🐱 Marvel Woke A Disaster: 'Eternals' Delayed With 'Shang-Chi' Box Office Bomb

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Kevin Feige's woke Phase 4 approach is turning out to be a disaster of epic proportions as now it is reported that if Shang-Chi bombs at the box office, which it is expected to do, that Disney will delay the release of Eternals.

The info comes from Vulture's report about how Sony is going to further delay the release of Venom 2, where the site reached out to additional studios sources to see if there would be similar delays, where it's noted that Marvel could delay the release of Eternals if Shang-Chiunderperforms, which follows Black Widow being a colossal catastrophe:

Among studio sources reached by Vulture, the short-term outlook is that autumn’s big films (such as Dune and Top Gun: Maverick) will most likely stay on their scheduled release dates — although Marvel Studio’s Eternalscould be delayed if the 24th MCU entry Shang-Chi and the Legend of the Ten Ringsunderperforms at the box office upon its September 3 release.
Recent estimates have the Shang-Chi opening box office as the lowest debut of any MCU movie, including lower than Ant-Man's $57 million and The Incredible Hulk's $55 million, with a range of $35-55 million.


Disney losing faith in Marvel​

Similar to Black Widow, Disney seems to have lost faith in the Marvel brand, as following Disney releasing Black Widow at the same time in theaters and on Disney Plus, which has spawned a lawsuit from Scarlett Johansson, Disney announced that following a 45-day exclusive release, Shang-Chi will be made available digitally--something that has sparked controversy in regards to comments made by Disney CEO Bob Chapek and Shang-Chi star Simu Liu.

"We are not an experiment," said Liu in regards to Chapek's comments about how Shang-Chi getting an experimental release. "We are the underdog; the underestimated. We are the ceiling-breakers. We are the celebration of culture and joy that will persevere after an embattled year. We are the surprise. I’m fired the f**k up to make history on September 3rd; JOIN US."

It should be noted that, obviously, Disney was aware Black Widow was going to bomb big time which is why they released it right away on Disney Plus, as Disney makes a lot more money from Disney Plus purchases than movie theater tickets.

It also seems obvious that Disney thinks Shang-Chi will be a bomb which is why its 45-day theatrical release is considered an "experiment," and Disney apparently thinks the upcoming November release of Eternals will fail as well, hence the release date change.

When the movie stars are suing or feuding with the studio or siding with one another against the studio (Elizabeth Olsen recently came out in support of Scarlett Johansson) that shows just how bad things are.

Feige's woke MCU approach is a bust​

Feige's woke approach doesn't look to be getting any better as upcoming releases include a slate of woke content, which is where characters are changed for the sake of political correctness and/or the liberal agenda is promoted at the expense of quality story:

Shang-Chi - Simu Liu recently said the film "will change the world" and will finally give the audience an "aspirational" Asian character (though that doesn't necessarily mean the movie will be woke).

Eternals - gender-bent, race-swapped characters; regarding the story, the trailer revealed that although the entire universe was threatened by Thanos, they decided to stay out of it (makes sense, right?).

Hawkeye - Jeremy Renner replaced by Hailee Steinfeld's Kate Bishop.

Ms. Marvel - politically oppressed Muslim character (that replaced Carol Danvers in the comics).

Doctor Strange in the Multiverse of Madness - with Marvel Comics killing Doctor Strange, a new woke MCU Doctor Strange is speculated; it's also known Feige wouldn't allow Benedict Cumberbatch in WandaVision because he's a male character (ditto for Robert Downey Jr. and The Avengers in Black Widow).

Thor: Love and Thunder - Natalie Portman becomes the Female Thor; Tessa Thompson's Valkyrie is looking for her "queen" of New Asgard.

Black Panther 2: Wakanda Forever - rumors offer Shuri will become the Black Panther and that Ironheart will be introduced in the movie who replaces Robert Downey Jr's Tony Stark in MCU. In the comics, Ironheart is a teenage girl who steals Iron Man tech and is allowed to keep the Iron Man suit, though she is a child and has no superpowers (see how the story gets sacrificed for wokeness?).

Captain Marvel 2: The Marvels - just watch the first movie, and The Marvels will feature Brie Larson ('nuff said?), Teyonah Parris as Monica Rambeau and Iman Vellani as Ms. Marvel; the director recently said the movie is about "pain and trauma."

Guardians of the Galaxy 3 - unknown how woke James Gunn will go, but he may feature a woke version of Quasar, and the comics have gone completely woke; interestingly enough, Gunn is leaving Marvel to go back to DC, so maybe Guardians 3 won't be all that woke and is the reason why Gunn is heading back to DC.

Blade - unknown, though look for something about Blade's daughter.

Deadpool 3 - Ryan Reynolds sold out his writers for two female newbs (as demanded by Feige and Marvel).

Fantastic Four - rumors offer Feige is going with a diverse version of the characters.

Captain America 4 - Chris Evans replaced by Anthony Mackie's Falcon, a character with no super powers.

Moon Knight - TBD.

She-Hulk - unknown, but likely woke as it will feature the goofy version of Mark Ruffalo's Hulk (men are bad, etc).

Armor Wars - the original comic featured Tony Stark as Iron Man getting his tech back from various villains in what is one of the best Iron Man stories, IMO; obviously, James Rhodes replaces Tony, and it is said Ironheart will be in the series, again who replaces Robert Downey Jr's Tony Stark.

Ironheart - woke like the comics (see above).

Secret Invasion - unknown.
 
If they cross-gender Galactus will he then become Galactits?

OH RIGHT! This has that wannabe chinknigger. The water bottle girl.

Damn, Disney, you fucked up worse than I thought. There's no way in hell any theatre will hold this movie with her in it -- and if the CCP is fully aware of her degeneracy will recognize she weakens the spirit of the Chinese people and outright ban the film.
Not sure who you're refering to. I think they're more annoyed about the male lead, who is some goofy looking chink who settled in Canada
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could've picked a Chinese dude who didn't look goofy while smirking
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If you're going to replace male characters with female characters, you need to give them really banging titties.
 
Not sure who you're refering to. I think they're more annoyed about the male lead, who is some goofy looking chink who settled in Canada
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could've picked a Chinese dude who didn't look goofy while smirking
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Oh, you mean they don't like to be compared to a softboi.

I thought you were talking about Awkwafina. She recently got in trouble for speaking AAVE or whatever and taking "blackness" to make her fame. I don't think the CCP would like a Chinese-American acting black in front of impressionable youth. Her infamous role seems to be this character from Crazy Rich Asians where she just plays a sassy black girl type:
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China's reaction to her in Farewell was that she was too plain to be representing the Chinese in film, so she might be in the same boat as that guy. Even though they were happy to parade her Golden Globe win.
 
So much of this shit leads straight to Kevin Feige trying push wokeshit. Did they just give him full control at Disney for producing (Not writing or directing) Black Panther and Endgame?

Did they not see how that exact scenario worked with Kathleen "The Force is Female" Kennedy and Star Wars?

I thought Disney was the company that could keep pimping cashcow franchises forever. When did they become experts at destroying cash cow franchises instead?


As for what they should've done for Phase 4? There were some ideas and notes leaked from the writers.

Supposedly they were going to reveal that Titan and a lot of the galaxy was destroyed long ago by "A cosmic force that appears when the population of a galaxy becomes too large and consumes entire world until the populationis culled" (Galactus)

The galactic population was getting high again and Thanos' Snap was him trying to save the galaxy from Galactus reappearing and devouring whole world's again, reasoning that a worlds with half the people are better than a multitude of dead worlds with no people.

The Snap/Unsnap shennanigans were supposed to end up attracting Galactus anyway. But as a side effect of the Snap, people started developing Mutant Powers and Mutants started being born. X-Men ensues and you have some superhuman teams that can stand against Galactus.

No idea what happened to that. Maybe they couldn't get the X-Men rights, maybe it wasn't woke enough. But they seem to have scrapped it for pure garbage.
 
Hollywood just needs to go back to making Westerns and War movies that’d come out every other week and that were so cheap to film they could do it on the studio backlot in six weeks.
Maybe throw in a few suspense films with dames speaking with a Mid-Atlantic accent or a sword-and-sandals flick for variety.
Now you have these bloated monstrosities that cost half a billion dollars to film, need ten thousand staff from LA to Korea to London to India to produce all so some actors can stand in front of a green screen in a silly costume batting the air like retards pretending to kill endless waves of robots or aliens.
(Robert Downey Jr as IronMan WAS cool though).
 
Seems like all the new movies in America are just 3DCG cartoons, superhero movies, and horror films.
Horror always has an audience. Drop any micro budget horror and horror spergs will go see it and bitch afterwards if it sucks. The return on horror movies will always guarantee movie goers will have crap horror movies dumped out
 
As a horror fan I can attest to this. Horror is a weird niche genre that doesn't really stop or go out of style like others do.
 
Or that she is German-Palestinian. That’s ultra-anti-Jew-combo for those always afraid managers in Hollyfuck.
I just figured that it was because it was gory and entertaining instead of the characters sitting around weeping about periods or trannies or tranny periods lol
 
Or that she is German-Palestinian. That’s ultra-anti-Jew-combo for those always afraid managers in Hollyfuck.
They really shouldn't be afraid of her. I don't remember the exact quote, but she said something along the lines of "I directed Green Street Hooligans because I wanted white boys to imitate the characters and fight and kill each other."
site works like shit for me for some reason and i can't quote people properly
 
They obviously didn't go woke enough. More trannies, more gayness, i want to see two men buttfucking in one scene and a tranny giving birth in another. More cishet hate, more degeneration, more blacks, less-whites. More uppity far-huffing speeches about how white man bad, straight man evil, gay black man hero. And where are these disabled superheroes? Are you saying someone in a wheel-chair couldn't fight crime? We have a blind super-hero, so why not one with MS?
 
I just figured that it was because it was gory and entertaining instead of the characters sitting around weeping about periods or trannies or tranny periods lol
I would love the slavers, or mother Russia from ennis‘ punisher max series as a movie or short series.
Those were good stories.
Kitchen Irish as well.
So many good ones but they took the Netflix one and fucked it too far.
 
Its like these people want us to believe that cinema began with Iron Man.
There's a reason why The Party in 1984 claims to have invented airplanes.....
It's as if the woke want to "memory-hole" the "toxic" world before 2015+.

Even the Millennials who are in the woke cult who were born in the 1980s.

Horror always has an audience.
At least horror can be "timeless" then?
 
Reminds me of this woke soyboy who lived in Japan and tried to make this crappy comic set in Japan, but he took this blunt woke approach to culture and later gave up when fellow cult members from the West told him to stop "cultural appropriation" or something like that. The guy then apologized saying that "only the Japanese can understand Japanese culture", as if race grants magical ability to learn a culture. That BS thinking ignores how children can learn a culture living in it, so why not adults who have lived in it too?

(comic was "Mahou Shonen Breafast Club" - a number of Japanese people who knew him liked it though)
 
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