characters to come can't help but deflate the story.

While suspense series don't necessarily become a dirge on a second watch, some degree of their luster is inevitably lost. There's no recapturing that surprise twist.

7 Time Is Often Unkind To Animation​

Shows that were instant classics when they aired haven't often fared well as animation technology has improved. The advent of digital and flash animation, now more seamlessly integrated into 2D storytelling, has revolutionized anime.

But there were always series that, quite simply, never had the budget or time to deliver on an aesthetic front. Not to mention, character designs and art styles go out of fashion. Trigun is a great show, but it's undeniably a dated show.

6 Storytelling Can Age Poorly​

A romantic comedy that begins with the threat of sexual assault simply doesn't hold up in the modern world. It's hard to recommend shows like My Little Monster because the implications of sexual violence are inexcusable. Similarly, fans have their reasons for avoiding newer shows like The Rising Of A Shield Hero or Mushoku Tensei, given the controversies that have plagued both.

Such misfires are particularly notable in the BL and yuri genres, where sexual assault was long treated as a standard stage of courtship for same-sex characters. It's impossible to watch series like Junjou Romantica without feeling extremely disturbed, but, at the time, when the show first aired, some queer fans were willing to take whatever representation they could get. These days, series like Given and Yuri!!! On Ice suggest the bar can and should be higher.

5 Distance Makes Nostalgia Grow​

Kill La Kill is, in the minds of many an otaku, a fantastic show. But trying to recommend Kill La Kill to anime newcomers can be an uphill battle. The show is sexualized (intentionally, but undeniably) to an incredible extent. And while devotees can argue that TRIGGER was trying to be progressive and even feminist, it can be a lot to ask of a new generation to stomach a series this full of fanservice, no matter how fun the ride.

Kill La Kill was once an almost revolutionary anime. But that's the reality of being groundbreaking: what was once progressive can become regressive.

4 Pacing Problems Become Hard To Ignore​

Watching filler episodes once is hard enough, but on a rewatch, even devout fans won't think twice about skipping One Piece's Davy Back Fight fillers or Naruto Shippuden's Allied Mom Force!!! arc.

Fillers are annoying, but it goes deeper than that. Filler episodes bog down classic shows significantly. This is especially true for shonen hits. When a series like Naruto is rewatched in a series of binges rather than single episodes weekly, the pacing quickly goes to the dogs.

3 The Novelty Wears Off​

Sometimes, the charm of a series comes down to how unique it is. One-Punch Man was a refreshing shonen satire, and there's nothing Gintama can't lambast. When a showa-era series was reimagined for a modern era in Osomatsu-San, the novelty was matched by a zany script and oddball characters.

But being quirky isn't enough to sustain a legacy. While these series are certainly beloved, they had the good fortune of arriving precisely when they needed to, riding the zeitgeist to perfection. Rewatching them years later fails to capture what made them so special, especially since imitators have followed in their wake, cheapening the novelty.

2 The Comparison Mindset Kicks In​

Shonen is the most popular anime genre on a global scale, but this popularity has its pitfalls. Shonen clichés are well-known and often exhausting, and though "chosen one" narratives and powering-up are certainly appealing to fans, sometimes, watching a new shonen series feels exactly like watching an old one.

It's not really fair to compare early Dragon Ball Z to Demon Slayer, but that's the way human minds work. And while current shonen hits are indebted to the classics, it's hard not to appreciate how far anime has come.

1 Rewatching Even True Classics Has An Inherent Downside​

Some shows are actually better on a rewatch, but even this can be rough on fans. Classic shows can prove to be truly unmatched. Rewatching Fullmetal Alchemist: Brotherhood confirms for most otaku that the series is among the best shonen series ever made. The characters are fantastic and nuanced, the story wrenching and ambitious, the worldbuilding immense. Rewatching Brotherhood is never a bad idea, but take heed: anything watched immediately after a masterpiece can't help feeling like a letdown.
 
Thing is, some older animes may not have aged great...but most did.

Western cartoons of today tho? Always shit, forever, ever and ever.

Not a real weaboo, no whinging about 'buying physical DVD's' nor accessibility issues.

Kissanime and other sites do more for accessability and preservation than so called Streaming Services and distributors ever did.
 
FMA 2003 is better. Brotherhood is the Saturday Morning cartoon version of it.

This. 2003 was a complete and well paced narrative where the story choices had weight and characters paid actual prices to get where they were or for the forbidden knowledge they had. The main villian, Dante, was a all too real human who couldn't accept they were mortal and did everything they could to run from death. Father was just blantently uninteresting, "I'll remake the world because reasons." Aka the standard Shonen villian tripe.

Brotherhood was a by the numbers standard Shonen show where everything was fixed and hunky dory at the end. Nevermind the anime adaption speed ran through the first 25 episodes and had terrible pacing to get past the lab parts.

The 2003 show is probably the best example I've seen of a group running with an author's original idea and doing better than that author by the end.
 
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i mean it's great if people like this don't watch anime. i doubt these people are buying bds and dvd sets to keep the industry afloat.
 
Most popular anime on the west are shounen series aka cartoons for children and young teenagers and though there are plenty of creative, well written and memorable shounens out there those traits don't seem to define the genre.

Anime is particularly formulaic so as to appeal to an undetermined number of children who hopefully may convince their parents to purchase whatever merchandise is associated with the cartoon.

Things such as aimless plot and pacing issues are not detrimental to a cartoon as long as the target audience is made of easily impressed kids. To an audience of adults though your cartoon might as well be unwatchable.
It has been a long time since I watched FMA but if memory serves me right the anime was pretty avant-garde and broke a lot of conventions in the genre.

I prefer it over the Brotherhood series exactly for that reason and also because it did away with the manga storyline about pseudo Chinese alchemists.

I got burned out of Anime some time ago and have yet to watch any current shows. Doesn't help that most current series seem to be convoluted sequels, pedo bait or generic isekai.

The industry can call me back when they finally release an anime adaption of Psyren.
 
Father was just blantently uninteresting, "I'll remake the world because reasons." Aka the standard Shonen villian tripe.
Not a single time does Father talk about "remaking the world". If anything, his motivations are extremely similar to Dante, scale aside.

He's driven by a relentless hunger for freedom. He sought to transcend the boundaries of his flask by sacrificing an entire civilization, he sought to transcend humanity by seemingly purging himself of his cardinal sins (which become the homonculi), and he sought to transcend the physical order and "god" by consuming it and thereby acquiring supreme power and knowledge (through sacrificing another civilization). And he ends up getting punished by said laws and said "god" by having even his freedom stripped from him after getting his ass pummeled by the same humans he looked down upon (in part because he never actually shed those aforementioned human flaws), one of whom (Ed) is rewarded for embracing that he's "only" human (something that gripped him with despair when he realized it after the Nina incident) with his arm and his brother at the cost of the alchemy he once boasted in as making its practitioners effective gods.
 
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5 Distance Makes Nostalgia Grow​

Kill La Kill is, in the minds of many an otaku, a fantastic show. But trying to recommend Kill La Kill to anime newcomers can be an uphill battle. The show is sexualized (intentionally, but undeniably) to an incredible extent. And while devotees can argue that TRIGGER was trying to be progressive and even feminist, it can be a lot to ask of a new generation to stomach a series this full of fanservice, no matter how fun the ride.

Kill La Kill was once an almost revolutionary anime. But that's the reality of being groundbreaking: what was once progressive can become regressive
Fuck you, Kill la Kill is still fantastic and still almost revolutionary. Nothing else is doing what it did.

I will agree that some old series have jokes and references that don’t hold up, and some of the art in older series is ugly and you can definitely recognize tweening and pan-across-backdrop shots.

But a lot of those old practical cost-saving tricks are really awesome and ingenious- things that modern directors probably will never need to use, but should know about so they can maybe, someday, reference them or come up with their own smart solutions to problems. Part of the reason Studio SHAFT is so neat is that they clearly have a love for the medium and enjoy playing with the format itself as part of the art.
 
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Most popular anime on the west are shounen series aka cartoons for children and young teenagers and though there are plenty of creative, well written and memorable shounens out there those traits don't seem to define the genre.

Anime is particularly formulaic so as to appeal to an undetermined number of children who hopefully may convince their parents to purchase whatever merchandise is associated with the cartoon.

Things such as aimless plot and pacing issues are not detrimental to a cartoon as long as the target audience is made of easily impressed kids. To an audience of adults though your cartoon might as well be unwatchable.
It has been a long time since I watched FMA but if memory serves me right the anime was pretty avant-garde and broke a lot of conventions in the genre.

I prefer it over the Brotherhood series exactly for that reason and also because it did away with the manga storyline about pseudo Chinese alchemists.

I got burned out of Anime some time ago and have yet to watch any current shows. Doesn't help that most current series seem to be convoluted sequels, pedo bait or generic isekai.

The industry can call me back when they finally release an anime adaption of Psyren.
It really is a shame, some of the more Seinen series can be good on their own. They don't sell like shounen because Japanese Otaku want simple escapism, not stuff that might make them think about their shitty lives.

I'd set fire to JC Staff or A-1 if it would get another season of 3-Getsu.
 
Whining about lame jokes that only exist in a bad dub is kind of lame.
 
If you can't watch Gundam 0079 or Future Boy Conan because of the animation quality, you are an inferior man. Jokes aside, an adult should be able to enjoy media while taking into account how it had to be produced at the time and what it did to advance the medium, not just looking at the bright colors like a mongoloid.

And 9/10 of these are just about how difficult life is when you decide that the purity of your media consumption is a meaningful political act. It's japanese cartoons, if you choose to be into them have at least the balls to like them for what they are.
 
What, you don't like shows with high school girls too dumb to watch a gas tank needle?
If this is what anime is nowadays no wonder it's full of trannies and zoomers, if you showed this to the 80's anime junkies that hated on shit like haruhi back then they would have a stroke
 
If this is what anime is nowadays no wonder it's full of trannies and zoomers, if you showed this to the 80's anime junkies that hated on shit like haruhi back then they would have a stroke
Should up! Its a heart warming tale about some orphan girl or something like that falling in love with the freedome a a scooter gives.
It makes my heart feel warm and brings back momories from the time i was young and had a scooter.

I like chill stuff, it runs on the TV when i make food. I also like a show about people in orbit cleaning up debris...
 
I rewatched Robot Carnival this year because CrunchyRoll recommended it on mobile but not my TV. Man that was a blast from the past, it really holds up.
 
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