Business Black Comics Alliance calls for #DCBlackout boycott - The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott.

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Yesterday the Black Comics Alliance, organizers of the #DCSoWhite campaign launched the second phase of their public protest: #DCBlackout, an organized boycott of DC Comics until they implement “meaningful structural changes are made regarding Black representation in their mainline continuity.”

The Black Comic Alliance is
a collective of content creators, journalists, and comic creators focused on amplifying Black voices, supporting Black creators, and pushing for equitable representation throughout the comic book industry. Through campaigns, journalism, community outreach, and industry accountability efforts, the organization works to ensure Black readers and creators are not treated as temporary initiatives, but as foundational parts of the medium’s future.

[Disclosure, one of the Black Comics Alliance organizers is occasional Beat contributor James Portis III.]

The organizer point out that the boycott is not rooted in hiostility, but rather “frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.”

The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott. But the movement is in its early stages, even if the conditions it is protesting are not.

In the meantime, who would YOU like to see as a Black DC character with their own ongoing? (My pick is Static, always Static.)

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Developing.



The Black Comic Alliance, the collective of content creators behind the viral #DCSoWhite campaign, officially announces Stage 2: DCBlackout, a coordinated protest movement calling on readers, supporters, and content creators to withhold financial support as well as cease content creation for DC Comics publishing initiatives until meaningful structural changes are made regarding Black representation in their mainline continuity.

Launched in response to longstanding concerns surrounding the treatment, investment, visibility, and sustainability of Black characters and creators within DC publishing, #DCSoWhite sparked widespread discussion across the comic industry and fan communities. According to the Black Comic Alliance, DCBlackout represents an escalation of that movement after what organizers describe as “continued inaction and performative responses.”

“In almost 50 years, DC has only had 10 Black ongoing series in its mainline continuity, with only 1 surpassing 50 issues, and not a single [title led by a] Black woman. They constantly blame sales, but they’re playing a game with the deck stacked against us. This needs to stop,” – James Portis III, also known as JPenumbra

“DC Comics chose to give a Confederate officer a series before a Black character. Not a good look. Black people only have value to DC Comics during February.”– Ernie Carothers, also known as Blerd Without Fear

The DCBlackout initiative calls for supporters to:


● Post on social media and call for DC Comics to publish 1-3 brand new ongoings for Black heroes in their mainline continuity with strong Black creative teams

● Cancel their pull list subscriptions for all DC titles, including ongoings, mini series, and collected editions, until a Black-led ongoing in mainline continuity is solicited.

● Raise awareness about the fact that digital sales are not valued the same as preorders of single issues

● Push for transparent, long-term commitment and investment to Black representation

● Support Black creators through independent and creator-owned projects

● Encourage industry-wide conversations surrounding equity, visibility, and sustainability

The Black Comic Alliance states that the protest is not rooted in hostility toward fans, creators, or the DC Universe itself, but rather in frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.

Among the concerns cited by the organization are:

● The lack of sustained, ongoing titles led by Black characters in the mainline continuity

● Short-lived initiatives without long-term commitment

● Limited marketing support for Black-led books

● Underrepresentation of Black editorial and creative talent

● Disparities in publishing opportunities, such as not valuing digital sales and not allowing titles to get to trade before cancellation.

“I want to ensure that the comic book readers of the future can see themselves within the pages of DC now and in the next generation,” – Charlie Wilson, also known as Captain Diesel

“The way DC treats its Black characters, especially Black women characters, is something that needs to be addressed. We all deserve better.”– Dr Kaori Knight

The Black Comic Alliance says DCBlackout will remain active until DC Comics publishes a Black-led ongoing in their mainline continuity and gives it promotion on the levels that would show faith in the title and a desire for it to succeed. The lack of transparency on how sales work, as well as the lack of support on display previously, as seen recently with the lack of promotion for The New History of The DC Universe: The Dakota Incident, cannot continue if they wish to say that “Black books don’t sell”.

Supporters can participate in the movement by using the hashtags #DCSoWhite and #DCBlackout across social media platforms and by engaging in discussions surrounding equity and representation within the comic industry.

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DC killed themselves by hiring the wokeslop, DEI writers that Marvel had finally fired, thinking they were "poaching talent". So now they have Gay Superboy, Troon Wonder Woman, and all sorts of other degenerate garbage on top of terrible writing.

Their "Compact Editions" and the "Absolute Universe" are the only reason they're not completely dead.

It's not like Luke Cage or Black Panther were created because someone had this awesome idea for the character, they were shat out by the then version of woketards to virtue signal what good commies they were.
Luke Cage used to be hilarious. At one point Doctor Doom skipped town while he owed Luke $200. So Luke assaulted Latveria by himself to get his money.

Doom was so impressed and confused that he paid Luke the $200 just to make him go away.
 
The sad thing is its not like Black men don't buy comics. They do. They just buy and read Batman and Spider-man. Peter Parker, not Miles Morales. They read GI Joe and Transformers. They read the same stuff as everyone else. What they dont read is the gay shit.
 
33 years ago, Milestone Media was launched to give da black people da comics that da black people wanted made by da black people who wuz so talented. They had a deal with DC to publish and market their comics.

And it all failed. One of the big things that they were scream about back then was how it was the fault of the damn white man. The white man didn't really understand that a black line of comics with black creators and black characters was really for all people. Not just black people. The damn white man who should have been buying these superior comics by black people didn't buy them.

Static was the only semi-meaningful thing to come out of it. If DC gets pushed hard enough, I would guess we will see yet another inevitable revival of Milestone and another failure of it.
 
The sad thing is its not like Black men don't buy comics. They do. They just buy and read Batman and Spider-man. Peter Parker, not Miles Morales. They read GI Joe and Transformers. They read the same stuff as everyone else. What they dont read is the gay shit.
I've never seen a normal black comic fan saying things like "Superman should be black!" That's just Tumblr or Twitter pandering to them. They really don't care, they want good stories alone.
 
It's not like Luke Cage or Black Panther were created because someone had this awesome idea for the character, they were shat out by the then version of woketards to virtue signal what good commies they were.

Black Panther was created by Stan Lee himself as an African Chief character right out of a Tarzan movie.

Luke Cage was created by a bunch of white people during the first "work marvel" wave in the 1970s. He was a black criminal who was subjected to human experimentation in prison, got super-powers and then used his powers to break jail. Then he did the natural black thing and moved to Harlem where he opened a storefront where he sold his services. They were trying to do a blacksplotation movie version of a comic and the early issues are incredibly weird.

The other fun one from that Era is white guy Don McGregor's Black Panther in the comic "Jungle Action". Black Panther has to go back to Africa to fight some black guy who hates black panther for not bein black enough and is burning down Wakanda. After 12 surreal issues of that, the final issues of Jungle Action shift to an incomprehensible and unreadable story where the Black Panther wages a half-ass war against the KKK. Issue 21 features a famous cover with Black Panther breaking free from being crucified on a burning cross.
 
All i can contribute is that Meg thee stallion and other hot big assed black women watch and read anime not marvel or dc.

DC's characters don't really swap as well marvel because anyone can be the 1st tier name cape like spiderman or captain amerikkka since the symbol is the hero. batman has to be bruce wayne, superman has to be clark kent. maybe there's flash or green latern but those are 2nd tier characters.

sometimes i think "why not make a black lobo?" but then i remember that dc and marvel shied away from machismo. it really is self sabotage.

e: think how fun black punisher would be.
 
Yeah, at this rate, I won't be surprised if their comics collect dust at the stores.
I have now been edumacated that these things were reprints of older #1 issues on awful paper, with the original $4 MSRP still marked. Not great marketing. Still, the covers looked awful. Weak art smeared with lots of grimy gray digital airbrush. It had the potential to be great for kids, but kids like color and action shots.
 
I wasn't even aware of it until "social justice" started going mainstream in early '10s.
Just because you weren't aware of it doesn't mean it wasn't happening. The Weather Underground were making pipe bombs in the name of "Social Justice" in the 70s, and after being given their slap on the wrist they all proceeded to become Uni professors. Commies have been waging a multi-generational culture war since before the Tsarists exiled Lenin.
 
We need a black superhero that represents the desired dreams and hopes of black Americans. Perhaps like a superhero who marries the mother of his children and raises them. And who doesn't use guns. Like a Black Batman but with family values.
 
The only nigger superhero I can think of is Blade and he's not really a nigger nor a superhero.

So yah...umm good luck with that boycott.
 
The Golden Age of Comics was the 1960s.

If you are reading contemporary mainstream comics today, WAYSA?

But it's still okay to read the underground comics, always has been. They don't give a fuck at all, just say what they want.
 
Stories aren't obligated to have black characters in them. Your autistic headcanons about characters who don't have a race aren't gonna become canon. If you want more black representation then create your own stories. Raceswaps as a concept are fine but it becomes retarded and contradictory when black characters become a protected class that can never be raceswapped even in fanarts.
 
I thought the Japanese fucking demolished the comic book industry?
Seems they have.

I know the local book store I go to from time to time is 30% books 60% Japanese comics and 5% magazines with the rest being coffee cups etc.
Steampunk_Moustache 4 years ago dijo:
It's a done deal. My local comic book store's western comics take up precisely one row of shelves at the absolute back end of the upper floor. It's been that way since 2015.

All through the 90's and 00's, it was the entire upper floor, save for the tiny manga section. Now the situation is completely reversed. Japan has utterly crushed western comics. People would rather read shit in black and white, backwards than read western comics. That's how shit western comics have been for the last 10 years.
- SJW Fatigue: Why Anime and Manga are sweeping the West - Kotaku In Action 2 - The Official Gamergate Forum
 
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