Business Black Comics Alliance calls for #DCBlackout boycott - The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott.

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Yesterday the Black Comics Alliance, organizers of the #DCSoWhite campaign launched the second phase of their public protest: #DCBlackout, an organized boycott of DC Comics until they implement “meaningful structural changes are made regarding Black representation in their mainline continuity.”

The Black Comic Alliance is
a collective of content creators, journalists, and comic creators focused on amplifying Black voices, supporting Black creators, and pushing for equitable representation throughout the comic book industry. Through campaigns, journalism, community outreach, and industry accountability efforts, the organization works to ensure Black readers and creators are not treated as temporary initiatives, but as foundational parts of the medium’s future.

[Disclosure, one of the Black Comics Alliance organizers is occasional Beat contributor James Portis III.]

The organizer point out that the boycott is not rooted in hiostility, but rather “frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.”

The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott. But the movement is in its early stages, even if the conditions it is protesting are not.

In the meantime, who would YOU like to see as a Black DC character with their own ongoing? (My pick is Static, always Static.)

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Developing.



The Black Comic Alliance, the collective of content creators behind the viral #DCSoWhite campaign, officially announces Stage 2: DCBlackout, a coordinated protest movement calling on readers, supporters, and content creators to withhold financial support as well as cease content creation for DC Comics publishing initiatives until meaningful structural changes are made regarding Black representation in their mainline continuity.

Launched in response to longstanding concerns surrounding the treatment, investment, visibility, and sustainability of Black characters and creators within DC publishing, #DCSoWhite sparked widespread discussion across the comic industry and fan communities. According to the Black Comic Alliance, DCBlackout represents an escalation of that movement after what organizers describe as “continued inaction and performative responses.”

“In almost 50 years, DC has only had 10 Black ongoing series in its mainline continuity, with only 1 surpassing 50 issues, and not a single [title led by a] Black woman. They constantly blame sales, but they’re playing a game with the deck stacked against us. This needs to stop,” – James Portis III, also known as JPenumbra

“DC Comics chose to give a Confederate officer a series before a Black character. Not a good look. Black people only have value to DC Comics during February.”– Ernie Carothers, also known as Blerd Without Fear

The DCBlackout initiative calls for supporters to:


● Post on social media and call for DC Comics to publish 1-3 brand new ongoings for Black heroes in their mainline continuity with strong Black creative teams

● Cancel their pull list subscriptions for all DC titles, including ongoings, mini series, and collected editions, until a Black-led ongoing in mainline continuity is solicited.

● Raise awareness about the fact that digital sales are not valued the same as preorders of single issues

● Push for transparent, long-term commitment and investment to Black representation

● Support Black creators through independent and creator-owned projects

● Encourage industry-wide conversations surrounding equity, visibility, and sustainability

The Black Comic Alliance states that the protest is not rooted in hostility toward fans, creators, or the DC Universe itself, but rather in frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.

Among the concerns cited by the organization are:

● The lack of sustained, ongoing titles led by Black characters in the mainline continuity

● Short-lived initiatives without long-term commitment

● Limited marketing support for Black-led books

● Underrepresentation of Black editorial and creative talent

● Disparities in publishing opportunities, such as not valuing digital sales and not allowing titles to get to trade before cancellation.

“I want to ensure that the comic book readers of the future can see themselves within the pages of DC now and in the next generation,” – Charlie Wilson, also known as Captain Diesel

“The way DC treats its Black characters, especially Black women characters, is something that needs to be addressed. We all deserve better.”– Dr Kaori Knight

The Black Comic Alliance says DCBlackout will remain active until DC Comics publishes a Black-led ongoing in their mainline continuity and gives it promotion on the levels that would show faith in the title and a desire for it to succeed. The lack of transparency on how sales work, as well as the lack of support on display previously, as seen recently with the lack of promotion for The New History of The DC Universe: The Dakota Incident, cannot continue if they wish to say that “Black books don’t sell”.

Supporters can participate in the movement by using the hashtags #DCSoWhite and #DCBlackout across social media platforms and by engaging in discussions surrounding equity and representation within the comic industry.

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didn't the Black Lightning guy troon out trying to get attention to his royalties-paying character?

His name was Tony Isabella. He trooned out at the age of 72 in 2025 and got one story worth of work from DC as a reward. He isn't black but he has rode the extortion train to get things every time DC does something with Black Lightening. He also created Black Goliath for Marvel in the 1970s.

He is kind of a lonely old guy who used to have a recognized name in comics that nobody cares about anymore.
 
I am getting really sick and tired of this seemingly endless "culture wars" bullshit that started with that "GamerGate" circus.
It did not start with GamerGate. GamerGate is when it got to where geeks could no longer ignore it. The Commie Bugmen have been waging this exact culture war against us humans for over a century.
 
I got a black superhero.

The Night theft.
His super powers are stealing from you without a sound, and the ability to hock said stolen stuff for crack money.
His arch nemesis? The Accountability.
A villain so horrible, the very name strikes fear in the chicken greased hearts of the black community.
But can Night Theft defeat villains he cannot even comprehend?
3foes.jpg
 
The sad thing is how fucking easy manga is to make.

Panty shots, cat girls, power scaling bad guys, "forgive me master, but I must go all out, just this once". Done. AI can churn out thousands of these in a second if you just ask it to focus on maximum commercial success.

It's so formulaic, but they just can't do it because evil can't create, it can only destroy things created by others.
 
i haven't read any absolute titles in a bit but didn't some characters get race swapped? barbara gordon comes to mind. and isn't the absolute green lantern a nigress? or does it have to be in the main universe for it to count? also I think it's easy to forget how fucking tiny american comics are as an industry, and how little any of this matters.
 
comic and manga are for faggots stop reading picture books for little kiddies and read something cool
 
I low key believe that if DC go full spectrum on non woke and release extreme series like "saint George Floyd" and play into the lunacy of it all, people would buy it just for the giggles and curiosity of the stories.
 
I actually didn't know this was a thing until this video randomly popped up in my recs. I think the video description is pretty apt at summarizing the situation:
"How you gonna boycott a company for not producing a book you don't buy to get a company to produce books you don't buy?"

I don't know why Marvel and DC consistently cave to retards that are not their customers. People screeching on Twitter (I guess now Blusky) don't read comic books. And if they do, they read only the gayest comics out there because they have no theory of mind and can't enjoy media unless they can literally self-insert and identity with characters in it. And when they do read these gay comics, they aren't buying them. They're reading them on readcomicsonline. Now, I use that site too, but I'm always consistently buying trades and omnis as well.

The problem has never been a lack of "good" black characters. There are plenty of black characters I like that a lot of comic book fans Also like. Static Shock, Luke Cage, Storm, Misty Knight, Vixen, Monica Rambeau, James Rhodes, Blade, Cyborg, Amanda Waller, etc. etc. But the problem is the writers are retarded. They don't know how to use these characters other than as cudgels to beat readers over the head with their retarded political takes they got from Blusky. And that's the main issue, because all the writers/creatives/editors are all social media addicts spending their time on places like Blusky, they think the retards screeching at them are their customerbase when they simply aren't.
 
While people have no culture, but the culture they don’t have is racist for not having more black people in it.

Meanwhile a black guy created Rippaverse comics out of fucking nothing and is doing great. Sometimes you just have to do it for yourself and not whine like little bitches because white people don’t want to do it for you.
 
Comic books have pictures, retard.
They still have a plot to follow and I doubt the average "future engineer" is gonna remember what they read by the time the next number is out two weeks later.

Seriously, there are black comic fans, but they're a very small number because most blacks' hobbies aren't reading a comic book (or reading anything) but rather riot, looting, and twerking.
 
I thought the Japanese fucking demolished the comic book industry?
I know the local book store I go to from time to time is 30% books 60% Japanese comics and 5% magazines with the rest being coffee cups etc.
Can you still buy comics in stores or are they made to order and shipped?
 
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